Elvis Mitchell Quotes

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It's more dangerous to be a friend or relative of Jackie Chan in the star's movies than it is to play the third yeoman on a 'Star Trek' episode.

It's true that as Mr. Chan makes more American movies - and gets older - we will never again see the kind of fistfight choreography that the star would devote four months to shoot.

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If Mr. Chan ever makes another movie like 'The Tuxedo,' it's American audiences that will see him in court. With 'Shanghai Knights,' he has come through with one of his best. This time, it's personable.

A little of the sketch character Pootie Tang went a long way on HBO's now late, probably soon to be lamented 'Chris Rock Show.' So it's surprising how much fun the character's film debut, 'Pootie Tang,' is.

One of the best things Gwyneth Paltrow has done in years was her mesmerized, good-sport cameo in a 'Pootie' sketch, when she was melted over him like butter on an English muffin.

What makes 'Pootie Tang' the motion picture enjoyable is its no-brow ambitions; it's a joke action film. It slides through enough African-American pop culture signifiers to raise laughs out of those who will appreciate the references; it revels in more...

'Pootie Tang' may be raw and slovenly - hey, it often is raw and slovenly - but it succeeds as a laugh getter because of the spot-on satirical notes. You might say that the movie walks it like it talks...

'The Third Man,' directed by Carol Reed and written by Graham Greene, is, quite simply, one of the finest movies ever made.

Often, when Jim Carrey plays it straight, all of the vitality is drained from his face; he looks like a root-canal patient trying out a pleasant expression for his oral surgeon.

One of the funniest things about Mr. Kaufman is that all of his filmed scripts - 'Being John Malkovich,' 'Human Nature,' 'Adaptation' and now 'Sunshine' - sound like titles from REM's 'Reckoning.'

The road back from degradation begins with self-awareness - and sometimes, as in 'Phone Booth,' change can begin with a single phone call.

'Va Savoir' is a lovable comedy about love that looks upon life as drama and uses the world of the theater as a staging device.

The director Sofia Coppola's new comic melodrama, 'Lost in Translation,' thoroughly and touchingly connects the dots between three standards of yearning in movies: David Lean's 'Brief Encounter,' Richard Linklater's 'Before Sunrise' and Wong Kar-wai's 'In the Mood for Love.'

Music is a big part of the director's life; Ms. Coppola's previous feature, a screen adaptation of 'The Virgin Suicides,' was informed more substantially by the score by the group Air than by the narrative.

The influence of John Hughes is fully felt in the melodrama 'Donnie Darko.' This first film written and directed by Richard Kelly is a wobbly cannonball of a movie that tries to go Mr. Hughes one better; it's like a...

'Man is an endangered species,' announces one of the titles at the beginning of the sci-fi lump 'Battlefield Earth.' And after about 20 minutes of this amateurish picture, extinction doesn't seem like such a bad idea.

It may be a bit early to make such judgments, but 'Battlefield Earth' may well turn out to be the worst movie of this century.

'Plan Nine From Outer Space' for a new generation, 'Battlefield Earth' is set in the year 3000, after the beings from the planet Psychlo have conquered our planet in only nine minutes.

Adapted from the novel by L. Ron Hubbard, who cranked out sci-fi pulp by the cubic ton, 'Battlefield Earth' has the musty feel of the days when the genre's highlight was Flash Gordon.

What we're most aware of in 'Eight-Legged Freaks' is how similar it is to other movies, a recombinant mutated species itself, the product of the crossbreeding of the suffering-from-gigantism movies of the 1950s and the 1990 B-picture classic 'Tremors.'

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