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I'm somewhat overwhelmed by the microblogging that takes place in China, and the smartphones and all the people that want to take pictures of myself and my family.
Growing up, I would watch a movie on video and would go to the back of the VHS and locate the address for Universal Pictures or MGM or whatever. I'd write to the studios asking them if I could be in a movie. They never wrote me back.
I began taking pictures in the natural world to be able to show people what I was experiencing when I climbed and explored in Yosemite in the High Sierra.
I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards.
The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted.
And most of my early pictures failed but about one in a 100 somehow looked better than what I saw.
Wanting to be understood by an audience that didn't know Russian, I tried to paint musical pictures by emphasizing the phrasing, using voice color more boldly, and varying the shade and nuance.
Most of these pictures, taken while travelling, were developed on the mantelpiece of a hotel room, which proves that the method is easy enough to carry out.
I hope that not only my documentaries, but everybody's documentaries, last. It will really confuse historians in the next century, because they'll have, in addition to all the print material, they'll have all these pictures to look at.
We take a lot of pictures with fans, and when they walk away, their parents say, 'Who was that?'
At 'SNL' there's framed pictures of all the cast members, and it starts with Dan Aykroyd. It's linear. It just keeps going through all these people, and then you're at the end of it.
They weren't great pictures, but they were fun, and they really represented that period of time well.
It is more raw and unfettered and I'm more likely going into something you could call extreme cartooning. There's a lot of that in the course of 'Holy Terror.' There are interludes where there are pictures - cartoon pictures - of modern figures and they are all wordless. It's up to readers to put the words in.
What's happened with computer technology is perfectly timed for someone with my set of skills. I tell stories with pictures. What I love about CGI is that if I can think it, it can be put on the screen.
What switched me to films was the flood of American pictures into Paris after the Liberation.
It was 1966 by the time I started taking pictures seriously and books, newspapers and magazines of the time were full of great pictures that helped to inspire me.
How did I become a star? I don't know how it happened. When I look at my old pictures, I can't tell how it happened!
Recording sessions were stimulating to photograph, because everything was in motion: the subject, the musicians, the technicians and the photographer. You needed fast reflexes to keep up with moving targets, and sensitivity and skill to get the pictures while keeping out of the performers' eyeline so as not to break their concentration.
I write at a desk. I have a room of my own where I can have my computer. I write in there, usually directly onto my computer. It used to be the room where my two sons used to sleep with the dog and the cat, but now it's all mine. It has pictures of art from my books on the walls.
Mushy novels, pretty pictures, pretty sculpture, decorations on the wall, nice parallel lines - make me sick.
True poetry is similar to certain pictures whose owner is unknown and which only a few initiated people know.
When you look at the 'New York Times,' you look at other elite media, what you largely get are pictures of very wealthy nations and the nations we've invaded.
The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.
I sometimes make pictures which are not up to my standard, but then it can only be said of a mediocrity that all his work is up to his standard.
My grandfather was a general in the Nationalist Chinese Air Force during World War II, and I grew up hearing the pilot stories and seeing pictures of him in uniform.
The first couple of pictures I wrote and directed were dreadful, because I was dealing in worlds that were not familiar to me, and writing about fantasy. They were just not anything I was really connected to.
I was sort of a loner as a kid, so radio was where I turned for companionship. I loved the music and how the DJs talked about the artists and used words to paint pictures to evoke emotion.
The battle scenes in 'Gladiator' don't have the exultant lift of Hong Kong period-action pictures like the 'Once Upon a Time in China' series, where the fights have the eye-popping panache of dance sequences from a musical.
I'm an amateur photographer, apart from being a professional one, and I think maybe my amateur pictures are the better ones.
Photography is pretty simple stuff. You just react to what you see, and take many, many pictures.
I was a complete unknown when I did 'Karate Kid.' I'd just done a pilot for a TV show called 'Call to Glory.' And I sat down with John Avildsen and brought still pictures from the show. I brought pictures! At that point, I would've been happy to be in a dog-food commercial.
The motion pictures I have made and the plays I have chosen to direct represent my convictions.
Unfortunately, I'm not one of those people who take pictures, you know, carry a camera. Because if I did I'd have stack's and stack's and stack's of different act's. I got a lot here - I know what I done.
I do not deny that I have made drawings and watercolors of an erotic nature. But they are always works of art. Are there no artists who have done erotic pictures?
Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
It sort of filtered into their subconscious through motion pictures, but it's an historical secret. This - whatever this is - needs to be studied and, in a kind of definitive way, talked about.
It's important sometimes to have pictures that are not as retouched and show more of the real skin.
I never regarded my pictures as very much to be proud of, except in this, the craft, the style.
If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.
So slowly in my mind formed the idea of melodrama, a form I found to perfection in American pictures. They were naive, they were that something completely different. They were completely Art-less.
Hollywood, what a place it is! It is so far away from the rest of the world, so narrow. No one thinks of anything but motion pictures or talks of anything else.
The biggest thing is to just keep your voice in shape so that when the emotion hits, it's there to have the colors to paint those pictures with the lyrics as well as the sound.
I understand the visual media very well, as I used to write comic books for Walt Disney, and I've written a graphic novel. How you carry a story in pictures is different than how you do it in text.
