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Does it bother me that I'm attached to 'Three's Company' 30 years after? Not at all. All we were trying to do was be funny. How can I complain? That's all I wanted to do.
There are funny gay people, and there are funny Indian people, and that's why we watch TV, to laugh. It only makes sense to include all types of funny people, whether or not they're gay or straight or what have you.
I always enjoy conversation more if there is some substance to it - which is a just incredibly hilarious thing for me to say because for many, many years I was the guy whose only contribution to any conversation was, 'There was a funny 'Simpson's' joke about that.'
In entertainment, I adore Ricky Gervais in 'Derek.' His performance is unbelievably charming, funny and poignant. In life, I adore my girlfriend. She is the most adorable person I have ever met - from her silly jokes to her cute teeth to her little drawings.
That's the easiest job you can have in TV comedy, being the guy who just delivers the funny.
I enjoy making people laugh, but what I find funny and put online, others might misconstrue and find jerkish.
We've seen some insane signs: 'Is that a loaf of bread in your pocket, or are you just happy to see me?' Funny stuff along those lines. Very original. One just said, 'I will do unspeakable things.' I thought that was very interesting - and mildly terrifying!
It's funny, because '1600 Penn' was the first time I really started to read the reviews, because I am an executive producer and I wanted to see what people were enjoying and not enjoying as a means to an end, right?
Every man has his follies - and often they are the most interesting thing he has got.
There's a great power in words, if you don't hitch too many of them together.
I know from the middle distance I give off the look of being prolific, which is a funny compliment to receive.
When I was a kid, there was no distinction between a movie about old people or young people. It was either funny or not. It was either entertaining or not. It was either exciting or not. It was either thrilling or not.
So to me, Texas Hold 'em puts me to sleep. At least when you play stud, you can be funny as you deal. Somebody some day is going to come up with a Stud show that's going to work.
It's so funny; I grew up in the Midwest, I have two older brothers, and you're just as competitive playing football as you are eating pickled eggs, or trying to kill zombies. As long as you don't take it too far, I think it's a good way for people to relate.
Sometimes I feel like there are people just waiting for me to fall. The funny thing is, I can't give them anything. I have just never been a partier, even in school.
It's funny, but to me, when you go to a concert hall and hear electronic pieces from the '60s, I think they sound really dated. But when an orchestra plays a piece from that period, and it's going to sound different every time, it feels more modern to me.
Whether I'm writing a novel about a guy mourning the death of his father or whether I'm writing a show about people killing each other, you want to hear characters speak and be funny and witty.
My mother and father were very strange people. They tried to be funny which is always very sad to me.
I have never pretended to be any kind of super-religious kind of man, but I feel very strongly that you can be funny without being dirty.
That's a funny thing, fame. People definitely do treat you differently. When you begin to be successful, people say, 'Don't go changing.' Well, that's easy to say, but the fact is, you don't change at all - other people do.
The kind of funny irony is that a lot of people talk about ethical meat eating as if it's a way to care about things, but also not to alienate yourself from the rest of the world. But it's so much more alienating than vegetarianism.
For whatever reason, the films I gravitate towards do have these strange sort of tonal balances to them... I kind of realized on '50/ 50' why I liked these blending of tones, because I think it's kind of what life is like: funny one minute, sad the next, scary the next.
My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.
I like reading Ball Tongue lyrics and all that stuff. And they published a book, and I wouldn't give my lyrics, and it's all wrong in the book, and I giggle. It's funny.
The fact that the Kardashians could be more popular than a show like 'Mad Men' is disgusting. It's a super disgusting part of our culture, but I still find it funny to make a joke about it.
In all my years as an actor, I had never been me - I had always hidden behind my glasses, mustaches and funny voices.
When I was one day old, I learned how to read. When I was two days old, I started to write. By the time I was three, I had finished 212 short stories, 38 novels, 730 poems, and one very funny limerick, all before breakfast.
Part of my job as a presidential speechwriter (along with great writers like Jon Favreau and David Axelrod) was finding that sliver where 'presidential' and 'actually funny' overlap.
It's fun to do something funny and have the director laughing. It makes you feel good.
You, the actor, must be aware of when you're being funny, but the character you're playing should always be oblivious to the fact.
You want everyone to be great and funny. I'm not saying I'm great, but I'm funny.
This will sound funny coming out of my mouth, but I like to play characters that have an intelligence. It doesn't matter if it's a physical intelligence or emotional intelligence.
I had no desire to get up onstage and tell jokes. I prefer to stand next to really funny people.
I was always good at being observationally funny - like, contributing something funny to the conversation.
It is easy for me to love myself, but for ladies to do it is another question altogether.
I just said, casually, 'You know, I passed up on auditioning for Einstein.' And my friend was like, 'You idiot, you have to do it!' She made me do it. I sent the tapes off assuming that somebody would say, 'Ha ha, very funny.'
It's a real primal thing, watching someone get hurt. It's funny and accessible.
If it weren't for Philo T. Farnsworth, inventor of television, we'd still be eating frozen radio dinners.
People thought I was funny, so I kind of took entertaining for granted... it was inevitable that I'd start giving little performances.
Success is a funny thing. It means different things to different people. For me, I am always pleased when people connect to our brand. It means we are executing in a manner that speaks to a wide variety of businesses.
