Voice Quotes
Most Famous Voice Quotes of All Time!
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Patty Griffin is iconic, and there's no other word to really describe her. She is iconic for a lot of people - not only for me but for a lot of fans. Her voice is one of a kind, and she's such an important figure in the American music scene.
In Bernie Sanders, I see a man saying that the emperor has no clothes while everyone around him insists they see clothes. Whether or not he makes it to the White House, I hope and pray that everyone hears the alarm he is sounding now; it may be the last voice we ever hear.
I never knew that I had an unusual voice. It wasn't something anybody really pointed out to me.
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
Your voice is not your instrument. Your voice is the character that you build, your innermost feelings, the things that you want to say, and your instrument is the vehicle that you use to carry the message.
Early on, I started with classical voice and had that wonderful foundation. For where I wanted to go at that time, there were no teachers to teach it, so I came up with all kinds of different ways to develop the sound of my voice.
I had a few celebrity crushes when I was growing up, including Eddie Kendricks from the Temptations. And I loved Marvin Gaye - I thought he was everything and instantly fell for his voice.
The biggest thing is to just keep your voice in shape so that when the emotion hits, it's there to have the colors to paint those pictures with the lyrics as well as the sound.
I grew up listening to Patsy Cline. I was a huge Patsy Cline fan. I still am. Even though she's considered country, I think of her more as a blues singer. She's got a great blues voice, and she has such an amazing story, which I always loved.
Paul Robeson was an athlete, Rutgers valedictorian, lawyer, writer, actor in movies and plays, great voice - a black male doing it all, back when some people thought he shouldn't. One reason I do all the things I do is to break stereotypes that people can only do certain things.
I've been so lucky - I worked with Jason Reitman twice, who has always been a really strong advocate for my voice, and has always really respected the scripts that I've brought him and is just the coolest.
I've been watching 'American Idol' since its debut season in 2002. Back then, America hadn't yet evolved into a gladiatorial cybernation of bloggers, tweeters, and self-ordained voice coaches.
I don't have a terrible singing voice, but I also wouldn't call it 'good.' I can carry a tune.
Actually, if you listen to the vocals on my grandfather's records, you will hear we sound similar. We both sound kind of dry. We have a dry voice, and we both love harmony - he was a man of harmony, I'm a man of harmony. I think it just runs in our blood.
The thing a writer has to avoid is being the 'voice' of his people and pretending he can speak for them.
I should like to be remembered as the man who raised a voice against... placing limitations on the freedom of the individual.
My voice doesn't sound like anyone else's. I wanted to sound like my favorite singers when I was young because when you're young you don't put much value on uniqueness. But later I realized I had something special to offer.
Marvin Gaye was a friend of mine, and he used to say, 'Man, I wish I could sing like you - if I could have that growl in my voice.' And I said, 'Man, are you kidding me? I want to sing like you. Everybody wants to sing like you.'
In prose, leaps of logic can be made while the protagonist thinks about things and arrives at conclusions. Even with voiceover, there's no real way of having an inner voice without it taking over the entire story.
I like films better than the theater because you have to spend so much energy projecting your voice from the stage in the sheer effort to be heard.
I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision.
If I'm able to use my voice to do good in the world then I definitely want to do that.
People see that I have my own voice, my own opinion, my own likes. The album really reflects that.
I think it's his perception of knowing how to make a record build, keeping the integrity of the song in the music and really adding a lot of musical elements to compliment my voice and to compliment the song.
It was a dream come true performing with her and just being on the same record. So in my eyes, she was the epitome of a great voice and for us to share together was awesome.
I studied voice for three months to get rid of my English accent. I changed my hair to blonde. I knew I could be sexy if I had to.
Unfortunately, unless we're focused on building up our courage, which gives us our self-confidence and all that we need to make quantum change in our lives, the voice of fear will always take the lead inside our minds.
As Michigan's voice on the Senate Finance Committee and Senate Energy and Natural Resources Committee, I will continue working to make sure the next generation of advanced technologies and alternative fuel vehicles are made right here in America.
I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
I would like to work with Ed Sheeran at some point. I really admire his songwriting, and I just think he has a great voice and great artistry. Who else? On the producer side of things, definitely Diplo: that'd be awesome.
I think Labrinth is an amazing writer and an amazing singer. His voice is just so magnetic. There are so many people that I would work with inside and outside of pop.
I think my time on 'Australian Idol' really helped train my voice for a lot of genres.
What's beautiful about the actual acting class environment is that you can use it to push through everything: push your voice, push your inhibitions, push your fears, push your confidence, push your vulnerability, push your silences.
I was born in 1971, and Tom Baker was sort of my obsession as a kid and that's why we got him to do the voice over for 'Little Britain' because I was actually obsessed with Tom Baker.
I always loved putting on shows - when you're the youngest of seven and five are older sisters, you've got to get noticed somehow! I did puppet shows and magic shows... even ventriloquism. My doll's name was 'Dan,' and I used to write these scripts, and my schoolmate hid under the table and supplied Dan's voice.
