Voice Quotes
Most Famous Voice Quotes of All Time!
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That is one of the coolest things about WWE and wrestling in general. The fans have this very unique voice and this very unique power, and in no other sport and no other form of entertainment can the fans make their voices heard and it effect change.
I grew up in Harare, Zimbabwe. And I had a pretty idyllic childhood. I felt that I was kind of this outspoken girl, I was considered. I was a girl who talked a lot and didn't think my voice had any less value than anyone around me. Apparently, that was strange.
If you cannot commit several hours per week to maintain the liberty that others afforded you, then you, by your inaction and silent voice, abet those who seek to destroy it.
El Salvador is a democracy so it's not surprising that there are many voices to be heard here. Yet in my conversations with Salvadorans... I have heard a single voice.
I promise to be the best missionary I can - a Mormon missionary for the LGBTQ community - and to hopefully use this privilege I've been given to give them a voice.
The voice doesn't take a lot of effort now, but in the beginning it was hard to try to find a voice. The one I settled on was just easier to do for a half-hour.
And there are no stars and that you're never really sure who's doing what and what voice is what and, you know what I mean? It's supposed to be quite elusive.
As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
Television is a thing that people get very familiar with. They want to hear your voice in their head.
Don't ever take a dramatic lesson. They will try to put your voice in a dinner jacket, and people like their hominy and grits in everyday clothes.
We've reached a very low-level equilibrium where it's not clear whose interest it is in to develop Africa... It's not in the interest of those in the aid industry to develop Africa because then there'd be no more industry and 500,000 people would lose their jobs. The only people whose interest it is in is Africans, but they have no voice.
It takes two years on the stage for an actor or an actress to learn how to speak correctly and to manage his voice properly, and it takes about ten years to master the subtle art of being able to hold one's audience.
There needs to be a place in the church or just outside - there needs to be a place where people feel free to ask questions without being put upon, where they feel free to ask difficult, challenging questions to voice their skepticism.
I'm a geek when it comes to my voice. I know if it hurts, something's wrong. You shouldn't feel it! It's very important to look after your voice.
Ever since I came to Congress in 1992, there are those who have been trying to silence my voice. I've been told to 'sit down and shut up' over and over again. Well, I won't sit down and I won't shut up until the full and unvarnished truth is placed before the American people.
Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.
Washington was taken by surprise by the Egyptian revolution because policy experts focused too much on Mubarak and his government, and too little on the 'voice of the people.'
On the other hand when you are someone who records their own songs you are basically stuck writing for one voice and for one style that can stifle you a bit. It's a real trade off.
I've got two children, and if my voice is still out there, I want the money to go to them when I die.
I'm not a singer. I double-track my vocals. I'm just not secure in my voice. I can't do single-track - I sound weird.
It was this thing I used to do, where I would get on the phone and put my voice in a man's voice like, 'Hey, you're talking to Tom.'
You know, if you ever listen to your voice on an answering machine everyone thinks we sound dreadful. That's sort of the way I think when I hear myself speak.
It might sound dramatic and a little grandiose, but as a Latina, I would like to be someone that gives a voice to my culture.
I've auditioned for musicals a lot, but I think my voice didn't really match what they were looking for. I went to school for musical theater for a year and dropped out. Legit musicals are not quite my forte.
In college, my voice never quite fit the classic ones like 'Music Man' or 'Carousel'.
If you really have a passion for something, you should follow it and listen to your inner voice.
I had to figure out that finding my place was not about race but about creativity, and connecting with other artists helped me find my voice.
The 'Voice Kids U.K.' songs were chosen for me, and I had to try and make them mine.
Sometimes you just need to raise your voice. And sometimes a little anger is necessary, to be honest.
You read things, and they come to you, and if they speak to you at the moment and there's a voice in you that says, 'I don't know, that's risky,' or 'That's challenging,' then do it. Run at it and tackle it. And if it's bad, it's bad. You're gonna get over it.
