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I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.
I wasn't aware it could make me rich or famous. I just wanted to take pictures.
I'm in this new Showtime series called 'Ray Donovan.' I play this guy Stu Feldman who runs Paramount Pictures, so the total opposite to this character.
I've always followed my enthusiasm. Whether the pictures have turned out good or not is one thing - but I've always had a lot of enthusiasm for the project at hand.
I shot images of everything I could find over the course of a year. I would go all over the world and take pictures. In a day, I could easily take thousands.
In westerns, you meet a hardy bunch of characters. There is no jealousy on such pictures.
I think that televisions are unnecessarily complex. The irony is that as the pictures get better and the choice of content gets broader, that the complexity of the experience of using the television gets more and more complicated.
We have been endowed with the capacity and the power to create desirable pictures within and to find them automatically in the outer world of our environment.
But what's interesting is now - and not only in horror, but across the board - the studios basically only make B pictures with A budgets. That's the biggest difference.
Shakespeare's words paint pictures in glorious colour in my language. They were written by a man whose use of words fits exactly into Xhosa.
I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.
It's very difficult when there are pictures taken on the red carpet. I find those things so terrifying that another persona just kicks in. I don't recognise myself.
When California provides the same value as other locations, I'd gladly shoot all my pictures here.
Although we don't know what is outside our universe, astronomers still wonder. Several pictures of what there might be have been dreamed up. An interesting one, called multiverse, has lots of universes. Picture it as a foam of bubbles. Our universe would be one bubble, and we'd be surrounded by lots of other bubbles.
Virtually always I get my best pictures when everybody thinks the shoot's done.
On a shelf above my computer are five letters that spell out W-R-I-T-E. Just in case I forget why I'm there. I also have 'Wonder Woman' paraphernalia from when I wrote five issues of the comic, and pictures of my husband and kids.
I love looking back at my old pictures and pictures of my grandma and my mom and see how they expressed themselves at different parts of their lives, and it just tells an interesting story, so why not play around?
I get to meet everyone, tell them about the game, geek out about random things while they wait in line for the game and then I get to take awesome pictures with everyone!
Pictures often sit inside of pictures, but the edges of pictures and objects are rarely subjected to serious challenge; we are presented with distinct, whole pictures and objects.
I learned long ago, back with 'Lover Revealed,' that my job is to sit at the computer, shut up and type. Otherwise? The pictures and the voices go away!
I'm in the intriguing position of being a friend of Jeremy Corbyn and knowing him personally. It's quite a strange position to know somebody that's in the news and know the person who they're talking about and taking pictures of.
One of the things that I really admire about the Marvel motion pictures is that, in one year, 'Captain America: The Winter Soldier,' which was a taut political thriller, and 'Guardians of the Galaxy,' which was a cosmic comedy, came out, and they could not be more different, and yet they both felt very Marvel.
One of the reasons that I do a lot of different kinds of pictures is because I learn a lot when I'm doing them.
I love doing motion pictures and expect to be as busy as I want to be in them.
I do all my speeches in pictures. If I wrote words, I'd get locked in on them.
Authors all have at least one thing in common, which is that when we finally get finished copies of our books, we get giddy as kindergartners. We touch them constantly, and build towers with them, and take pictures of our cats and dogs reading them.
The art of motion pictures is pictorial and language comes a distant second.
Occasionally I'll be a producer for hire on a larger budget movie, but with Blumhouse Pictures, we mainly focus on micro-budget, under-$5-million-dollar movies. That's what we're in business to do, and that's what we're in business to make.
'Golf Digest' had all the old school swings, and my favorite swing, ever, was Nick Faldo's swing. And it had all the greats, Ernie Els and Nick Faldo and all that stuff, and I had the pictures of their swing sequences on my wall.
Statues and pictures and verse may be grand, But they are not the Life for which they stand.
I sort of got into Westerns... It was a sort of desperation move, really. I had several pictures that didn't go very well, and I just realised that I would have to try something else.
Certainly I have made comments on American society with the various pictures and have done about nine antiwar paintings. But I did them because I was incorporating my feelings into my work.
I decided to make pictures of fragments, images that would spill off the canvas instead of recede into it like a medicine cabinet. I wanted to find images that were in a 'nether-nether-land': things that were a little out of style but hadn't reached the point of nostalgia.
We don't want to plaster Mumbai with pictures of Will Smith. We want to make an exchange. We want to do films there as well as introduce Indian actors and directors to the United States.
Everybody wants blockbusters. I like to see a few pictures now and then that have to do with people and have relationships, and that's what I want to do films about. I don't want to see these sci-fi movies, and I don't want to do one of those. I don't understand it.
The destructive malware attack against Sony Pictures Entertainment (SPE) in late 2014 was an unprecedented cyber event for the United States in its scope, destructiveness, and economic implications. The FBI responded to this attack with an investigation that was groundbreaking in its scope and collaboration.
The Academy Awards were basically created by the industry to promote pictures. They weren't really to acknowledge the performances. Then it became sort of this a great popularity contest and now, it's an incredible show and it's seen all over the world.
'La Notte' is my favorite of the Antonioni pictures and my favorite work of the master cinematographer Gianni di Venanzo, who also shot '8 1/2' for Fellini.
You get involved with a studio, and optional pictures and sequel options and that sort of thing are becoming part and parcel with the roles they're handing out.