There are biographies, I looked at a lot of photographs of him, I heard his voice over and over and over again. You get in there and get to know the man by all of those pieces of information.
I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.
When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
The basic notion was the idea that the loudspeaker should have a voice which was unique and not just an instrument of reproduction, but an instrument unto itself.
It is hard to check five email inboxes, three voice mail systems, or five blogs that you are tracking.
My advice would be to write what is most personal and specific to your experience or your life. And your voice will emerge and because of its specificity, it will be universal.
A lot of these teams really forget that part of success comes with having veteran leadership. You see a lot of teams forget that and start letting go of these old veterans. They don't realize how important it is to have a veteran voice in your locker room or on the bench. It's important to have guys who have been there before.
The community in which one hears the voice of God structures how one hears that voice and interprets what it says.
I remember when that Kelis song 'Milkshake' came out, and just how extreme it seemed in terms of that really high triangle part and then the really low subs and then her voice in the middle.
I ask you to find your voice and use it not only to choose your elected officials but to shape the issues that will shape our lives.
Sometimes when I hear my voice on tape, I'm like, 'Who is that horrible man?'
When politicians say your voice does not matter because the NRA owns them, we say, 'No more.'
We have to ensure that everybody's voice is heard equally, or nobody's will be.
At one level you're condemned to the voice you have. But within those confines, you have a certain amount of freedom to range among your possible voices.
Two years after drama school, I had a nervous breakdown: I heard voices, and the voice I heard in my head was Martin Luther King's.
The Barack who was so successful in Illinois in a Republican-controlled legislative situation for most of his time and who was a very outspoken progressive voice, that's not the man who we ended up having as president.
President Obama's achievements and failures must be evaluated by comparison to those chief executives who have come before him and not be measured against the prophetically moral voice of Martin Luther King Jr.
Well, I am David Gilmour, the voice and guitar of Pink Floyd. I have been since I was 21.
Each consumer has the power of their wallet and their voice. They can exercise that.
The Internet offers endangered languages a chance to have a public voice in a way that would not have been possible before.
I take care of my voice; I'm working out the way I would do my body, so that stays in shape.
In the second installment, I pretty much dominate the show. Somehow or another, though, I manage to apparently dominate the first show pretty well with just my voice and my hands and a shot of my boots kicking cartridges out of the way.
I wanted something where I could have the clearest and most unfiltered artistic and creative voice.
When anybody starts out with a memoir, you get the impulse to tell your own story with your own voice, and you get all that out in one fell swoop sometimes.
The idea of 'Voice of Witness' is to let survivors and witnesses of human-rights abuses tell their story at length. It started with a course that I co-taught at U.C. Berkeley journalism school back in 2003.
It takes a long time to find your own voice. Along the way, you imitate all the things that influence you - in my case Johnny Cash, Bowie, John Lydon.
I've always loved Broadway, but I never thought I'd actually do it because I was never a full Broadway dancer. And I don't have a big, booming voice.
If the sensitive washout has no taste for extreme gestures, total self-destruction, then his hope for singularity rests in his voice. Tone is everything.
I'm just about the best singer I know, and it's time for everybody to say that. I have total facility with my voice. And for some weird reason, critics don't talk about it.
If you can sing, you never lose your voice. If you don't know how to sing, your voice goes away because you sing from your throat.
Petunia relates to me more than any other. She was shy at first, but she's definitely come out of her shell, I can tell you that. Petunia is like this small little rabbit, but her big huge voice comes out of her little body.
Edna - when I first picked her up, she had a voice that really spoke to me.
I usually hold a puppet and play with different voices until something happens and the right voice just hits me. Then, I'll pick a name that just seems to fit the character that naturally comes out.
Ventriloquism kind of helped me find my voice. It's really helped me come out of my shell.
I studied voice for about two years with an amazing coach, and I never rose above the level of mediocre.
You can't predict the number of years it will take for someone to find themselves, to mature into their own voice. When I got to be 30, I was finally writing like Danny Brown.
Since I was a kid, I'd wake up every morning hearing a voice say, 'You're the greatest rapper ever.' I'm trying to prove that voice right.
I sang with a voice that was natural, and I liked the way I produced that sound. I thought of my other friends, that they were singing and dancing, but they didn't have this. I was special.
People have entire relationships via text message now, but I am not partial to texting. I need context, nuance and the warmth and tone that can only come from a human voice.
I've got a quiet voice. I think it's because as a child I didn't speak very much. I used to put my fingers in my ears to feel the silence, which was like a lovely trickling motion in my head.
It was hard for me to find my voice because I was, for so long, absorbed in my own world.
I do feel that the trend is away from ageism and toward a recognition that older people have a unique voice.
'Teletubbies' is a national institution, and it was a privilege to be asked to be their voice. It feels super surreal, but it does feel wonderful.
Well, I think one doesn't really have to invent this memorial space, because it is already there. And it is speaking with a voice and, you know, 4 million of us came to see the site.
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