Jillian Hervey Quotes

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As a young girl, I definitely struggled with knowing what to do with my hair. I was just in a neighborhood that had mostly white people, and the hair norm was long and sleek and straight. My hair naturally was curly, and I didn't have that many references.

I kept extensions in until I finished high school. Although, once I got to college, that's when it all started to shift. I think it was just growing up and moving to New York, where I saw so many different people, vibes, and looks, and everyone really owned it. That led me to feel more free, take more risks, and go back into my natural hair.

When I was younger, I thought that straight hair was, like, the only thing. So I was trying to be like Naomi Campbell or Tyra Banks. I didn't know that people would add hair for more length. I'm like, 'Oh all these people just have natural hair like this.' I obviously grew up and figured out that everyone does something to their hair.

Around shows, when we're doing really strenuous stuff on my hair - styling with heat, adding things, braiding things, pinning things - I like to give my scalp and my hair a rest. We usually have a show once a week or so, so I try to deep condition with Pantene Daily 3 Minute Miracle Deep Conditioner once a week.

It's really exciting to be a voice for girls with curls.

When I was a young girl, I wasn't always trying to have curly hair.

If I wash my hair in the morning, then I usually air-dry it. In warmer weather, if I walk my dog, by the time I am back in, it is usually nice and dry!

I think the key to beautiful, frizz-free curls in the summer is to keep hair healthy. It's really the strength of your hair that causes frizz, not humidity, so it's really important to me that I keep my curls strong and moisturized to protect my hair from breakage and frizz. It definitely gives my whole summer look a new life!

I don't think there's anything wrong with a little sweat. I'm always moving, so it's normal for me, and it actually makes my curly hair better because it gives it a bit more texture and volume.

When you change something like your hair, the whole world changes also.

In the summer months, I like as little makeup as possible - I don't want to be too painted. I might put a little cover-up to smooth everything out.

I've been dancing since I was two, learning so many different styles. I like dancing to rap and hip-hop, but also the Strokes, the Hives, and the Vines with carefree randomness. There's always a way to move to something.

On the road, I might go to the hotel gym. When I know I won't be dancing or working out, I spend time stretching. You have to stretch every day as a dancer. I do it whenever I can when it's not weird.

Women are such incredible people. We're so multifaceted, we're so interesting, and any opportunity to celebrate that - because there's been many years of not being able to - and expose what it's like to be female and how we can be whoever we want to be, and do whatever we want to do, is great.

For me, it's about being comfortable... but I can feel comfortable in a thong leotard and on stage. Growing up as a dancer, that's how I'm comfortable in my body. It's about where you grew up and those things; it's a way of communicating your spirit to the world.

I love looking back at my old pictures and pictures of my grandma and my mom and see how they expressed themselves at different parts of their lives, and it just tells an interesting story, so why not play around?

For dance recitals, my mom would do my makeup all extravagant because obviously I was really little and where else would I be wearing makeup? We would always be in her bathroom before the dance recital, and she'd do our hair and makeup.

Mascara, in general, is just so good if you don't have anything else. It just makes eyes pop.

I think there's always the whole expectation that men can age and look fine, and girls have to be all conscious. But guys can also keep their skin intact.

I think anytime with your mom, whether she's famous or not, you're watching what she's doing when you're growing up. She also taught me the basics: Make sure you use a good moisturizing shampoo and conditioner, and then use a detangler to comb through your hair. And don't overdo the heat styling.

Once I learned that some hydrating oil or cream was good for my hair, I thought I should use a lot. So I poured practically a bottle on my head once and learned real fast that more isn't always better. I was so greasy, and it ruined my texture!

I document my life and archive the things that are important and remind me of what my specific energy brings to the world.

I've always wanted to go to Phuket in Thailand.

I've always idolized Diana Ross's hair. Why not have fun, big curls? You see the same sleek waves everywhere.

I'm a die-hard lover of high-waisted skirts with crop tops.

My mood board is archival images of Brigitte Bardot and Iman, and Naomi Campbell in the '90s.

If I'm going to mix gold and silver, I make my accessories all match.

When I first started singing - before 'Treat Me Like Fire' when I was working with a vocal coach - I realized that I wasn't even breathing when I was singing.

With dancing, I think the reason it's worked for me, and I love it so much, is because I've trained my entire life. Once you train, you develop your own aesthetic and your confidence. So I think, as I grow, I'm learning how to be a singer. I'm training my voice and being on stage and singing and dancing.

The best thing we've learned is when you are attempting to write a full song, write a full song that day. When we first started, we would have great ideas, but there's something about a moment and a vibe that's being created in time that when you return to it, it sometimes works, and it sometimes doesn't.

I'm definitely trying to make songs that people can sing along to and remember. If you can recognize a chorus and leave with it in your head, it's usually a good sign. But then with the verses, I can get a little more free form. I don't really like to copy and paste things.

It's definitely a little bit ironic being known for my hair because, as a little girl, I had no idea what I was doing with it. I was insecure about it. I didn't have as many references to curly girls, and I wanted to just fit in with all my other friends.

I love a lot of the '70s singers: Pam Grier from the 'Foxy Brown' movie, Diana Ross, Tina Turner. They've always been able to embrace their hair, and they've never been afraid to take risks and go all out and make it thick and fun and a statement at the same time.

My mom has always just been one of those people who handle adversity and challenges, and really everything, with so much grace and elegance. I saw it all the time.

I think for women, especially women of colour, hair has so much to do with our identity and our confidence levels. I've made a conscious choice after growing up and feeling insecure and trying to achieve this look that actually wasn't me, where I've finally stopped relaxing my hair and went back to my natural texture.

Eyeliner is a go-to for me, and gold has always been a color that I really like. It's reminiscent of a lion; it's a strong color.

I feel like my Lion Babe look is an embellishment of my everyday look - it's definitely more extravagant and more artistic.

I like to go super blonde early in the spring because the sun's out and it helps keep that tone.

As a dancer, you're told not to go into it for the money.

I studied structured improv, where you start from one position and see where it takes you. I like spontaneity. If you set yourself up to do the same thing every night, you may not connect as well to a different audience.

To be honest, I'm in love with denim. It hasn't been my go-to Lion Babe look, but it's very much my 'everyday Jillian look.' I am in denim every single day.

I really like the resurgence of the '90s vibe, and you can't go wrong with a Canadian Tuxedo. I never think it's bad to layer denim, whether it's colors or shapes.

When I first started Lion Babe, I wore a lot of denim to perform in because I had a limited closet. A lot of the time, I was in cutoff shorts - either dark or light denim - and then I would pair them with whatever top I had.

I always think about how Chaka Khan used to take suede, all these classic fabrics, and then make them very movable. She's my everything!

I've never seen the allure of being famous, because I know what that's like. It's part of work.

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