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Marcel Duchamp Quotes

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The curious thing about the Ready-Made is that I've never been able to arrive at a definition or explanation that fully satisfies me. There's still magic in the idea, so I'd rather keep it that way than try to be...

I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.

The individual - man as a man, man as a brain, if you like - interests me more than what he makes because I've noticed that most artists only repeat themselves.

I have forced myself to contradict myself in order to avoid conforming to my own taste.

I don't believe in art. I believe in artists.

I am interested in ideas, not merely in visual products.

Chess can be described as the movement of pieces eating one another.

Living is more a question of what one spends than what one makes.

There is something like an explosion in the meaning of certain words: they have a greater value than their meaning in the dictionary.

I shy away from the word 'creation.' In the ordinary, social meaning of the word - well, it's very nice, but fundamentally, I don't believe in the creative function of the artist. He's a man like any other.

The word 'art' interests me very much. If it comes from Sanskrit, as I've heard, it signifies 'making.' Now everyone makes something, and those who make things on a canvas with a frame, they're called artists. Formerly, they were called...

I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had...

When you make a painting, even abstract, there is always a sort of necessary filling-in.

I didn't abandon everything at a moment's notice - on the contrary. I returned to France from America, leaving the 'Large Glass' unfinished.

A game of chess is a visual and plastic thing, and if it isn't geometric in the static sense of the word, it is mechanical, since it moves. It's a drawing; it's a mechanical reality.

In chess, there are some extremely beautiful things in the domain of movement, but not in the visual domain. It's the imagining of the movement or of the gesture that makes the beauty in this case.

I was highly attracted to chess for forty or forty-five years; then, little by little, my enthusiasm lessened.

I really had no program or any established plan. I didn't even ask myself if I should sell my paintings or not.

Things were sort of Bohemian in Montmartre - one lived, one painted, one was a painter - all that doesn't mean anything, fundamentally.

One is a painter because one wants so-called freedom; one doesn't want to go to the office every morning.

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