Christopher Moore Quotes

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I love British cursing - the cadence of it, the joy in the sound of the words, and the vulgarity of it.

All of the trickster, rascal characters that I write have the voice I aspire to. In real life, you can't be that obnoxious and get away with it.

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I don't give a toss about being remembered after my death.

I kind of dislike 'For Whom the Bell Tolls,' but most of Hemingway in general, mainly because his stylistic shenanigans ruined so many young writers of my generation who tried to imitate him. I think, for his time, he moved...

I just finished a novel called 'Exult,' by Joe Quirk, last night. It's about hang gliding. I liked his first book, too, 'The Ultimate Rush.' I now know that I never, ever, ever want to go hang gliding, so that's...

I really don't think of my work in terms of a genre. I think of it in terms of what I want to say, what I think is cool, and what I'm good at.

The fact that 'A Dirty Job' has comedy and supernatural horror in it, that both are woven in and out of it with a whimsical tone, despite the fact that it's about death, makes it hard to characterize with standard...

San Francisco is a breathtakingly beautiful city, with lots of great contrasts between dark and light, often overlapping each other. It's a great setting for a horror story.

One thing that's really delightful is my books tend to attract people who are funny, so I get the benefit of people writing me with things that crack me up.

As much as I encourage communication with my readers, I don't want reviews from them, simply because I don't need to be hamstrung in the middle of working on something.

I don't read reviews if I know in advance they're negative, because I can't have my confidence undermined when I'm writing.

When I teach seminars, I tell people, 'Your stuff has to look like something that's out there, because otherwise nobody will take a chance on you.'

When you go on book tour, you're always talking about yourself and your book from the time you get up in the morning until you go out at night. You, you. You get really sick of yourself.

I'm not afraid of getting into a subject I don't know much about.

The reason I wrote 'You Suck' was that I so enjoyed spending time with Tommy and Jody.

For me, 'Lamb' started out as a further exploration of the phenomenon of faith and the responsibility of a messiah that I touched on in 'Coyote Blue' and 'Island of the Sequined Love Nun,' but it ended up being an...

Like most people, I woke up one day to find that everyone I knew was taking antidepressants, and since I wasn't, I figured that I must be the cause of their depression.

I've made a dog's breakfast of English history, geography, 'King Lear,' and the English language in general.

When I was writing 'You Suck,' in 2006, I constructed the diction of the book's narrator, perky Goth girl Abby Normal, from what I read on Goth blog sites.

From Dickens's cockneys to Salinger's phonies, from Kerouac's beatniks to Cheech and Chong's freaks, and on to hip hop's homies, dialect has always been used as a way for generations to distinguish themselves.

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