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Everything I buy is vintage and smells funny. Maybe that's why I don't have a boyfriend.
I always find it funny when I watch actors talking about, 'I chose to do this part.' A lot of times it's 'you're lucky to get the job.' We're like, 'Thank you so much.'
Someone told me I had funny facial expressions. I don't know whether I take that as a compliment or not, but.
It's funny because I remember when I came to the U.S. with 'Swimming Pool,' the movie did well, and it was great box office for a French movie, but I remember I was a bit upset because all people talked to me about was the nudity.
I'm not scared of snakes, spiders, flying... nothing scares me apart from needles. I just hate them. Which is quite funny because I've had four knee operations, and I've got tattoos, so I've seen a few needles in my time.
You have to laugh at things in order to let them be what they truly are. Because nothing is only sad. Nothing is only funny. There's context to all of those things.
I only have three scenes and each is a turn and she gets progressively drunker. It's all terribly funny and its main challenge is that it's so far away from what I usually do.
My parents' marriage is a gift to everyone around them - 60 years of making their kids laugh. How many parents are actually funny?
I remember my fourth grade teacher reading 'Charlotte's Web' and 'Stuart Little' to us - both, of course, by E. B. White. His stories were genuinely funny, thought provoking and full of irony and charm. He didn't condescend to his readers, which was why I liked his books, and why I wasn't a big reader of other children's' books.
I feel like, if there's an elephant in the room, I'd really like to start off by introducing the elephant in the room. And sometimes it's funny.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
You have to be funny about it and honest about it. You can't leave yourself out of that mix. You have to be honest enough to say, I'm that messed-up one in the family.
When I say, 'I can't stay long, I'm in-between meals,' that plays differently on the radio than it does in person. So I have to pick material that works because the words are funny, not just because of the images.
I had been asking the universe and God to send me a way for me to help me. Show business has been so wonderful to me, and it came in the form of that. It's just so funny how things come into your life, and if you take a chance on them, it might give you a brand new life.
We know that the nature of genius is to provide idiots with ideas twenty years later.
It's funny how sometimes how the public some people think I was born like this. That I maybe I sleep and I do big muscle, but its a lot of work to look like this and to be in this kind of condition.
I don't sit down to write a funny story. Every single thing I sit down to write is meant to be sad.
It's funny, my girlfriends think that because I am married to a fashion designer, I get all these great tips and hints about great fashion, but it's not like that at all. He never tells me what to wear.
'A Tuna Christmas' is the second in a series of plays created by Joe Sears and Jaston Williams featuring the fictional town of Greater Tuna, the third-smallest town in Texas. What makes these plays so hysterically funny is the accurate portrayal of small-town life in the Lone Star State.
'SNL' ain't been relevant since Jim Belushi. It's on every week; it's not funny. They need to find some black women to put on there to make it funny.
We need two kinds of acquaintances, one to complain to, while to the others we boast.
Comedy is not commercial; it is risky, because what is funny in one place isn't always funny somewhere else.
I think this is the funny thing about PWR BTTM that a lot of people don't realize at first, which is that straight people have always loved us - inexplicably, seemingly.
You can film me 24 hours a day and you'll get a very accurate picture of who I am. You see the funny side, I work hard, and I try to be honest and just call it how it is.
I love writing both fiction and memoir. Both have unique challenges; bottom line, fiction is hard because you have to come up with the credible, twisty plot, and memoir is hard because you have to say something true and profound, albeit in a funny way.
I have nothing wrong with comics and writers poking fun at the President, as long as it's funny. When it's the same retread jokes with predictable punchlines, that's when it's offensive.
I lost over 100 pounds, so I'm even angrier than ever. I don't stuff my feelings anymore with food. Skinny girls are funny.
I have rage and anger issues. So I get mad about stuff in real life, and then I yell about it onstage, and luckily, something funny ends up coming out. What I'll do is tape-record it, and it will end up coming out even funnier. And I add more punch lines.
I hate comics who look at comedy as therapy. But at least it gets things out of my system in a funny way.
Until now, until I actually got into law class, I just never thought of it as being an interest for me, but it's really funny because now that I'm in law, I'm like 'Wow, I could be a lawyer.
I could never really choose a favorite book, but whenever I'm asked what my favorite movie is, I always say 'Withnail & I,' a British film from 1987. It's funny and sad and absolutely gorgeous to look at. It's the film I can watch over and over again.
A hot dog cut up with ketchup is, like, lunch for me, so I just think it's funny to Instagram it. I just don't want to put that much effort into cooking.
I never thought, 'I'm going to learn how to be funny now!,' and I'm still surprised when other people think I'm funny. I just learned to make jokes as a way of moving through the world. It helps me deal with all sorts of discomfort and boredom.
If you're public speaking, imagine yourself feeling confident; if you're nervous about a date and thinking, 'I'm gonna be a dork,' picture yourself being funny. Then it will be familiar to your brain.
After 'Crocodile Dundee,' I turned down lots of stuff, most of it where I'd play the girlfriend of some funny man.
I remember when I took the role on E.R., I thought, 'I haven't really been able to play a working class woman. I've played girls, I've played funny, but I haven't played a working class woman. That sounds like something I'd like to do.'
I always wanted to be somebody, but now I realize I should have been more specific.
