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I always take hundreds and hundreds of pictures. I used to work for 'National Geographic,' and they gave us a lot of film.
When we got down to the Super Bowl in '85, against the Patriots, we're down there on the field checking things out. This helicopter flies overhead, probably taking pictures, and McMahon just moons it. He mooned the helicopter from the field.
All the world is competent to judge my pictures except those who are of my profession.
I think the best pictures are often on the edges of any situation, I don't find photographing the situation nearly as interesting as photographing the edges.
The wonderful thing about television is the immediate impact of pictures of current events.
The solution of the difficulty is that the two mental pictures which experiment lead us to form - the one of the particles, the other of the waves - are both incomplete and have only the validity of analogies which are accurate only in limiting cases.
Public officials insult our intelligence and our goodwill when they paint rosy pictures about budgets, jobs, bipartisanship, and transparency, and alter their positions on issues simply to keep collecting their paycheck by never disagreeing or disappointing anyone.
People in Hollywood are going make pictures where ever it's the least expensive to make them.
An empty canvas is a living wonder... far lovelier than certain pictures.
Human behavior in the midst of hardship caught my attention very early on, and my first stories were all pictures, no words.
If anybody reads a story in a magazine or book, different pictures compete in their minds.
I used to be very photogenic. My brother took a lot of pictures of me in Dubai. I thought maybe I could be a movie star. There was a hurdle, though - I didn't know anything about films.
I've seen pictures of me, and I look mean and arrogant. That's how I felt on the inside. I think now, 'Is that really me?'
I actually used to smile a lot in pictures. I think I only stopped smiling when I got into fashion. Fashion stole my smile!
I fight for the debunking of the artist and an end to individual pictures.
After Sandy hit, my wife and I saw pictures of the devastation following the hurricane in the news. We immediately wanted to find a way to assist those in need.
I really enjoy the iPad because you can multi-task: I can watch a movie, read, look at pictures that I shot - because I'm into photography. It serves a lot of purposes for me.
It's not a natural translation, transition, to take something from stage to screen. Onstage your action is communicated through the spoken word primarily, and on screen it's communicated through pictures. So it's always been kind of unnatural to take something that lives on the stage and turn it into moving pictures.
It was the winter of war, in 1939. It felt completely pointless to try to create pictures... I suddenly felt an urge to write down something that was to begin with 'Once upon a time.'
People are narcissistically obsessed with taking pictures of everything they eat.
Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.
I didn't look at any of the newspapers, I look at the pictures sometimes, but apart from that I don't read them.
Is it crazy that George Bush, ex-President of America, now paints pictures of dogs? Tiny, little, nice pictures of dogs, after all the suffering that he caused? That's crazy that he's doing that!
Fantasy isn't something I put into the pictures; I don't try and inject them with a sense of play. But it's about being an honest photographer; a photograph is as much of a mirror of the photographer as it is the subject.
Even the pictures I was doing at college - a little narrative based on a butterfly catcher, or a chimney sweep - the images were always telling stories. They were all scenarios and moods which I storyboarded and worked through - it's exactly what I do now.
When I do appearances and stuff and I just wanna see the new pictures, I Google myself.
Going into a shoot not fully knowing what I want to do - that excitement, that thing that happens, is just so powerful and makes such great pictures.
There's a good many pictures I'd like to make; we'll see how many I'll be allowed to make.
The Lumiere brothers first exhibited moving pictures in Paris in 1896. A year later, there was a private showing at the Yildiz palace in Istanbul.
I wasn't an actor. They they take the externals. Here I was, a kid thrown into Hollywood with a brand-new name, starring in motion pictures.
When I tried to branch out into comedy, I didn't do very well at it, so I went back to doing what I do naturally well, or what the audience expects from me - action pictures.
Pictures are much harder to do than the theater... You're at the mercy of the camera angles and the piecemeal technique.
When I first posted pictures of me braless, there were so many different reactions. I could have been frightened and hide, but I didn't. I wanted people's prejudices to disappear.
I was digging in the backyard to get my own clay and making pottery. And then I started taking pictures and built my own darkroom. I would go out at six in the morning and just take pictures.
There was a mental institution near my house, and I would donate time teaching mentally ill patients how to do ceramics. I photographed them as well. So those were my first pictures.
It draws you in and creates pictures, so what I do is almost like a talking story book.
From what I hear, everyone who does a Marvel movie gets a three-picture deal. I'll be Sam Jackson's stand-in. I'll do eight pictures for Marvel, and then I'll just do indies. Marvel can pay for my indie career.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
I've never been interested in philosophy, but some of Jung's ideas seem useful in helping people understand pictures and so forth.
There's a very big difference between negotiating to borrow billions of dollars on behalf of MCA and negotiating to borrow 28 cents in connection with making independent pictures.
