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Elvis Mitchell Quotes

Most Famous Elvis Mitchell Quotes of All Time!

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If somebody wants to attack my work, that's one thing - that, I'll respond to.

Some people bring their work home with them. You might suppose that Sid Mashburn is one of those guys - the man was born with a name so brand-ready he basically had to become an entrepreneur.

My style icon has always been Sidney Poitier.

In 2013, when it turned out that the plot of LaBeouf's short film 'HowardCantour.com' (2012) had been purloined from graphic novelist Daniel Clowes's 2007 comic 'Justin M. Damiano', the actor-director responded with a series of tweet apologies that also appeared to be shoplifted.

Real-life conduct aside, LaBeouf, a Los Angeles native, has been working steadily as an actor since he was 12 years old.

Sean Penn has never become the lighter, laughing guy.

Performance art is really more of a command than an invitation.

Spending time with Mexican-born writer and director Alejandro Gonzalez Inarritu, you'd never guess that he's the filmmaker behind a series of movies known as the 'Death Trilogy.' The way he dotes on his children and talks about his wife makes it clear that he has a crackling passion for life.

Inarritu's films focus on the repercussions of a single act that draws people together and simultaneously throws their lives into chaos.

Inarritu's own nomination for Best Director for 'Babel' was the first such honor for a Mexican director.

Do you remember where you were when Michael Jackson and Farrah Fawcett died?

Before he became 'a working actor,' as he now proudly calls himself, Jamie Dornan initially caught the public's attention as a model - you may remember him from those greasy underwear ads with Eva Mendes, among many others.

My parents are from Hattiesburg, Mississippi, and I feel like it's an old Southern thing where people say that, as a kid, you can be an astronaut or a ballerina or a singer, but as a grown person, you need to go and get a job.

It's true that a smile can take years off a person - not that such a thing matters in Yoko Ono's case.

I think there are some people who have this thing where, from the very beginning, some part of them rejects convention.

In the early '60s, it was still a fairly subversive thing, though, to say that you should take a painting, cut it, set it on fire, step on it, hammer nails into it.

For years, Ono's work - musical and otherwise - was, in large part, dismissed and derided; at best, it was often misunderstood.

The director Steve McQueen has found a way to constantly include the element of surprise in his work, both as an artist and as a filmmaker.

Given how unflinching his productions have been, the 44-year-old McQueen is remarkably gentle and thoughtful - so much so that he will request a moment to consider a question, and turn it around in his head to get the shape and weight of it, before answering, occasionally with an excited rush of words in response.

People can be incredibly proprietary about Superman. They think that the character belongs to them.

One thing that I've noticed about big families is that they usually break down into two camps: the talkers and the watchers.

The funniest thing in the world to me is the idea of a white guy in his thirties going, 'Wait - I'm going to go into hip-hop.'

You know what? As a black person, you see so much racism. Films are no different than the government, politics - it's everywhere. It's not exclusively film. It's infuriating to see it in film. But my being in film changes things.

A lot of the time, you see all this ambition from these black actors, and it's just pouring off the screen. Because they don't often get a chance to work, and when they do, they don't usually get a chance to work with other black people.

Stewart's interest in serious acting gives her something in common with Theron - and, like Theron, some of her most provocative work has come through working with women.

Theron says that she was intrigued by the psychological demands of the material in playing the complicated 'Queen Ravenna', and Stewart's performance as 'Snow White', the fairest of them all, in her first action-heroine role, kept her literally in constant motion.

That's a part of success: figuring out what success means to you.

'Ravenna' is, in many ways, the ultimate example of how a woman's perception of herself can lead to this horrible road being taken.

If you start off as a fearsome figure in pop culture, it's almost axiomatic that at some point, years under the lights softens you into a cuddly family figure.

Ice Cube went straight outta Compton to hearing, 'Are we there yet?' Eddie Murphy blew up striding across the stage in a red leather ensemble that would have made Elvis Presley chuckle, yet is probably best known to anyone born in the 21st century as the overly chatty donkey from 'Shrek.'

Berry was a transitional and, to my mind, revolutionary black figure who had to find a place for the rage that the crucible of racism created.

I saw Berry in concert a couple of times in the late '70s - and like almost every North American male of a certain age, I went because a friend was hired by Berry that very day to be part of the legend's backup band.

LACMA has the imprimatur of art, and that's a big leg up.

I want to expand and not ignore the late 20th-century additions to filmed entertainment.

I've been cheered by the reaction to what I've done with Film Independent at LACMA and the organizational support I've received in pursuing it.

I'm honored to be asked by Stephanie Allain - whom I've long admired - to add to the scope of my programming purview at Film Independent. I salute David Ansen for his work with the festival and look forward to continuing to follow his example.

I love the Museum of the Moving Image, and I like the idea of bringing artifacts of the cinema into a museum.

I've enjoyed living in New York for the last 10 years, where there's a real film culture, with the Film Forum and Lincoln Center.

My first paying job in Los Angeles was taking tickets at the Bing under Ron Haver.

Tarantino thinks the Bing is a great room for comedy.

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