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I wanted to be a dramatic actor. I never realized I was funny until I was 20-something.
I don't think Reagan is primarily funny, and I don't think he's primarily marvelous; he's complicated.
Wherever you find 'men together' - writing the rules, as at exclusive golf or other men's clubs, businesses, and lodges where they wear elaborate robes and funny hats - women are kept completely outside if possible and, when grudgingly admitted, to highly restricted areas or token status.
We went through all the scenes and they became kind of funny and they expanded a little bit and because it seemed to be working so well in the movie, they added a couple of things later on in the movie and that's how it turned out.
I play these sort of comical instruments I invented, like the electric rake and the electric plunger. I do a lot of almost stand-up comedy material. Just the juxtaposition of the different styles in itself sometimes is funny. Like, I do sort of an acoustic version of 'Purple Haze' that has some bluegrass licks in it.
I think it's so funny when people think they can't control a movie star. They can. We're just women, you know.
When you're out of sight for as long as I was, there's a funny feeling of betrayal that comes over people when they see you again.
It's hard to dislike a guy who's spouting off funny comments when he grabs a guy in a hold, you know? It's hard to dislike that, because it's entertaining.
I love rom-coms. Any will do. Films such as 'How to Lose a Guy in 10 Days' or 'Funny Face' with Audrey Hepburn.
It's so funny because if you tweet your lyrics and then you hear it in a song next week, you're like, 'Hey I had that same idea.' I'm very secretive with my music. We have to send emails password protected. Because once that song gets out, you aren't selling that thing.
What's happening with feminism in general is I think that, as a woman, you're not limited to being one thing or the other. You can be feminine and sexy and beautiful and hot and funny.
Fashion is really funny because it's something that should be subjective, but there are clear things that are chic or not chic. There are all these rules, but if the right person breaks a rule, then it becomes a trend.
I've worked for years with Michael Kors, and he's just like this funny, charismatic guy.
I think the best compliment you can receive is not, 'Oh, that was really funny,' but, 'Is that the first time you said that?' It's something that you've said a thousand times, but if somebody says to you, 'Oh my God, is that the first time you've done that?' you know that performance was where you wanted it.
It's not like every male comic you meet is funny. Like, a lot of them are not funny.
People don't realize it's not just about being funny, and they don't know how perceptive a comedian needs to be about human nature. You have to really be able to read a situation and peoples' emotions.
To be honest with you, the dramatic side is more fun to play because I don't get to do it as often as I get to do the comedy stuff. Most of my work in this business has been comedy, and that's sort of the way the cookie crumbles. I had not sought out to just be a comedic actor, but I think that's my default because I come from a funny family.
I don't think there's just one person for everyone. It would be very hard for me to be with a guy who was not bright or funny. And he'd have to see the absurdities of the world, not exactly as I see them necessarily.
There's nothing less funny than someone who looks cool. There's nothing more unappealing.
The funny thing about advertising is that it's not a zero-sum game... Historically, in the digital ad world, pie has gotten larger and it's possible for everyone to win, and it's perfectly possible that will continue to be true for quite some time.
It's funny: All my friends back home are always wondering why every television show I'm on is a drama, but all the comedy pilots I did died a slow and painful death.
I'm doing a very funny show in which we talk about issues. I speak at Aids charities and things. It's great to do something fun with our days and yet we're told we're doing something important.
At home in L.A., Sunday is lazy. It's the wife and me lying in bed with coffee, watching 'The Soup' or something funny on TiVo. The kid will occasionally join us. Eventually, breakfast is at a place down the street called Paty's. And we always have some kind of great dinner - my wife makes a great roast beef.
We didn't, with 'Will & Grace,' set out to change the gay world. We just set out to be funny.
Every day, there's something that makes you go, 'Is this Funny or Die?' That can't be a real headline.
It's funny, you'll probably find me more often watching soccer than a football game, because I get enough football in my daily schedule.
To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.
I like the idea of being out there regularly with an audience and with a funny gang of people. That's what I grew up with - doing television, doing shows every week.
You initially become funny as a kid because you're looking for attention and love. Psychologists think that's all to do with mother abandonment. I think John Cleese has his depressions, and Terry Gilliam's the same. All of us together make one completely insane person.
It just seems to me that there's no particular reason comedy albums should be dead. There's a lot to laugh at. We have very funny people, still.
'Wonder Showzen' is one of my favorite shows of all time. When I first saw it, I thought it was so funny and new and original and edgy and insane and subversive. I didn't know comedy could do that. It redefined what I thought you could do with a TV show.
I don't think I would do a straight late-night talk show, like a 'Tonight Show' kind of thing. But I'm open to whatever is done well. I don't have any agenda. I'm not like Fugazi - I'm not trying to be just so punk rock until I die. Whatever is funny is good.