Well, you know, it's been interesting because an album is just a snapshot of where you are at that time. Not all pictures of everybody are just in jeans and a 'T' shirt, or a ball gown. You have many different sides and this is a snapshot of where you are at that time.
But I thought, I've just got to check out Hollywood, so I sent out pictures and resumes.
'The Unsinkable Molly Brown' was my favorite for me to be in because it was all dancing. There were other musicals that I made with Donald O'Connor and Gene Kelly that were wonderful pictures, and we had a lot of fun making them.
It is proper to take photographs or other kinds of pictures of persons to put them before us for sight or remembrance. But it is improper to make pictures and images of God and to take his likenesses therefrom to his great distortion.
Paramount Pictures is a perfect partner for Electric Entertainment, with the most stable group of executives in Hollywood and unparalleled global promotion and distribution reach.
When FDR died in 1945, he was still paralyzed from the waist down. After he died, his portrait was put on the dime. Through his illness, he went out of his way to minimize his difficulties. Of the thousands of pictures taken of him, only two show him in a leg brace or a wheelchair.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
I never want people to be repulsed with my pictures; I always want to attract people.
I'm interested in all kinds of pictures, however they are made, with cameras, with paint brushes, with computers, with anything.
When the Internet came along, at first it was just a medium for moving text around - books first, then pictures, finally video. Each time the bandwidth expanded, so did the capabilities of the medium, and each time it happened, the Internet cannibalized preexisting formats. And each time, those formats had to adapt. Or die.
I set up playdates, and I'm a morning greeter for the car-pool line. I also make albums with the family photos. When the kids get older and go on their way, we'll have all those pictures to revel in.
I was so besotted with '8½' that, when it was on TV, I used to take pictures with my 35-mm. camera of the frames of the film. That was the first time I'd ever really seen Italians on screen.
I went from a guy, kind of a working actor, a supporting player, to magazine covers and being offered the studio pictures really quickly. Nobody was comfortable with it. I wasn't really comfortable with it.
I didn't try and do fashion pictures. I tried to do portraits of girls wearing dresses.
I know from experience it's very hard to get access to a prison to take pictures.
This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.
I enjoy passing time in my house. I'll get up, head out on the terrace, think about what to do, fool around oiling the floorboards or hanging pictures askew.
When I'm not painting, I'm Oujia-boarding with my photos. I'll sort through my pictures, put them in different folders, and come back months later to one in particular and try to figure out why I took it.
We do have pictures on the wall, in our office in Belfast where we spend half our time. All the head shots are on the wall. So yeah, we just throw darts at the ones we don't want anymore.
In 2013, before the publication of my fourth novel, I met with a stylist at Nordstrom. Since then, I've rarely shopped for 'event clothes' on my own. I usually do it with my sisters or a friend; if I'm alone, I take pictures of myself in the dressing room and text them to my sisters.
One of the walls of my bedroom was a collage of about 15 years of baseball photos. I would cut out the baseball pictures from every issue and I had this huge montage of thousands of pictures.
It really just gives you a sense of when you need to have dialogue and when you don't, and if your pictures are telling the story, you don't need to have all this talking.
My inspiration can come from anything - films, the street, paparazzi pictures.
I collect pictures of adorable puppies on my phone. I have little room for anything else.
My fans are called 'Mayniacs'. They enjoy screaming and chasing me and taking pictures.
Looking back across the years, so many pictures flash on the screen of my memory that just as I begin to see one clearly, another slides in, blotting out the first, itself to be pushed aside by the next and the next and the next.
The pictures we saw before we got down here didn't even touch the reality of what it is like being here. We can be right on the beach with all the devastation and still not be able to imagine what it was like when the wall of water actually came up.
I just make the pictures and where they fall is where they fall. If somebody likes them, that's always nice. And if they don't like them, then too bad.
I certainly knew from an early age... how to tell stories; how to create pictures in other people's heads.
I sign a lot of autographs and take a lot of pictures. That's why I've always got to keep my hair done now.
I really did put up all my wedding pictures on my website. And I swear to you, my wedding pictures got downloaded just as much as my bikini pictures.
I know I play into that image out there, but I try to say it is a fantasy. I look at my own pictures and wish I could look like that. There are probably five people in this whole entire world who actually look like that.
I wanted pretty pictures of older women - women who are trying too hard but succeeding - pulling off an extreme look. What I didn't know would creep into the portraits was a vulnerability behind the strong facade that most of them wear.
4chan is a framework of pictures and text. I've always been extremely hands-off with dictating what gets posted, past general categories and rules. I support providing a place to discuss anything, although I don't agree with everything that's posted.
The Chavez-Obama pictures will join a postmodern photo array that includes Donald Rumsfeld gifting Saddam Hussein with spurs from President Reagan.
I know the fans are very personable with my mom and things like that. They make little collages and pictures. They make edits of me and my mom together.
Instagram. Pictures. Lots of pictures! I don't really care to read everyone's thoughts.
At first, I see pictures of a story in my mind. Then creating the story comes from asking questions of myself. I guess you might call it the 'what if - what then' approach to writing and illustration.
A good picture book should have events that are visually arresting - the pictures should call attention to what is happening in the story.
I don't think of myself as an illustrator. I think of myself as a cartoonist. I write the story with pictures - I don't illustrate the story with the pictures.
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