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Claire Messud Quotes

Most Famous Claire Messud Quotes of All Time!

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I went around in my teens and early 20s thinking that life was a con trick. I had managed to grow up believing in all sorts of romantic ideas about hard work and justice and truth, and it seemed the...

I don't trust people who are likable.

We are all unappealing. It is just a matter of how much we let people see it.

Especially since having children, a lot of the time if you ask me, 'Have you read that book?' the answer would be 'not personally.'

I feel that I have an impractical and deleterious snobbery about the relation of literature to the market. I thought, 'I've become the kind of crap you buy at airports!' It was exciting, but it was not a fantasy I'd...

I had a memory span about as long as the lines in a school play.

Obama was the first president whose biography makes sense to me. He can walk into a room anywhere and find common ground with any person.

For me, the ages between 9 and 12 were great because it was before you wore any masks, and you had some autonomy in the world. You had some freedom, and you felt you had unlimited ambition. It's when you...

For me, it was a formative experience reading Eliot when I was younger. 'The Waste Land,' in particular.

Things we write down are the fragments shored against our ruins. They outlast us, these scraps of words on paper. Like the detritus from the tsunami washing up on the other side of the ocean, writing is what can be...

If you're rich, you can leave a library, a building, or a hospital wing. But writing leaves behind a visceral sense of what it was like to be alive on the planet in a particular time. Writing tells us what...

I'm not a writing group member, not a joiner in that way. I don't seek a wide swath of feedback.

Yes, writing is essential to me. It's my way of living in the world.

I believe that, in an ideal world, writers would feel free to write what matters to them without having to consider success, failure, the market, etc.

The effort to create a work of art that is true and potentially lasting, that is the very best work of art you can create at that point in your life - a book that may only reach or move...

The more accurately one can illuminate a particular human experience, the better the work of art.

As any of us approaches middle age, we inevitably come up against our limitations: the realization that certain dearly-held fantasies may not be realized; that circumstances have thwarted us; that even with intention and will we may not be able...

If I had to summarize, most broadly, my concerns as a writer, I'd say the question 'How then must we live?' is at the heart of it, for me.

I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman.

An abiding preoccupation for me is how much of our lives are invisible and unknown by other people, like the Chekhov story 'The Lady With the Little Dog.'

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