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Today, the paparazzi are not just photographers: everyone has a cell phone with a camera. If they see an actor, they click pictures to show it to their friends or have it on their phones and, as an actor, I don't see anything wrong with it. Having said that, there is a limit that has been crossed, but there is nothing right or wrong.
Well, once I did 'Grease,' everyone was offering me studio pictures in a similar vein - you know, popcorn movie.
What teens share online is dwarfed by what they consume. Pre-Internet, you had to hoof it to the grocery store to find a magazine with celebrity bodies - or at least filch your mother's copy from the bathroom. Now the pictures are as endless as they are available.
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
It was actually the enormous risks I took with my pictures, skating right up to the edge of non-acceptance, that paid off so handsomely.
Of course, Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world, but these films are exceptions, judging from box office returns and press reviews.
I then remained in Berlin until Dec. 1938, spending my time between pictures at my villa on the Riviera.
If the paying public demands naturalistic art, then an artist can use his skills to produce such pictures - but these are to be clearly distinguished from the artist's own art.
It is not important to make many pictures but that I have one picture right.
My books were always full of ink blots, always stained and covered with smeared sketches and pictures, which one draws idly when his attention wanders from his task.
I'm aware of other artists, but what I'm really most interested in is viewing individual pictures. I like dramatic pictures.
In other words the pictures are in a kind of relationship with each other which is touching only at points rather than pictures being illustrations of poems or poems extrapolations of the pictures.
I have not taken inspiration from the fashion shows. I don't even really go to too many of the fashion shows - and have not for 15 years - because I don't want to be inspired by the same things as everyone else. If everyone is inspired by the same things, then of course, you all do the same pictures.
One of the things that wrong with pictures today, I think, is that so many of the people making them started out wanting to.
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
The anarchist painter is not the one who will create anarchist pictures, but the one who will fight with all his individuality against official conventions.
Providing, meaning to a mass of unrelated needs, ideas, words and pictures - it is the designer's job to select and fit this material together and make it interesting.
Pictures, abstract symbols, materials, and colors are among the ingredients with which a designer or engineer works. To design is to discover relationships and to make arrangements and rearrangements among these ingredients.
Andy was an offbeat personality, shy and insecure. The whole reason for taking a camera with him wherever he went was because he was so shy. He'd break the ice by taking pictures.
When images are in black and white, they seem timeless. When you see Carrie Otis in an ad from 1989 next to an ad with Klara Wester from 2009, you don't see a 20-year difference between the pictures.
I love the pictures of Old Hollywood, seeing the directors dressed in suits and ties. Even the grips would be wearing ties. But the biggest thing is when I was a kid, I couldn't wait to be an adult, and I think what happens with most guys is that no one wants to be an adult anymore. So they're dressing like kids.
Boys tell me they have shared my pictures with their sisters to inspire them, and that makes me happy.
The first time I did everything was in Paisley - the first time I went to the pictures or the bowling or the ice rink or the swimming baths.
I can't talk about every single film I made. It's not my way to go back into the past and to look at my old pictures and to discuss them.
Camera companies, like traditional phone manufacturers, dismissed the iPhone as a toy when it launched in 2007. Nokia thought that the iPhone used inferior technology; the camera makers thought that it took lousy pictures. Neither thought that they had anything to worry about.
I chose the Xperia based on its functions. Apart from using the phone to communicate, I also use it to take pictures. The image quality with this cell phone is great.
I never expected that. I didn't aim for that. All I wanted was to get some nice pictures of trains at night.
People think that celebrities are this untouchable thing, and they forget that we're people with emotions and feelings. They don't realize that it affects us when they comment on pictures on Instagram or Twitter, saying mean things, just as it would affect anybody.
The thing that they were more freaked out was that I had done a spread for Playboy years before, and as Playboy always does, they exploit the exploitation and re-release different pictures.
I take a few pictures a week, but the best part is waiting for my film to be developed. The suspense is exciting, and the reward is great.
I looked at Rembrandt and Superman, Matisse and Bugs Bunny, and began to make my own pictures.
Newspapers and magazines didn't want pictures of musicians behaving badly back then. Now, because of the Internet, that's all the media wants.
My Scottish grandfather, John W. Blyth, was a man addicted to paintings. A manufacturer of linen, he spent all his surplus money on pictures.
I probably made a few pictures I shouldn't have done, but I have four sons and I have to pay the rent. If you have a decision to make about whether or not you can buy groceries at the market or whether or not you're going to make a bad movie, you're going to make a bad movie.
When you're making pictures out of heartfelt passion, it hurts when someone calls them a calculated business move.
You've gotta take care of the body you've got. You've got to be fit. You've got to be active. You've got to be healthy. We don't need to be pictures in a magazine.
I used to paint pictures - what happened was, I used to draw and paint pictures. And some of my friends would be, like, 'Yo, you should put that on a T-shirt,' because that's where their brain would go.
