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Sometimes when you write something on the page, it can seem very funny, but when you act it out - and this happens to me a lot, actually - the melancholy of the situation becomes more front and center.
How can a song all about struggling with the afterglow of fame thrust someone into fame? How can a lyric like, 'I'm just a singer who already blew his shot,' give a singer another shot? I don't know... but it's funny.
I never understand when people say, 'Do you do comedy or tragedy?' I don't think they're very much different. They both have to be true, and there isn't a great play in the world that doesn't have funny parts to it - as 'Salesman' does, as 'King Lear' does. The whole idea is to reflect life in some way, which means surely you have to have both.
The whole point about laughter is it's like mercury: you can't catch it, you can't catch what motivates it - that's why it's funny.
It's funny now how much we look at - whatever you want to call it: art, design, culture stuff, film - online, and how in the online world, you're instantly global.
Oliver Stone might think he's a guy who chews with his mouth open and yells at the hired help, but the George W. Bush I've spent nearly three hours with is a warm, funny, smart, engaged, compassionate, patriotic, decent and honorable man.
Wine is similar to music in that it's a purely experiential realm, and it's a purely subjective practice. That's sort of the funny thing about wine criticism or, for that matter, music criticism. At times, those are useful guides, but ultimately it's all about how you react to that music or wine.
What I've found is if you get the right characters in the right story and put them in the right setting - and let them go - they tend to do all the exploring of the issues for you. Because people are interesting and political and funny and sad.
Criticism is a funny thing, because I think if you want to be something, create something or make a difference in any walk of life you have to be hugely self-critical.
I'm the only man in the world with a marriage licence made out to whom it may concern.
It was the most fun I've ever had on a movie. It was one of the happiest times in my life. I was living in New York, and I really enjoyed acting at the time. Also, it's funny because that was also the time when I went downhill.
It's funny, when I'm not on the road or doing stuff with Bad Company - or whatever- I've always written songs galore... a lot of stuff people don't even hear.
It's funny because unlike back in the seventies when I made hardly any money, today I could just live off the past if I wanted to. I have no interest in that.
The funny thing is, whenever I'm working on something, I kind of forget there's a lot of people watching. It makes it easier to be in the moment and to tell a story as well as possible.
It sounds so weird, but I'm totally pro-aging. If you look at the film industry, it's so funny how it's so much more accepted that actors begin their prime in their forties or fifties, and for women, it's so different. I think it's time to change that. Aging is a beautiful thing.
Career wise, I think the dream for many of us is some kind of late night type of show. Something where you're allowed to be funny and you get to write, you have guests and you get to do silly skits. That is my ultimate, bucket list career moment.
They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers' work in Saturday Night Live, but I did not know the extent to which he would make this creation.
My vanity is not dead. I laugh when I see pictures of myself as I am now-maybe so I won't cry, but just because it is really funny how much I've changed.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
I don't believe in comedy as a TV genre - I think there's drama that is funny. Because beyond the laughs, there has to be cost, and there has to be heart.
You know, it's funny: Over my career, I didn't win as much as I hoped, but I can look like Flavor Flav if I want to put on all my rings that I've won for different reasons.
You win a race, the next race it's a question mark. Are you still the best or not? That's what is funny. But that's what is interesting. And that's what is challenging. You have to prove yourself every time.
I come from a background of hanging out with friends and shooting videos with them, with funny stuff coming out of the group. I guess we got the same charge jocks get out of sports.
People wince when something is in bad taste. They laugh when it's funny. If it's too dirty or wrong, they won't laugh. But if it's a big, dirty, smart, funny laugh, they love it.
It's so interesting to watch Ben Stiller work because he just knows what's funny.
Plus, I love comic writing. Nothing satisfies me more than finding a funny way to phrase something.
I had this funny family. At one end, they were breeding dogs in south-east London - for greyhound racing - and at the other, my uncle was living in Downing Street. And I would actually go to Downing Street, which didn't strike me as funny. I'd get on the number 15 bus.
Animals are sentient, intelligent, perceptive, funny and entertaining. We owe them a duty of care as we do to children.
In my experience, it's not just that serious books get a hearing on comedy shows. But serious books get a serious hearing, as well as a funny one, on comedy shows.