I'm the world's worst after-dinner speaker. I need pictures to respond to. I was the voice of the lottery balls once and got the sack.
I had done 25 motion pictures prior to The Partridge Family and nobody knew my name.
The text illustrates the pictures - it provides a connective tissue for me. I usually refine the text last, partly because pictures are harder to do, so it's easier to edit words - I use text as grout in between the tiles of the pictures.
That is one reason so many of the Japanese pictures are not good, they cannot spare all the footage necessary for that bow, which is repeated over and over again.
I don't even know who that person was in the '80s. I see pictures of myself from back then and I don't even recognize myself.
I enjoy doing my more intimate and less commercial pictures and also I enjoy directing.
Stamps from Afghanistan are hilarious. You can tell when the revolutions are because suddenly they stop having pictures of the mullahs and the independence monument and they start having fish on them.
Pictures are for entertainment, messages should be delivered by Western Union.
I've been sent lots of lovely gifts - everything from candy and peanut butter to hand-made quilts, pictures, and clothing. I was once sent a crate of avocados. Fortunately, I love them.
I just started taking pictures, and it was - it was an instant love affair. It was just ecstatic.
I'm making the art for me first. I'm making it because these are the pictures I want to see. I'm making pictures that don't yet exist.
It's rare that I'm able to get to my desk in the morning without stopping halfway there, turning around, and going in the opposite direction because of a pressing need to straighten all the pictures on the walls, floss my teeth a second time, and make certain that there really are 100 postage stamps in the roll of stamps I bought yesterday.
The UTV/Disney fit works because UTV Motion Pictures was already very strong in producing and creating its own films beyond just co-producing, acquiring or distributing titles.
There was a strange happening during a performance of Elgar's 'Sea Pictures' at a concert hall in Bermuda tonight, when the man playing the triangle disappeared.
I've always painted or drawn pictures or taken still photographs; now I shoot movies. It's just about making images, really.
Motion pictures are the art form of the 20th century, and one of the reasons is the fact that films are a slightly corrupted artform. They fit this century - they combine Art and business!
I've made somewhere around 150 pictures, and a lot of them are B-pictures, I can tell you that. I'd say there's about one hundred of them I don't remember.
If I could earn the living that I earn in motion pictures and television in the theater, I'd be doing theater. But you can't. Nor come even close to it.
Neither facts nor pictures seem to sink into our centers of feeling any more.
Also the pictures themselves give a visual to the audience tuning in, that makes them a very important part of law enforcement, or pulling families together.
The ability to get ahead in an organization is simply another talent, like the ability to play chess, paint pictures, do coronary bypass operations or pick pockets.
Pictures of entire lives, of the choices that people make and how those choices work out for them, those pictures are almost impossible to get.
The great poet is a great artist. He is painter and sculptor. The greatest pictures and statues have been painted and chiseled with words. They outlast all others.
Some things I won't do for any amount of money. Like for instance, there's a couple of CEOs of very large corporations that offered me lots of money to do special pictures for them. And I just refused to do that. Even if it was a million dollars I wouldn't do it.
Pictures have a lot more power than text. Text is just a bunch of little symbols. You have to actually read it and imagine it, and even that can be censored. With pictures, it's a lot more immediate.
I thought I was taking pictures of things that I hated. But there was something about these pictures. They were unexpectedly, disconcertingly glorious.
My first show at MoMA in New York was pictures of new developments along the eastern edge of the Rocky Mountains. They were housing developments that were brutal in many ways, that cared almost not a thing for the human beings inside. They were just designed to make money.
Wherever I go, I'm watching. Even on vacation, when I'm in an airport or a railroad station, I look around, snap pictures, and find out how people do things.
I realized what you could do in motion pictures by surrounding yourself with geniuses.
As a kid, I was a paperboy, and the walls of the place where we picked up our papers were plastered with pictures of former paperboys - some sports figures, some presidents, some military officers.
When I'm at the game, I try to put the fans into my shoes. I'm snapping pictures right and left.
One of these days, I'm going to publish a book of all the pictures I did not take. It is going to be a huge hit.
We have seen amazing, creative and interactive pictures from camera owners, and I'm looking forward to the Lytro camera being available in Australia.
Light field photography unleashes the power of the light, to forever change how everyone takes and experiences pictures.
People take pictures of the Summer, just in case someone thought they had missed it, and to proved that it really existed.
I have an unusual hobby: I collect pictures of people I don't know. It started when I was a kid growing up in South Florida, the land of junk stores, garage sales, and flea markets, as a kind of coping mechanism.
Some days, I would find what seemed like entire family trees, torn from once-treasured albums and dumped in disorganized bins, selling 10 for a dollar. I wondered how people could give up pictures of their great-grandparents for complete strangers to paw through - or why complete strangers would want them.
My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film industry is in a declining state.
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