Constance Wu Quotes

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It's my privilege to be able to play somebody not myself. I'm an actor who creates characters based in voice, movement, emotional quality, speech.

Specificity is what makes good storytelling, and good storytelling is what makes money, and making money is then what encourages new producers to invest in different stories about Asians.

My parents did not pay a cent for my education; they didn't give me a car or furniture - I did that 100% on my own. I had to pay back a lot.

I do think there are some actors that can get away with trying to be funny, and they're still funny because they're just likeable, and you want to see them. Me, though, when you see me trying to be funny, it's like the worst thing in the world. It's needy, it's cloying, it's manipulative - it's bad.

If the writing is good, then the writing is already funny. All you have to do is make this funny writing true to the very deepest of your heart, and the fact that you are capable of making this true will be hysterical.

I don't aspire to just play things that are like me. Whether the accent is Taiwanese or British or Canadian - that is the very craft in which I was trained. It is my absolute privilege and honor to do that.

All the networks have always been willing to have ethnic people as the third or fourth lead or the best friend to the white person. But to actually let a black family or an Asian family carry a show, that's something where there hasn't really been a precedent set in terms of a real financial gain.

Usually, I'll be auditioning for the third lead, and there will be Latina actresses, Indian actresses, African American actresses because it will be like, 'Let's check off this box. We have our lead white girl, and we need an ethnic slot.'

You're never going to please everyone, and if you do, there's something wrong.

I feel like I could carry a movie or a show, and I'll mess up here and there, and I'll learn from those things.

Working on 'Fresh Off the Boat' has been really enlightening to me because it's made me actually think about the roles that Asians and Asian-American women have played in media. Not because I didn't think it was important before, but because before, I was really focused on just paying my rent.

When I was a teenager, I worked at the Gap for a summer folding shirts. That was pretty mindless and soul-sucking.

I'm always hungry for the next thing. I'm never resting on my laurels.

I'm constantly paranoid that I'll be unemployed for the rest of my life... and have to go back folding shirts at the Gap, which you know... you gotta do what you gotta do.

I was emotional. I wanted to be taken seriously. I was pretty emo. I was reciting Shakespeare monologues when I was 10. I still know the whole 'To be, or not to be...' monologue, because I knew it when I was 10.

People's passion and desire for authenticity is strong.

Authentic programming that shows the outside world garners authentic interest.

The more you know about somebody's back story, the deeper you can delve into that well, and the more your comedic choices resonate full-body instead of just being quick, quippy one-liners that are just like a bunch of people trying to be clever. Because after a while, cleverness is just really obnoxious!

People are embracing the thing that made them different growing up instead of letting that thing elicit shame.

When I was a 12-year-old middle-schooler in Richmond, Virginia, my local newspaper published an op-ed that I wrote all by myself.

I passionately support Hillary Clinton for president because she has devoted her life to public service and has been willing to learn and change along the way by listening to the people she serves.

Listening to an underserved population is how you begin to understand them and serve them better.

Public service is about serving all the people, including the ones who are not like you.

My family is Chinese-Taiwanese. I'm from Richmond, Virginia. The community in which I grew up was pretty white. The storybooks you got at school featured white children and an animal, or animals, and as you got older, the novels you were assigned were about, like, the problems of white boys and their dogs.

My first Asian role model was Michelle Kwan. Her beauty comes from within. She's also really beautiful on the outside. But when I first saw her ice-skate, her performance was so moving and beautiful that she just glowed.

I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.

My dad got a job as a professor at Virginia Commonwealth University. He teaches biology and genetics. My dad has been obsessed with science his whole life. Both my paternal grandparents were illiterate bamboo farmers, so he really worked his way up and then got a Ph.D., full ride and everything, from universities in America.

There were so few Asians on-screen when I grew up, and the ones who were on-screen weren't given complex characters to play.

In terms of pure acting, my role model has always been Philip Seymour Hoffman; I really always loved what he did. I love what Mark Ruffalo does. When I was younger, I liked Cate Blanchett a lot. These are all actors who are given stories and allowed to carry the whole story.

Being an actor, in and of itself, is just hard. You have to just do it for its own sake.

I'm not a naturally social-media inclined person. I still prefer phone calls to texts/emails. I... hate texts.

I don't fear being outspoken. The only thing I fear is losing my sense of integrity or losing sight of the values on which I guide my life. So I don't think it's particularly brave or unusual for me to speak out.

If the expression of and advocating for your values makes you lose a job or a person, then that person/job sorta just... wasn't your heart's tribe.

A lot of times, people think of Asian culture as some mythical world instead of modern people with modern occupations with modern problems, modern tools. Like, we're not all just talking Taoism and kung fu - some people are just trying to get over their breakup with their boyfriend, and they're Facebook-stalking.

If you watch any show that stars white people, white people aren't coming up to them like, 'Thank you for showing my face on the big screen.' Because they see their faces in popular culture all the time.

Make sure your work is never results-oriented. The result is a byproduct of the work, in a way.

I'm okay with not having a super-secure lifestyle because if you're doing what you like, you don't need stuff to fill any empty holes.

If somebody judges me, then they're not my people, and that's all right.

Everyone's going to fail at some point. Even if you choose the steadiest career, you're going to go through that.

The one dream I have is to do a musical. I love singing, but most people don't know because I don't sell myself as a musical person. My dream is to play Audrey in 'Little Shop of Horrors' - it would be so interesting to have an Asian Audrey because it's all about achieving the American dream in a sinister, success-driven way.

At one point, I quit acting for a little bit to study psycholinguistics - somewhat a more practical career. It just didn't feel right.

I am definitely trying not to take films that are mostly about dude problems, not because I don't think they're worthy problems, but there are a lot of people who will take those.

I don't have the best family life. I'm not going to have a sob story and be like, my parents abandoned me, because they didn't. But they also are not that present. When I'm alone, I'm alone. I don't have anybody to call, and so I have to create meaning from myself.

I'd rather lose all my stuff than lose myself, because I've done that before, and that feels way worse.

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