It's funny - almost every comedian that I started out with moved to L.A., except for my two friends Hannibal Buress and Amy Schumer. And my two friends that are doing the best in comedy, the most successful friends I have, are Hannibal Buress and Amy Schumer.
I was going through a little bit of turbulence in my career. And so, it's funny how turbulence itself will make you hold onto something for security. And so the only thing I knew is trust in the Lord and lean not unto your own heart, in all thy ways acknowledge him and he shall direct thy path.
The funny thing about living at Longleat is that there's no 'typical' day, but I usually wake up around 6:45 A. M.
It's funny, we started writing chick-lit when it was just becoming a crowded marketplace, and now the same thing is happening with YA. It really used to just be one shelf at the library - Nancy Drew and Judy Blume.
It's funny, having the same name as someone. Me, Emma Watson and Emma Stone, the amount of times I've been called Emma Watson or Emma Stone is so funny. It's just 'cause we're all named Emma. None of us look alike.
I don't really have a type of guy I like. It's just like nice guys, cute boys I mean, ones that are funny.
I think 'Saturday Night Live', starting in the 1970s, really gave women an outlet to be funny. A lot of those women went on to have film careers, from Kristen Wiig now to Tina Fey and Gilda Radner.
My parents are both very funny but they're also relatively soft-spoken, normal human beings while I'm just a lunatic. I don't know where this loud, ballsy, hammy ridiculousness came from. I'm just glad I followed my goals and my parents did too. It's not like we even had a plan when I dragged my mom to Los Angeles.
I was just a ham since about the age of five. If I was performing at Medieval Times or something, I'd be the court jester. That was always my defense mechanism. I was never all that funny; I was just obnoxious and loud.
Trust is hard to come by. That's why my circle is small and tight. I'm kind of funny about making new friends.
For me personally, I just don’t have anything to prove anymore. I know exactly who I am, I know that I’m intelligent and acting dumb or acting like whatever. If that’s funny to me because I know it’s false then so be it.
I really hate misunderstandings - to a degree that it's hard for me to watch sitcoms, or any kind of funny movie where there's, like, this big mishap, or miscommunication. It gives me such anxiety that I almost can't make it through the movie.
People are apprehensive about finding 'The Leftovers' funny because it's such a dark circumstance, but I think, really, what the show is about is examining how different people deal with loss. There are elements of humour and levity and irony in that... just like in real life.
So what I do now is to pre-empt that by making the up into a virtue, and telling funny stories about how crap I am before people have a chance to notice it for themselves and think maybe I haven't realised.
What's great about having the live audience is you know immediately if you're funny or not. That always helped when we were doing 'Hannah Montana;' it teaches you if something worked or didn't.
It's funny, because I did all of these interviews as soon as I had the baby, and they were asking questions, and I really didn't have an idea of anything, because I was so blurry.
In America, funny women are allowed to be glamorous and funny, but over here, you're not.
It's a funny thing - when I'm crazed with work, spending time with my children relaxes me. Yet, at the end of a long weekend with them, the very thing I need to relax is a little work and time away from them!
It's quite funny. I grew up with my mother: as a designer, she was always working, and I actually used to say to her, 'Whatever you do, never leave me your business.'
Dominic Sherwood would always tell me a joke right before it was my take or my close up. He'd say a funny joke, and I couldn't stop laughing, even after they said, 'Action.'
It's so funny: whenever there's a new technology introduced, there's always this fear it's going to end entertainment as we know it. When records came around, they were going to be the end of live music. Nobody would ever want to go see live music again.
I would say just start writing. You've got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me - he didn't have a sense of humor. I don't know anything he's written that's funny.
I actually can't watch blood and gore and all those things. I watch Netflix shows with my hand over my face, like, peeking out. Which is funny, because I'm on sets all the time, and I know how those effects are done.
Yes, some women are funny. No, some women aren't funny. It's similar to how some women are tall and, you know, some women are short.
Men, who certainly possess not only the savvy but also the know-how to be funny, for some reason, are just not. I began to notice this at a pretty young age, and unfortunately, a lifetime of living - and not a little bit of regret - hasn't done much to convince me otherwise.
There are some extremely acceptable male comedians out there: Joel Osteen, Abraham Lincoln, the man who played Phil Spector in HBO's 'Phil Spector.' But even those guys, while insightful and amusing, aren't exactly funny.
Things that go on at Happy Times are very funny this year, and if you were watching last year, some of the people you saw then as basically extras emerge as real characters in their own right this season, at least to some degree.
For a long time, I refused to wear jeans. I liked high-waisted pants, but jeans made me feel like I wasn't being unique. Even now, I won't wear the skinny-jeans style, because most people wear those - they have to be baggier, boyfriend-looking, or sort of like a mom jean. I'm real funny that way.
Sometimes I'm really funny, sometimes I'm quiet, sometimes I'm shy, but I'm constantly changing.
I think I write funny songs that make people kind of, like, stop what they're doing and be like, 'What did you say?' And then it makes them laugh a little bit.
