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Lily Cole Quotes

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I'm not sure if it's fair to call it a 'fairy tale,' but I really loved 'Mulan,' the Disney film. It was my favorite. I guess it's not really a fairy tale, but you do get Eddie Murphy as a dragon.

The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.

I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.

As the generalization goes about the art industry, people can be really challenging and thought-provoking in their thinking and questioning the status quo, and it's really important that the status quo can be questioned and that there are people doing that.

It's not that I don't believe in creativity and innovation and new ideas, and the creativity that comes with fashion, which I really respect. But one of my biggest concerns is just how cheap we expect everything to be.

I'm not against people buying clothes; I think clothes are wonderful, and I'm very materialistic myself - but there's a way of finding a compromise. I just think we can buy less and pay more, to make sure people aren't being exploited.

I think models have a lot less power than they did in the '80s, when there were, like, only 10 supermodels who could dictate the rules, whereas now there's so many, and that changes the power dynamic and makes it a more insecure business.

It doesn't make me very happy to be on my computer all the time. I've never been drawn to that world.

Marilyn Monroe and Vivienne Leigh are real icons of mine. In terms of visual culture, they are both so iconic. There weren't any paparazzi shots of them falling out of taxis, so they will always look so incredible.

The narrative of so many fairy tales are timeless in so many different cultures, and they have been since the dawn of man. They represent escapism, but they all feature themes that have such poignancy in a modern world.

I started modeling at 14. It's simple. You respond to what the photographer wants and wear other people's ideas. I got bored with it, though, so I went to university.

In British culture, redheads get teased at school. But I've grown up enough to realize I love my hair.

It was a scandal when I did French 'Playboy' in 2008, though I was never actually nude in it. I think it's really funny that I'll have a cover of 'Playboy' to show my grandkids.

I don't personally follow trends; I don't even like the idea of trends. I think it's kind of absurd that you have to change every six months, so I always try and buy things that hopefully I'll like forever, and resonate with me.

I usually have a lip balm in my bag and mascara as well. I don't really wear much make-up, but I like mascara because I've got fair colouring.

I kind of see clothes a bit like role-playing, depending what mood I'm in.

There are so many great, great vintage clothes to find; there's a whole territory unexplored there.

There's an inherent contradiction between appreciating the beauty of clothes and creativity and individuality, and the waste around the ideas of trends and seasons.

I love beautiful things; I like having nice clothes, and I can appreciate why other people do - but I've also started to learn more about the impact of what we buy: how things are made, how much you buy and the quality of everything.

Acting is something I've done since I was six years old, performing for my mum and my family in the living room, and I do it because my heart's in it.

I'll always try to follow my heart into things I love, and modelling is not something I'm dreaming of pursuing forever.

I was like most teenagers. I wanted to look more conventional - you know, to just be the pretty girl in school.

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