I think I gravitate towards people who express themselves in a simple and funny way.
People are often surprised that I am so upbeat. I'm always hearing, 'You're so light and funny, and your books are so dark and twisted.' There's a dichotomy. I like books that are dark and creepy. I don't control it - it's just what I gravitate toward.
It took me eight books to finally be at a point in my career where I could come out with a book and say, 'This is meant to be a funny book,' and we didn't have to make any bones about it.
I'm a huge fan of 'Kung Fu Panda.' I honestly think that Jack Black's voice work in 'Kung Fu Panda' is the best voice work that's ever been done. He's so funny, and it's such an endearing character. It really is great.
Republicans can be a funny bunch. They're against affirmative action, but they always seem to be able to find people of color to fill a slot just when they're most needed.
You just try to be true to your idea of what is funny and what is also interesting.
I like making fun of myself a lot. I like being made fun of, too. I've always enjoyed it. There's just something really, really funny about someone tearing into me.
It's so good to get up in the morning and see a donkey - they're just unbelievably beautiful and funny. My donkey Hector laughs when I walk towards him; he knows mortality when he sees it.
I do miss sometimes being onstage, because when I do film and television, it's usually so brief and funny.
I've been a fan of 'Survivor' for a long time. I even applied for a season. I made a really stupid audition tape. For some reason, I thought if I spoke in a German accent, whoever was casting would think it was funny and put me on the show. But that didn't work!
I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.
I like drama. I love being in a drama where I get to be the funny guy. That's what I really love the most.
Being funny is one of my greatest strengths. I can make girls smile when they're down, and when they're having a good time, I can carry on the joke.
Boston is actually the capital of the world. You didn't know that? We breed smart-ass, quippy, funny people. Not that I'm one of them. I just sorta sneaked in under the radar.
Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening.
The Islam of the 18th, 19th and first half of the 20th century was a poor thing. Nobody bothered about it. Islam was that funny sort of pure system of beliefs that depressed people in the Middle East held as their religion.
It's funny, I used to do a character that was just a baby - just an adult baby. I would get up onstage and complain about adult stuff, but as a baby. I was in a diaper, and I would require hugs from the audience and reassurance and stuff.
I love nothing better than a dirty cartoon. I think that it's really, really funny to see adult themes in a genre that's usually directed towards children.
The key to doing 'Harold and Kumar' movies is you make it earnest. Primarily what we do is make Harold and Kumar's relationship and friendship believable, and we don't actually work on being that funny.
Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'
I would do it today because the thing that appealed to me was not necessarily the mechanics of the robot, but it was his personality and how funny and charming he was.
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
It's funny, the power of music. I was watching 'Dracula,' the 1931 version with Bela Lugosi, and the only music you hear is at the very beginning of the credits. There's not one other piece of music; it's all silent. It's unbelievable, and it's very effective, too.
Do you know anything that in all its innocence is more humiliating than the funny pages of a Sunday newspaper in America?
The last person they expected to connect with a screenplay was the comedic, blonde actress with the funny voice.
I've never really understood that. It's a funny thing; people sometimes accuse us of condescending to our characters somehow-that to me is kind of inexplicable.
It's a funny thing because you look at the careers of other filmmakers, and you see them sort of slow down, and you realize, maybe this becomes harder to do as you get older. That's sort of a cautionary thing. I hope it doesn't happen to me.
The tricky thing becomes: Do you know yourself well enough to then portray that on screen? And for me, I find that really hard. I'd rather hide behind accents and funny walks.
I have a lot of funny friends, and we joke a lot, but I've never really played comedic parts.
Everything is so funny in the movie. The funniest thing about the movie is the transformations they were able to make with the characters.
We have actors from other films, from 'Baywatch,' and so on, and these people are looking exactly the opposite of what they are. The transformations were so smooth, and so funny to watch, it was unbelievable.
I had seen movies before that that had made me laugh, but I had never seen anything even remotely close to as funny as Richard Pryor was, just standing there talking.
I wouldn't totally rule out doing Letterman or the Tonight Show if I had a set that I just happened to write that I thought was funny but was still appropriate for network censors. But I'm not going to go out of my way.
Anytime you go to see a band with a guitar player, there's always a fear of guitar overkill! That's a funny question. If you went to a Taylor Swift concert or a Jay-Z show, people would think, 'Oh, my God, I hope I don't get guitar overkill.' People come to our show for guitar, and there can never be enough.
I think cheese smells funny, but I feel bananas 'are' funny. I'm assuming Swamp told the whole story of the executives seriously asking us to replace the banana with cheese because they thought it was funnier.
The people from 'The State' are close friends, but also some of the most incredibly funny people I know.
Dali had a good sense of humor - obviously you could tell just looking at him; he was funny.
I haven't watched 'Mad TV' a lot, but I have seen some stuff on there that is truly funny. You have to have some sort of attitude toward the subject, and they seem to have it. It depends on how much blood you want to draw.
It's been a funny life for me. Sometimes I feel I haven't done a lot of living.
I knew I was an unwanted baby when I saw that my bath toys were a toaster and a radio.
I hope they make a show like M*A*S*H, which dealt with a lot of difficult subject matter but was very funny.
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