I just find little things in life funny, it's why I giggle during my shows.
I was trying to do one-liners and it took me years to realise I just had to be myself. My fear was if I was myself and no one found it funny, I'd have nowhere left to go.
I'm sure there are comedians who make jokes about me, but say something funny, not mean.
It's funny: as a director, there are movies you make because you're passionate about getting your vision across, and you know that you're vision is different than anybody else. In those cases, you take the plunge, and it works, or it doesn't. You make the stylistic choices based on how you feel about the material.
I didn't have the equipment for the regular world of being a lawyer. I didn't have the imagination for that. I did have a funny kind of ambition, but I didn't know where to put it.
When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.
I read that John Hughes script for 'Mr. Mom,' and I thought, 'This guy is a funny writer.' I went: 'You ought to stick around and direct this thing.' But he didn't; he left, and look what he became. A really legendary comedy director.
Weirdly, for someone who wanted to be funny, I didn't like a lot of attention.
David Letterman used to say, 'I wasn't the class clown, but I wrote for him,' and that's exactly it. You want to be known to be funny without having it pointed out.
I'm going to marry a Jewish woman because I like the idea of getting up Sunday morning and going to the deli.
I was taught that you can't be a healthy individual without art, music, or nature in your life. All my art is tied into inner cultural experience. It has to do with music or ceremonies or nature, even the funny ones.
It's unbearable when someone changes around you. Just imagine that your life partner changes, then it is difficult to cope with. Or your mother. Or your father. They were strong and now they're like a baby - it's not so funny.
'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience.
Yeah, it's funny, working on a show with as large a cast as we have here, your work gets sort of compartmentalized. There's still about half the cast that I've never had a scene with but I have missed working with Terry.
I've played villains on stage - you know, the Iagos and so on - but I think of myself as a funny person. I mostly did comedies before I did TV work.
People just want to have a bit of fun, something uplifting, funny, that's got a melody to it. That's what we try to do.
I was like the funny guy in sixth form. When we used to do showcases, I'd host them, and I would do, like, little comedy segments.
Once an actor told me he went to the Shakespeare School of Acting, and I said, 'I went to the Shakespeare of Acting, too' and he said, 'Oh really?' And I said, 'I went to Shakespeare Elementary School in Chicago.' He didn't take the joke well, he didn't laugh and didn't think it was funny - I thought it was funny. It's all the same to me.
There's magic all around us: Our smartphones are magical, 3-D printers are magical. So I feel that as a magician, if I can pull off something that seems real and convincing enough that I can explain why it's happening and have people believe it, it really is fascinating. And funny.
My parents are both really, really funny, and my little sister is a really good painter, and my other sister is a really good writer.
If I think something's funny, I try to mold it into a joke as soon as possible. Once I have a joke, I say it a million different ways on stage until I find a rhythm and it feels like it's as good as it can be.
I wasn't even 20 at the time, but it taught me something about drugs. They can take a good man, a warm, funny, loving family man, and turn him into a loser and worse.
I feel like an '8 Mile' Eminem compared to 'My Name is.' Whenever my name is brought up, it's in a 'Slim Shady' way, and it's funny, and I'm lighthearted, but at the same time, every once in a while, I like to take it seriously.
I'd never been in play long enough for the flowers to die in the dressing room.
I love Charlie, Billy Burke's character. Writing for him is so spectacular, he's so funny and wry and every scene he's in he just takes. There's a scene in 'Eclipse' where Bella tells him she's a virgin, and it's the funniest, most awkward scene I've ever seen on film.
I wrote a pilot for myself. It's about a Latina actress trying to make it in Hollywood. It's pretty funny.
It's funny; as I get older I'm reverting to my roots - I want to plant stuff.
There's been so many different types of musicals, and it's a funny genre because there's a fine line between clever and stupid. It really takes a genius to know how to do it.
Video is a funny thing. It's one thing to be an artist, singer-songwriter, and use words and create pictures in people's minds. And then be asked to do video for it, to actually give a certain visual for your song.
The funny thing about making this record and being away from the girls and on my own in LA is that it allowed me to reflect on how much we've accomplished.
Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die.
Every day after school for 10 years, I was on the set of 'Married... with Children,' which is a really funny and perverse place for a little girl in a Catholic school uniform to grow up.