I collect art. I just recently bought two gorgeous photographs of Marilyn Monroe by international photographer Eve Arnold and I know it sounds horrible but when she dies all her pictures are going to be worth triple. But I won't tell you how much I got them for - let's just say it was a lot.
I'm just a tiny person from a humdrum neighbourhood, so I grew up worshipping 'Bond' pictures and dreaming of a life bigger than my own.
When I'm working with pictures, with images and storytelling, it's really about the sentiment and the emotional trajectory of the characters. That's really where the music lives, I think. That's what I'm focused on; that's what I respond to most strongly.
It would have been more logical if silent pictures had grown out of the talkies instead of the other way around.
I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.
This would be a distortion of their meaning, since the pictures are intimate and intense, and are the opposite of what is decorative; and have been painted in a scale of normal living rather than an institutional scale.
I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.
And last, it may be worthwhile trying to hang something beyond the partial wall because some of the pictures do very well in a confined space.
I'm pretty disappointed in Sony Pictures' decision to pull 'The Interview' under pressure from North Korea.
Notebooks allow for all kinds of record-keeping, and I kept one myself as a kid. I was attracted to mixing up words and pictures freely, since that's how I think.
When I came out to Hollywood, I discovered the perfect place for my creative madness - Cannon Pictures.
I love that vision-board thing where you cut out pictures that resonate with you so they'll manifest. I've done that since I was three; I cut out pictures of ladies from the JCPenney catalog.
I haven't been in the Louvre for twenty years. It doesn't interest me because I have these doubts about the value of the judgments which decided that all these pictures should be presented to the Louvre instead of others which weren't even considered.
In the 90's action pictures were all the rage. As a woman, I was fed up with them and I initially thought that the script was just another action film dressed up as a period piece.
Janet Landis came to work in my group in the summer of 1957 when our first bubble-chamber was churning out its earliest pictures.
For my second and third pictures, I won Academy Awards. Nothing worse could have happened to me.
I wanted to get out of the pictures and stay home so that I could have children.
Christianity had two faces which bewildered me - two pictures which didn't fit.
I don't remember taking pictures with eighty percent of the people that I have taken pictures with.
I'm pretty much on all social media, but Instagram is the coolest, and I use it the most because I take a lot of pictures and I like to post them, but I link them all to each one.
The bass is just the crayon that I picked out of the box. I'd probably be writing similar stuff if I played guitar or trumpet. The pictures I want to draw I do with this crayon I chose, which is the bass.
Years ago - in the 70s, for about a decade - I carried a camera every place I went. And I shot a lot of pictures that were still life and landscape, using available light.
The secret of all effective originality in advertising is not the creation of new and tricky words and pictures, but one of putting familiar words and pictures into new relationships.
The secret of all effective advertising is not the creation of new and tricky words and pictures, but one of putting familiar words and pictures into new relationships.
I've known Larry Clark since I was fourteen. I've always skateboarded in Manhattan. Larry got into the scene in the early '90s, taking pictures and skating with us.
For 'Toy Story 3' to be recognized by the Academy as not only one of the best animated films of the year, but also as one of the 10 best pictures of the year, is both humbling and overwhelming.
The fall of the Berlin Wall makes for nice pictures. But it all started in the shipyards.
Many photographers get involved with the people whom they take pictures of; others prefer being observers, keeping a certain distance.
I've been looking for an opportunity to break into the Chinese market due to its devoted and passionate audience and have found the perfect partner in Cristal Pictures.
'Imitation Girl' is a feature written and directed by Natasha Kermani. She's one of the founders of Illium Pictures who co-produced 'Pod.'
'Pod' was a significantly larger crew with Ilium Pictures co-producing. 'Darling' was bare bones. We had less than half of the crew that we had for 'Pod.'
I had no trouble going from radio to TV - I just thought of TV as radio with pictures.
M.G.M. never really gave me a break. They loaned me out for leading roles but cast me in programme pictures.
People flash back to pictures of me when I was 12 and say 'Kylie's so different,' but how can I look the same from 12 -18?
Christmas morning, I'm going to open presents with my kids. I'm going to take pictures of them opening the presents. Then I'm going to come to the Staples Center and get ready to work.
Now, what does an actor who can't talk do? Wait for silent pictures to come back?
Silent pictures show us how we lived and what our attitudes were. And as an art form, they can be wonderfully entertaining and often inspirational.
I've gone through my adolescence on TV so it's pretty cringey when I look back on some pictures and scenes, but that's part and parcel of being a child actor and growing up.
I'm an incurable romantic, and Casablanca's one of the most romantic pictures I've ever seen - the combination of Bogart and Bergman is just magical.
I don't click pictures. People carry a camera with them while travelling, take pictures, keep them as memories, but I don't. I don't even have a camera.
In Bulgaria, they use the Cyrillic alphabet, which is completely different from ours. You can't sound the words out, so you can't read street signs or packages in the grocery store! You have to rely on pictures and guesses.
I made four pictures before 'The Graduate,' and nothing ever happened. And after that - wow!
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