People can talk about punk all they want, but after new wave put that down, metal is the voice of the disenfranchised and that need to become unhinged. That's why it appeals to so many people when they are younger and carries over when those people, at 40, don't want to grow up.
I think that, by and large, the predominant voice we hear in rock music is a white male voice.
It's my privilege to be able to play somebody not myself. I'm an actor who creates characters based in voice, movement, emotional quality, speech.
There are things you can say in the voice of a fictional character that you could not explore any other way.
I can do a really high-pitched cartoon voice. Everybody always say they like that.
My mom has obviously had a powerful influence on my life, and her voice can describe certain things that I couldn't see in myself.
I want to be the voice of the people; black, white, everyday, oppressed people. A person trying to make it and to do it right.
I hear so many of the young people today sing and I think they have a good voice, yet I wonder if they'll ever know that they sound alike.
It's a dead give away of an inexperienced writer if every character speaks with the same voice.
I suppose I've been very fortunate in terms of my longevity and my voice and the way it has held up over the years. I hope to be able to keep on doing what I'm doing until I can't do it anymore.
I grew up reading the 'Village Voice' and wanting to be one of these multidisciplinary music writers, film writers, book writers. And I lucked out getting a job at the 'Voice' right after college.
I was always into comic books and horror stories and a huge consumer of pop culture. And then I worked for awhile for 'The Village Voice'.
Usually, when I write a novel, it takes me about 100 pages to figure out the voice of the narrator.
I mean it's - it is hard to find a voice on talk radio that is not a conservative voice.
When I was building robots in the early 1990s, the problems of voice recognition, image understanding, VOIP, even touchscreen technologies - these were robotics problems.
They really can't imagine what my voice is like. Every time I sing a song, they are very surprised.
When I started my first blog years ago, I just wanted to share my perspective. For a long time, models had been these mute pretty faces - and I wanted to have a voice.
Everyone was like, 'Yeah this kid won't be able to sing when his voice changes, he'll have no career.' But it's gotten much better.
I feel that contemporary music, with very few exceptions, is missing the voice. You see an award show, you see a hundred extras on set dancing and special effects, and you don't see that solo voice that was the trademark of Adele. It's no accident that it was her album that ended up selling 27 million copies worldwide.
The benefits of Umuganda are not merely economic. The day is intended to build community involvement and strengthen cohesion between persons of different background and levels. One such a benefit is that people can access authorities to articulate their needs and voice opinions on various issues.
The human voice: mysterious, spontaneous, primal. For me, the human voice is the vessel on which all emotions travel - except perhaps jealousy. And the breath, the breath is the captain of that vessel.
I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman.
As a young man, Dickens worked as a reporter in the House of Commons and hated it. He felt that all politicians spoke with the same voice.
Whatever comes next for this generation, that's going to be the greatest voice.
I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.
The first time I went to Abbey Road and put those headphones on, I discovered I had two voices. I no longer had to shout in the studio, but I can't knock the Cavern or the other clubs because they gave me my strong voice.
You see on 'Britain's Got Talent' and 'X Factor,' they all wear ear plugs. But I could not hear myself when I wore them. So that is where the strong voice came from.
'She's a Mystery to Me' was released in 1987, when I was 11 or something, and I absolutely adored the song. This song was written by Bono and The Edge, and the story goes that Bono woke up with the tune in his head, then thought that the only voice who could sing this song is Roy Orbison.
At a magazine, everything you do is edited by a bunch of people, by committee, and a lot of them are, were, or think of themselves as writers. Part of that is because magazines worry about their voice.
That's all there was in our house: poetry and choir rehearsal and duets and so forth; I listened to Dad and Mother discuss things about poetry and delivery and voice and diction - I don't think anyone could know how much it really means.
My singing days have passed. My voice is gone. My throat is worn. And my lungs are going fast.