Pictures can be devastating. Who allowed John Kerry to get himself photographed windsurfing in a flowered swimsuit? Anyone in the real world in that operation?
I was actually quite small when I was young. No one believes me now, but I have pictures at home.
Going back into the history of a word, very often into Latin, we come back pretty commonly to pictures or models of how things happen or are done.
My pictures are always part of my thinking, and my emotions, tensions, dreams, desires.
I used to look at these pictures of trumpeters pointing their instrument to the ceiling. Stunning pictures, but if you play the trumpet and point it upwards, all the spit comes back into your mouth!
I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!
I don't look at the work of my contemporaries very much; I tend to look at pictures by dead artists. It's much easier to get near their paintings.
I want my pictures to be things. I want them to be made up of marks that are physically and individually self-sufficient.
The picture surface recedes just as much in the 20th century as it did in the 15th. The techniques of making pictures have hardly changed.
Radio astronomy reflects our fascination with how audio can be used to understand information or ideas. Just as scientists visualize data through charts and pictures, we can use 'data sonification' to translate radio signals into sound that help us better understand some of our most enigmatic planetary systems.
I realized that you could formulate theories about human and social phenomena in language and pictures and whatever you wanted on the computer, and you didn't have to go through this straitjacket, adding a lot of numbers.
Flesh sells. People don't want to see pictures of churches. They want to see naked bodies.
When I did that first movie, it was the introduction to all the set-up time and the waiting time that's endemic in motion pictures, and the repetition.
That was Embassy Pictures, they went bankrupt shortly after This is Spinal Tap came out.
The tradition of the South is not urban... I think we are a region of storytellers, naturally, just from our tribal instincts. We did not have the pleasures of the theater or the dance, motion pictures when they came along. We simply entertain each other by talking.
The thing is that pictures are everywhere. The question is what we don't see, and why don't we see so much. I just see it.
I began photographing in 1946. Before that, I was a painter and drawer, with my mother and father's support. They were a bit pissed when I went into photography. They thought photographers were guys who took pictures at weddings.
My interior is very, very dense - Proustian-looking, sort of Henry James. The walls are covered in pictures, and I transformed the big drawing room into a library lined with books.
In the '80s, I can't say that Amy and I were aware of an independent film community. We could only get a certain amount of money for our pictures, which made them low budget movies, but they were distributed through studios.
When a girl sends me 100 pictures, I have to send something back every now and then.
I guess I don't come to the work without baggage. I have an idea of what I want my pictures to look like in my head, and if they don't match up, I find it frustrating.
We spent a lot of time on the beach when I was young so I'd also take pictures of seaweed and crabs.
The John Ford pictures I made are highly regarded, but at the time they didn't seem like that.
After 16 years in pictures I could not be intimidated easily, because I knew where all the skeletons were buried.
At 26 I felt myself a victim rather than a victor in the realm of pictures.
The Sennett system of making pictures was actually fun. You never knew what the person next to you was going to do.
I would sooner play in a good British picture than in the majority of American pictures I have seen.
I made my last motion picture in March 1965 for Magna Pictures. 'Harlow,' based on the life of actress Jean Harlow... I didn't know at the time that 'Harlow' would be my last motion picture.
Some writers and producers are currently writing a sitcom for me, so we'll see what happens there. I'm somewhat reluctant to talk about some of the upcoming projects that I'm working on; I've a lot of stuff on the go, including five pictures that I'm looking at producing.
As a little boy of 3 or 4, I became lame. Something was wrong with my right leg. There are pictures of me being pulled around in a little wagon. The doctors didn't know what to do. So my nanny took me to the miraculous Madonna at Sacro Monte in Varese, the priest blessed me, and I walked.
30 years and 55 pictures - not more than five that were any good, or any good for me.
When I graduated, I felt a little burned out on taking pictures after so many years of churning out so many for classes.
All that I've done in my life thus far, all the poems and all the pictures, are not so much an intermingling of my life with art but a divine accident.
As a photographer, I don't really have a view of the world in general. Someone taking pictures for 'National Geographic' might. Each of us works to our full capacity when we're in the midst of a shoot. Each of us finds our own level of intensity, and that's the fun of it.
I think all the stuff that happens before the pictures are taken is much more exciting.
I really like doing portraits, but I like taking pictures of things that are natural, like scenery, too.
The designs of the paper euros, introduced in 2002, proclaim a utopian aspiration. Gone are the colorful bills of particular nations, featuring pictures of national heroes of statecraft, culture and the arts, pictures celebrating unique national narratives. With the euro, 16 nations have said goodbye to all that.
It's a terrible thing to say I know. I've only done what I wanted to do. It's a real luxury. I only made the pictures I wanted to make and lived in the places I've wanted to live. I'm very, very happy.
I had done some work when I was starting in with photography on westerns, and photographing them was the greatest pleasure I had. If I was ever qualified for anything, it would have had to do with making westerns. But as I started working on pictures with people like Katharine Hepburn, I got further away from the thing I really liked to do.
The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.
I love hotel rooms, so I take pictures of the room and the way out and the lobby, the food and drink.
I love the interplay between words and pictures. I love the fact that in comics, your pictures are acting like words, presenting themselves to be read.
I'm a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that's what I do.
My mum always liked poetry, and she had pictures on the wall, so there was this visual stuff around.
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