Ingmar Bergman Quotes

Most Famous Ingmar Bergman Quotes of All Time!

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I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.

I'm very, very lazy. I love to sit in a chair and look out the window and do nothing.

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Writing is boring, very boring, and it takes so much patience.

I dream about doing a film about once a week.

We always regret that we did not ask our parents more, really get to know them while they were alive.

The anger and the creativity are so closely intertwined with me, and there's plenty of anger left.

Now I want to make it plain that 'The Virgin Spring' must be regarded as an aberration. It's touristic, a lousy imitation of Kurosawa.

From an early age onward, it was said that 'Ingmar has no sense of humor.'

I am forever living in my childhood.

When you're as chaotic as I am, you need a very firm structure in your life.

I am extremely suspicious of dreams, apparitions and visions, both in literature and in films and plays. Perhaps it's because mental excesses of this sort smack too much of being 'arranged.'

I think that for some time now I have been living with an anxiety which has had no tangible cause. It has been like having a toothache, without the conscientious dentist having been able to find anything wrong with the...

We didn't know that Mother had gone through a passionate love affair or that Father suffered from severe depression. Mother was preparing to break out of her marriage, Father threatening to take his own life.

I have such difficulty calming down - my stomach, my head, reality, everything. That is the reason I live in Faro.

I have a feeling of complete balance. The sea, the house, the loneliness, the light. Everything is clearer. Much more precise. I have the feeling that I am living on a limit, and I'm crossing that limit sometimes.

There are so many books I want to read. Difficult books. That's what I intend to do and what I'm longing for.

If I don't create, I don't exist.

Sometimes, I probably do mourn the fact that I no longer make films.

In 'The Serpent's Egg,' I created a Berlin which no one recognized, not even I.

I have always appreciated the honest brutality of the international film world. One need never doubt one's worth in the market. Mine was zero.

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