You know being relevant or coming up with something interesting, funny to say about what's current is just as hard as it might ever be depending on the serendipity of it all.
I grew up in a time when women didn't really do comedy. You had to be homely, overweight, an old maid, all that. You had to play a stereotype, because very attractive women were not supposed to be funny - because it's powerful; it's a threat.
The funny thing about writing is I think a lot of people assume that you're sitting in a garret with a quill pen for hour after hour.
It was a scandal when I did French 'Playboy' in 2008, though I was never actually nude in it. I think it's really funny that I'll have a cover of 'Playboy' to show my grandkids.
I always dreamed of being an entertainer. So, my whole life to some extent, or from the age that I can remember onwards, I knew I was going to have to make some sort of attempt at being noticed for being funny.
You hear a lot of rap songs about spending money. I thought, wouldn't it be funny to make a song about saving money because it's ironic, but beyond irony, I genuinely have pride in saving money.
'Ex-Boyfriend' is a really funny story that is that much funnier when you have visuals attached to it as opposed to just hearing it. I couldn't let a song like that go un-videoed.
Sometimes I want to be completely outlandish and funny, but sometimes I feel the need to prove myself as a rapper.
I knew I could rap a little bit, which is not the most unique way for being funny. The more I did it, the better I got at rapping, and then I fell in love with the craft of it, and the possibility that I was a good rapper was very intriguing.
I wanted to explain that just because I'm rapping in this funny way doesn't mean that I'm not worthy of actually being evaluated as a rapper.
Being funny is my biggest differentiator, and I think I'd be a fool not to use that, and there's nothing I enjoy personally more than making a human being laugh. But then, I also think I have a serious side to me.
Personally, I feel like I'm trying to redefine what a really good rapper can be like. Like, I think it's not often where a good rapper can be making funny music.
I had it just Lil Nas at first because every rapper has a 'lil' in front of his name, and that's funny to me. But then I got stuck with it because I already built a fan base at that point.
I just liked making funny videos, content that people would enjoy. The likes and retweets - that was, like, a plus.
I like bowling. I suck at it, but I like it. You know what's so funny? I have days when I'm absolutely great at doing it, and then I have days when I just don't understand it.
The funny thing is that I write and I act a lot about being Jewish, but I don't really think about it as a regular person.
I'm a funny guy. I want people to laugh. I laugh at myself, I make fun of myself. But at the end of the day everything that I say has a message in it.
As funny as some photos can be, think twice about allowing yourself to be tagged in questionable photos.
We made satires of everything - news broadcasts and TV shows that we watched. When I look at them now, they are totally amateurish, but I find it quite remarkable that we were so skeptical of the world! My parents watched them and thought they were funny; they really encouraged us.
I've seen pretty much all the 'Peter Pan's except for one of the further back ones where the boy had curly hair. I can't remember. I really loved the 2003 version. I really loved that one because that was around the year I was born. That's quite funny.
I've always been part of comedy. One of the things about our family was that if we were reasonably funny with each other, particularly my two brothers and myself, when my father was upset with something you'd want to make sure in some way you made him laugh. Because when he didn't laugh, you were in trouble!
Before the Kennedys were elected, there had been older Presidents. Then here was this devastatingly attractive young couple with two beautiful children. They were so intelligent, graceful, gracious and funny. They enjoyed life so much. That's what caught America's eye.
It's kind of funny that I've been branded as the empathy lady when, really, what I'm doing is questioning and interrogating empathy.
There was a time where I knew I was as funny as many dudes, but I had people telling me, 'You have to wear a dress onstage. You need to be more feminine.'
I just knew that I was funny, and I knew that it was just a matter of time. I didn't know what was going to actually happen - this is definitely way bigger than I thought - but I knew there was no way I was going to be that funny, and nobody was going to notice it.
How can you analyse what is funny? What's funny to one isn't funny to another... What's funny to you is a personal thing.
Actually, the funny thing is, after all these years, I've got all these new songs to learn for the show we're doing at Joe's Pub, so it's kind of fun to get down and rehearse new things, and also rethink some of the older songs, how we're going to do them.
I have a funny mental framework when I do physics. I create an imaginary audience in my head to explain things to - it is part of the way I think. For me, teaching and explaining, even to my imaginary audience, is part of the process.
Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.
If you're OK with being clumsy, it's funny. But if you are super embarrassed, people are going to laugh at you.
I believe in rules. Sure I do. If there weren't any rules, how could you break them?
I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.
I'm not a broad comic, but I think I can be funny and I think I make people laugh.
I had a moment - and I don't know if it was funny, necessarily, but I realized the effect I could have on people - when I was doing a production of 'The Little Prince,' and I played the snake.
The inspiration for my Vines comes from thinking about funny and relatable experiences from my daily life.
I started making skits, and I started, like, getting more followers, and, like, my friends told their friends, like, 'Oh, she actually be funny.'
Eddie Drake is sort of this loose cannon, funny, edgy guy, who has this really foolish, foolish mustache.
I love movies that are funny and scary and truly emotional all in one film, and I don't feel like I see movies like that a lot.
I've got a funny way of looking at things. It's because I'm dyslexic, and I was diagnosed with ADD when I was younger. And I'm left-handed as well.
Loads of blokes think they're funny, but it counts for nothing unless you get up and have a go.
I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.
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