What's funny is I probably still have some calligraphy business cards floating out in the world, and I can't wait for someone to call me in a month or something, and say, 'Can you do these for my son's Bar Mitzvah?'
I have to tell you I enjoy Jon Stewart. That's the truth. I actually think he's very funny. I've paid to see him do his stand-up routine.
Sitcoms are designed for normal people who just want to turn on their TV and get a laugh. It's not high-brow, you don't have to work so hard, and it's meant to be a relatable genre. That's why I love it so much - my fans are from 8 years old to 80 years old, because everybody can relate to what's funny.
I'm smart and I can be really funny and interesting and I can go toe-to-toe with anybody in a conversation.
It's so funny because people always think of me as being a little bit country or assume that I am from the South - I don't know why!
I'm a sucker for a funny script. And then, as soon as I don't wanna be, one comes along and grabs me.
It's funny. I did give birth to an alien on 'The X-Files.' And it's just the teaser, so I'm dead before we even get into the episode.
It may sound funny, but I love the South. I don't choose to live anywhere else. There's land here, where a man can raise cattle, and I'm going to do it some day.
We were a very funny family. Humour was the tool with which my brother and I tried to get attention. We were always trying to be the funniest.
My friend and I founded the New York Arab-American Comedy Festival to counter the negative images of Arabs in media. And we always made sure that the comedy came first. So we weren't a bunch of Arabs trying to be funny. We were a bunch of comedians who just happened to be of Arab heritage.
I've never set out to write a funny movie or be a funny comedian as a woman. I am a woman. I don't really have a choice in the matter. My goal is just to be funny.
Johnny Knoxville has such an incredible humanity to him when you meet him. He's so warm and so funny, and he can sort of get into trouble and you sort of forgive him immediately.
In preschool, I would plan out my show-and-tell every week to be funny and exciting. Then in first grade I wrote a play, and my classmates and I performed it as a puppet show.
Well, I did Marlene 15 years ago and that's in the style. It's somehow similar and not similar because Marlene was much more aggressive, funny and sad.
In a man, I like funny guys. A guy who doesn't have a lot of therapy, who's mature. A man, not a boy.
I did a lot of sitcoms, and being funny isn't about being beautiful. Usually, beautiful people aren't the funny people.
I think the Cold War works as a great analogy or simile for different kinds of conflict. It's funny, when you look back at it, it's one of the last times that the boundaries were clear. Now, as we see on 'Homeland,' there are no clear boundaries and enemies.
I really like 'Gladiator.' I like 'The Dark Knight.' I really liked, when I was a kid, 'U.S. Marshalls.' I like funny movies, too. 'Old School' and 'The Hangover.' 'The Hangover' was up there; I liked it.
Vicodin, I got addicted to that little pill. The reason I don't talk about it too much in the press is because it isn't funny, and I love to be funny in interviews. If you joke about that period in your life, it doesn't seem right.
But, sooner or later I'd love to do a comedy. I mean I think that, you know, people don't think that that's in my wheelhouse because I've sort of played a lot of dramatic stuff and that's certainly a side of myself that I want at some point in the right context, in the right stuff, that I find really funny.
Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.
I direct with energy. I believe in energy. I think energy is an electric thing in actors. I try to inspire, encourage, and make choices with lots of energy. And truth. I'm big fan of truth and being funny. I like leading 50 people into battle every day.
My company is known for being funny as well as moving. You get a bit of everything in these shows. I think people know they're going to have a surprising experience.
The funny thing is all these school shootings that we have, always happen in very religious communities. Maybe it's because the centre of their lives is a big fat nothing and it's just a fantasy and there's nothing there. I think maybe that might have something to do with it.
There can be moments onstage - but sometimes in a movie, too - where you just feel you're in a golden space. You're in this strange world where everything you do makes sense. And it's funny: the audience is right in it with you, and the other actors, and you get these rare moments of feeling at one with something. You hear voices in your head.
I think there's an interesting contradiction of having a young face and an old soul. There's something funny about it, and it also allows you to reinvent being old.
And there's a visceral fun in watching Team America and making it, like taking a puppet and throwing it against the wall. Because it's not CG, there's something funny about it.
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