All of the trickster, rascal characters that I write have the voice I aspire to. In real life, you can't be that obnoxious and get away with it.
Body language and tone of voice - not words - are our most powerful assessment tools.
How you use your voice is really important, and it's really driven by context more than anything else, and your tone of voice will immediately begin to impact somebody's mood and immediately how their brain functions.
Remember Robin Williams's great work as the voice of the genie in Disney's 'Aladdin'? Because he wanted to leave something wonderful behind for his kids, he said, he did the voice for a cut-rate fee of $75,000, far below his usual $8 million payday. But then something happened: The movie became a huge hit, raking in $504 million.
If your first objective in the negotiation, instead of making your argument, is to hear the other side out, that's the only way you can quiet the voice in the other guy's mind. But most people don't do that.
'Psycho' is probably the best known example of a horror film whose exclusive sound was strings, and since then, it's been hard to avoid that. The minute you have strings as your primary voice, the comparisons are always made.
In animation, no one gets to see your face, so you can really mess up with your voice like I did 'ParaNorman;' I was a bully in that, which was so much fun to do. In 'How to Train Your Dragon,' I'm a little Viking character. So, it's kind of exciting to play these roles that you normally wouldn't get to play in a live-action movie.
It's an honor when someone writes for you. That means they can hear your voice in their head.
Sometimes I yell, sometimes I raise my voice. I am trying to do it less, because it's not always attractive. It's not always the right thing to do.
'The Voice' gave me the exposure that YouTube was never able to provide for me, just because I didn't have a label or that kind of opportunity before. It also kind of trained me as person and performer with an audience.
If you really watch 'The Voice' and follow Adam, he's very ADD. He's kind of one place here, and then he's over here the next minute; he's kind of all over the place. When it comes down to being very serious, and especially when we were talking about the finale song, he's actually very serious, and he's a very good listener.
I guess NBC must have noticed that one of my main staples is social media. So, when they approached me for 'The Voice,' I thought, 'Why not be the first one to do it?'
Know who you are and stay true to it. Have a point of view, keep your head down when noise tries to drown out your inner voice, and whatever you do, keep pushing.
When I have to take phone calls, I start to sweat and panic. Being on the phone is so weird - hearing a voice without seeing the face so you can't really know the intention behind the voice.
I love Lou Reed because his voice sounds like your inner conscience.
I've always been in love with Howard McGillen's voice, ever since I got wind of him.
My main horn is a hybrid of a flugelhorn a coronet and a trumpet, but that's really because, for me, each instrument to me had a different voice, and I liked them all, but I didn't like any one of them singularly.
Sometimes, there's a preconceived notion of how a scene or how a work should be delivered. And I see young performers sometimes try and deliver that, and it's not really true to their voice or who they are.
If I get back into theater, I think I'd want to do a play. I enjoy singing, but it beats me up a bit. I get super paranoid and self-conscious about my voice.
I was teased up until high school about my hair, being short, my high pitched voice, and just anything you can think of.
As a patron of a youth education charity it is my duty to use my platform as a voice for all, regardless of background.
You have to stick to what you love, as writing is such a lonely and depressing existence... stick to what you love and someone will hear your voice.
The voice has been my joker card that sometimes has played like an ace and sometimes a joker. When you sing the way I sing, it's impossible to get people to talk about anything else.
What was I like as a kid? The same as I am now, just smaller with a higher voice.
Rihanna's voice is just delicious for your ear. Sinatra had the same thing; anything he sang sounded pleasing to most people.
The goal of almost every comic is to find a comedy voice - a specific point of view that an audience can latch onto.
I don't get in there and create a character. It's more of a voice that I hear living inside the music.
Certainly working with teens keeps me up to date with language and with certain kinds of thinking. I often feel like I have to go back to that 17-year-old Chris Crutcher, and that forms the core voice. I can draw on teens from 1964 to 2001 to find a part of the voice I need.
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