People always ask me, 'Were you funny as a child?' Well, no, I was an accountant.
My grandmother started walking five miles a day when she was sixty. She's ninety-seven now, and we don't know where the hell she is.
No matter how popular you are as a stand-up - you can go out and fill a 10,000-seat arena and be smart and funny - it's delicate to host an awards show and know where your place is and know that it's not about you, that it's about the people who are nominated, and respect that, but at the same time have your moment to show them who you are.
I had everything I'd hoped for, but I wasn't being myself. So I decided to be honest about who I was. It was strange: The people who loved me for being funny suddenly didn't like me for being... me.
Most comedy is based on getting a laugh at somebody else's expense. And I find that that's just a form of bullying in a major way. So I want to be an example that you can be funny and be kind, and make people laugh without hurting somebody else's feelings.
I'm not a fussy eater, but when I'm travelling, I try to stick to the same regime and just have my chicken and my mash and broccoli. Otherwise, you start eating all these funny delicacies, and it makes your tummy turn upside down.
Every time I do a play, I'm like, 'When do I get to do the one where I wear a gown, sit in a chair, and say funny things?' I'd love to do that.
By nature, my default place is a very introverted one, so it's funny to be in such an extroverted profession. I'm a little inappropriately in it.
Ordinarily, I'd claim that I'd never write directly about my children, but the opening conversation of 'Peter Elroy' is a verbatim conversation that my children had that I just loved: morbid, funny, passionate, and obsessed with the truth of things - all natural qualities of children that I'd like my work to contain.
What does being a woman today mean? Is there a right way of doing it? Is there a wrong way of doing it? Different kinds of women, female friendships: It's all pretty funny, and worth making fun of.
It's funny to be playing a mom. I mean, I'm not a mom in real life. I don't even have a dog.
I used to say, 'Man, I think I'd be a really good dad. I'll be a great provider. I'm funny; I'll go on trips with them - I'll do all sorts of stuff.' But the momming? I'm not made for that. I have a really good mom; I know what she put into it.
The funny thing about voice over is you can go in in sweatpants and have your hair all messed up, and no one will see you, and you can still deliver the same great product.
When you live in a leading lady's body, which I do, you have to constantly prove that you are funny.
Everybody complains about getting older, but I find it such a rich time of life. There are negative things about it, I suppose, but more than that, I'm finding it to be a very positive experience in which growth suggests itself in a much more alluring way than it did when I was young - isn't that funny?
It's a sad day when a woman being funny and interested in science is considered newsworthy.
The funny thing is, though I write mysteries, it is the one genre in adult fiction I never read. I read Nancy Drew, of course, when I was a kid, but I think the real appeal is as a writer because I'm drawn to puzzly, complicated plots.
Life is funny and it is interesting how we make it as serious as possible.
I was the female lead in a romantic comedy. It's a little indie film that we shot in China called 'America Town,' starring Daniel Henney and Bill Paxton. I actually had to speak Chinese in the film. It was funny because I found out I was doing the film and then a week later, I was in Shanghai.
If I'm not clear with the character, I can't do anything with it. But once I get that character, the possibilities are endless. When you have such a defined character, I feel like I can actually read the phone book and make it funny.
It's so funny, because when I was growing up in a small town in New Hampshire, I was obsessed with Leonardo DiCaprio - from the 'Growing Pains'/'What's Eating Gilbert Grape' era, because he was superhot - and I carried a laminated photo of him in my wallet and said he was my boyfriend. But no one believed me.
I heard that people were really interested in the new haircut, which I think is so funny. Great haircut, I really like it. It goes great with the time period. And I was super, super, super-happy to have my bangs swept to the side rather than straight in front of me, which I dealt with for three seasons. I'm very, very much done with that.
I really love 'Soapdish.' I wish 'Soapdish' had more of a moment because I felt that that is a really strong, funny movie. Kevin Kline is hilarious in that movie.
I remember my guidance counselor, when I told her I wanted to apply to Harvard, she paused and said, 'That's in New York, right?' The funny thing is, I didn't really know. It was a few weeks before I was like, 'No, I think it's in Massachusetts.'
I'd love to do Broadway. It's funny. I love it, but I've never actually seen an actual Broadway show, not even 'Hairspray.'
An early editor characterized my books as 'romantic comedy for intelligent adults.' I think people see them as funny but kind. I don't set out to write either funny or kind, but it's a voice they like, quirky like me... And you know, people like happy endings.
It's funny how the ruthless, murderous gangster has really been romanticized by the media. I mean, I grew up watching the 'Godfathers' and 'Scarface,' and they were the coolest. They're just really interesting stories with great characters. They're rock stars.
I have six locks on my door all in a row. When I go out, I lock every other one. I figure no matter how long somebody stands there picking the locks, they are always locking three.
I've never been married, but I tell people I'm divorced so they won't think something is wrong with me.
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