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My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.

I have a working-class approach to music.

I'm a songwriter-singer. I'm very vocal oriented, of course, but songwriting - no matter whether it's for myself or another artist - is of paramount importance to it all.

I appreciate good work no matter where it's coming from.

I'm a very emotional singer and songwriter.

I think that people relate on matters of the heart.

I'm very accepting of how people live their lives.

I think Pride, it means ultimately, finally, being able to live with freedom in some ways. Or, at least, that's what we're striving for.

My mom died before she knew I was gay, and my dad thought it was a phase, then realized it wasn't.

I would wear sunglasses all the time if it wasn't looked down upon in certain situations. I always thought I'd be someone who wore sunglasses like Roy Orbison.

I have a lot of stories about being mistaken for a guy.

I'd love to do something with Bruno Mars because I love his voice and the playful and intelligent way he delivers a song.

I only want to write a song with the people who want to write a song with me.

No matter what, if you write a song that's great that everyone expects to be a hit, then everyone's going to be expecting another one from you. If you write a song that no one notices, you're going to want to write one that someone will.

When I first got into the major label system, they were like, 'Hey, you're great - now write with a million people so we can get songs.' That was something I hadn't done before, and the songwriters I was working with had worked on some massive numbers - like 'True Colours.' One of the guys wrote 'Livin On A Prayer.'

I don't think a good singer or a great singer is either of those things without a great song.

I definitely felt the love from L.A. from the get go. People appreciate good music out here.

I was done with my second major label deal, and I was doing a lot of urban sessions, and I had an acoustic itch. And you know, I picked up a ukulele. I always wanted one. And it just resonated with me. I would wake up with this uke in my hand. For me the ukulele just opened this door in my heart.

'Girls Go Wild' was born out of a Joshua Tree excursion with some close friends after coming home from a long bit of touring.

I'm always working my own thing. A few times a week - I try to not go too crazy - I'm working with some other artist. But I'm constantly working my own stuff, and my own stuff seems to come in little bursts.

It's interesting when you write something for somebody else, and then you're like, 'Oh man, I just laid my whole trip on them, and they don't even know!'

If you leave songs sitting around, you do yourself a disservice. You have to put them out there.

Pop is like a puzzle: to write a perfect pop song, you never know, and there's so much that can happen in a second with a song.

I look on the outside how I feel on the inside.

I just want to feel free. If someone feels inspired by it, then fine.

I like diversity. I'd like there to be all levels of gay and straight, all different variations of gender, all colors, all creeds. I'm into seeing that.

I think one of the people that's done the most for the gay movement is Ellen DeGeneres.

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