Leonard Nimoy Quotes

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I'm attracted to images that come from a personal exploration of a subject matter. When they have a personal stamp to them, then I think it becomes identifiable.

I think it's my adventure, my trip, my journey, and I guess my attitude is, let the chips fall where they may.

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I deal with this spiritual issue every day - either shooting or processing or sorting or discussing or having conversations - I'm in constant contact with it.

I certainly don't live in a kosher home although I was raised in a kosher environment.

I became involved in photography when I was about thirteen years old.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

I also do my own processing, so it means a big commitment in lab time.

For me it's all about personal vision; is there something about a subject that uniquely speaks to me.

But if you're talking about fine art work, then I think you have to ask yourself some pretty deep questions about why it is you want to take pictures and what it is you want to say.

A neighborhood friend showed me how it was possible to go to a camera shop and pick up chemicals for pennies... literally... and develop your own film and make prints.

Logic is the beginning of wisdom, not the end.

The miracle is this: the more we share the more we have.

You proceed from a false assumption: I have no ego to bruise.

That is the exploration that awaits you! Not mapping stars and studying nebula, but charting the unknown possibilities of existence.

I began working with a family camera. It was called a Kodak Autographic, which was one of those things where you flopped it open and pulled out the bellows. And I've been at it ever since; I've never stopped.

For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about...

I'm not an equipment nut. I tend to use whatever's to hand. I have several cameras, of course, but I'm not emotional about any of them.

I did not move into developing or processing color. I stayed with black and white. I still think to this day that I prefer to work in black and white if it has to do with poetry or anything other...

I am not Spock.

You know, for a long time I have been of the opinion that artists don't necessarily know what they're doing. You don't necessarily know what kind of universal concept you're tapping into.

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