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Sleep is probably my favorite activity. I wrote this piece out of gratitude that I'm able to sleep well as an offering to people who don't.

If somebody says, 'Well, what are your favorite composers?' really, what they are saying is, 'What are your favorite composers apart from Bach?' Because obviously, Bach is your favorite composer if you are involved in music at all.

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I was living in a suburban town north of London, dutifully practicing my Mozart sonatas. And the milkman who delivered the milk in the mornings was kind of milkman by day, composer-artist by night.

When I was a student, if you accidentally wrote a triad in a piece of yours, it was just sort of like you were breaking the law! You just couldn't do it. And that just meant you were a bad...

I lived in Scotland a long time, and I became aware of Mogwai really from the beginning. They seemed to be fusing hard music structure and sort of raw sonics. They're just very creative thinkers, musical thinkers.

'Black Mirror' obviously has its own universe, with a very strong fingerprint and strong themes, and I was intrigued on reading. It's such a powerful piece of storytelling.

When I'm working with pictures, with images and storytelling, it's really about the sentiment and the emotional trajectory of the characters. That's really where the music lives, I think. That's what I'm focused on; that's what I respond to most...

When I was a kid, there were really only two possible futures in the foreground, which were Orwell's '1984' and Huxley's 'Brave New World'.

'Sleep' is a project I've been thinking about for many years. It just seems like society has been moving more and more in a direction where we needed it. Our psychological space is being increasingly populated by data. And we...

There's different ways to approach music for sleeping. Things like white noise are functional, like a lullaby. This is more like an inquiry, a question about how music and sleep fit together.

We're chronically sleep-deprived as a culture. We're constantly on.

I don't have synesthesia, but I think when music is really intense, it's almost like it's more than just hearing. If you're at a gig, and there's just something amazing going on, it's not really just hearing: it's more of...

We tend to think that when we're awake, we're on, and when we're sleeping our mind is off, but actually, we're not off. There's a lot going on!

The thing that makes me want to write a piece of music is having something to talk about, you know? Something I want to get across. Because I'm a composer, music is my first language, and that's what I reach...

I came from a Conservatoire background where the idea of complexity was very much bound up with good music - good music was seen as complex and difficult to understand.

When we go to sleep ordinarily, we're doing something really private. It's kind of an intimate, private connection with our sort of physical humanity.

We're living in our neoliberal, sort of late-stage capitalist culture where human beings are really like objects of production and consumption. We're on our screens all the time; we're kind of being sold at all the time.

When you're working in cinema, you often have a very, very compressed schedule - very few weeks to just kind of go through that whole process of reflection and refining - and it has to be done.

I'm suspicious of the idea of categories in music and this idea of things being in boxes. To me, that seems unnatural. I write the music that somebody with my biography would write, and the thing that's always driven me...

'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it was deleted. So I recorded The 'Blue Notebooks' on a little indie label, and my attitude was, 'Well, if nobody is listening,...

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