Writing Quotes
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
Local markets for literary fiction remain underdeveloped; the metropolis often holds out the only real possibility of a professional writing career.
A huge part of my writing process is listening to music as I write, almost creating an unofficial soundtrack to the film I'm working on, a sort of playlist. But the specific songs change rapidly as I write.
The conclusion I came to was that even if I couldn't sell books, I still liked the process of writing.
When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
Teens want to read something that isn't a lie; we adults wish we could put our heads under the blankets and hide from the scary story we're writing for our kids.
I didn't think of myself as writing 'cli-fi,' but I'll take the label. I'll take any label that makes someone think they might be interested in my stories.
I'm definitely writing my fears. It's almost therapeutic to at least voice a terror, to say, 'I'm worried that Lake Powell looks low and Lake Mead looks even lower.'
I originally went to school for writing, for non-fiction. I'm specifically a poetry major within literature, but I don't know.
The more and more I got into writing, the harder and harder it became for me. I still love it, but it became much more problematic than I thought it would be.
Writing books is a nice retreat. There's nothing quite like diving into a book for a few hours. That is a big time vacation.
The cookbooks and the writing in general have been a real bonus, but it's not something I've ever pursued... I've been lucky, I guess.
I know I was writing stories when I was five. I don't know what I did before that. Just loafed I suppose.
And in that I cannot send unto you all my businesses in writing, I despatch these present bearers fully informed in all things, to whom it may please you to give faith and credence in what they shall say unto you by word of mouth.
When I was young, I just sat down and started playing Chopsticks at the piano. I got so far and then lost interest. Eventually, I regained it and started writing songs.
I watched TV religiously when I was a kid, but nowadays - with the Internet - there's so many people writing about TV on the Internet, that everything's sort of under a magnifying glass.
There is more good writing and good acting in any ten minutes of Twister than in, say, all of Citizen Kane.
Writing sessions can last an hour or sixteen hours, depending on how it's going.
I think there's sort of an extra oomph with the younger people coming up. They're writing. They're communicating. They're sharing, and they are very much technology-driven.
I've been having a lot of fun exploring different aspects of filmmaking, like writing and producing. There isn't a specific plan and I usually don't know what's going to be the next thing I do.
Some media companies that rely on advertising revenue are tying journalist compensation to the traffic their story generates. It doesn't work because it de-prioritizes writing.
Now I'm doing a film festival for kids and writing a script about a kidnapped journalist in Afghanistan.
Of mediumship there are many grades, one of the simplest forms being the capacity to receive an impression or automatic writing, under peaceful conditions, in an ordinary state; but the whole subject is too large to be treated here.
My writing has changed a lot. From 16 to 19, I've changed a lot. My kind of writing in the beginning was very observational; now it's grown very personal for me. I use it as a diary in many ways.
I can see myself always writing songs - but I'm not sure if I'll always want to perform.
When we talk about books, we rarely talk about the economic side of writing, especially of writing literary works, and that, at base, it's a pretty costly enterprise.
Writing is the hardest way of earning a living, with the possible exception of wrestling alligators.
Writing is one of the few professions in which you can psychoanalyse yourself, get rid of hostilities and frustrations in public, and get paid for it.
I began reading science fiction before I was 12 and started writing science fiction around the same time.
Well, writing was what I wanted to do, it was always what I wanted to do. I had novels to write so I wrote them.
Fantasy is totally wide open; all you really have to do is follow the rules you've set. But if you're writing about science, you have to first learn what you're writing about.
No one was going to stop me from writing and no one had to really guide me towards science fiction. It was natural, really, that I would take that interest.
And I have this little litany of things they can do. And the first one, of course, is to write - every day, no excuses. It's so easy to make excuses. Even professional writers have days when they'd rather clean the toilet than do the writing.
Most of us don't have to worry about being shot if we poke our noses outside. So we are comfortable, but the people I'm writing about are definitely not comfortable, and being shot while they're still inside is a good possibility.
Writing has been as difficult for me as for people who don't like to write and as little fun.
Getting your writing criticized can be a lot like getting skinned, and you respond to it just as enthusiastically.
When we don't have all the details about our characters, we have to make it up to fill in all the details. So, for me, writing and acting go hand in hand.
Human writing reflects that of the universe; it is its translation, but also its metaphor: it says something totally different, and it says the same thing.
I started writing because there's an absence of things I was familiar with or that I dreamed about. One of my senses of anger is related to this vacancy - a yearning I had as a teenager... and when I get ready to write, I think I'm trying to fill that.
There's two facets to writing a song. There's you sitting in your room writing the sentiments of the song; the lyrics, the melody and the changes, and then there's the part where you go into the studio and you put clothing on it.
My current project is my band, Population 1. We are writing, rehearsing and playing in Los Angeles.
The difference between writing a book and being on television is the difference between conceiving a child and having a baby made in a test tube.
Action, reaction, motivation, emotion, all have to come from the characters. Writing a love scene requires the same elements from the writer as any other.
Certainly the plagiarism, and dealing with the fallout of it, was the most difficult thing I've ever faced since I started writing.
Singing was probably my first love, and song writing. I write a lot of love songs and heartbreaking songs.
The combination of us two was a once-in-a-lifetime thing. You meet someone, and you just work, you have chemistry on stage, and writing.
Well, I'd had the Fat Mattress earlier as a writing outlet for songs and that.
I like reading, writing, hiking, camping, free running, surfing, rock climbing, long boarding, and so much more.
I sat down to take a break from writing a book and wrote a spec feature that would end up being the movie 'Lies & Alibis' with Steve Coogan.
I'm not that guy who thinks I have all the answers. Writing is a means of communicating, and if enough people say, 'I don't get it,' it's worth looking at.
Going forward, I have four different ways of approaching what I want to do - I can generate my own material by writing. I can produce, direct, act, or do a combination of these things, mixing it up.
I used to get up and write every day, even if I wasn't working on a specific thing. Now, when I have a thing I'm in the middle of, I do that, but when I'm not, time can go by when I'm not writing at all.
I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.
You can't portray wartime Shanghai without writing about the Holocaust - about 25,000 Jews survived the Nazi death machine by taking refuge there.
I used to think that if I had a choice between writing well and living well, I would choose the former. But now I think that's sheer lunacy. Writing weighs so much less, in the great cosmic equation, than living.
What interests me in writing a novel is taking really remote voices, characters, and stories and beginning to create some kind of web.
If the book is a mystery to its author as she's writing, inevitably it's going to be a mystery to the reader as he or she reads it.
I'm dyslexic, which means I have trouble reading and writing. So images really speak to me.
One of the things I enjoy most about writing historical romance is researching inspiring backgrounds and settings.
When I started writing, I didn't have the common sense to use a pseudonym, so I write under my own name. If I did have a pen name, though, it would be something very historical - something that sounds very sort of Regency... Sophia something.
I find writing really hard, but then, every author I know finds writing really hard work.
Life is a racket. Writing is a racket. Sincerity is a racket. Everything's a racket.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
I'm not a big believer in the idea of genre - I'm a fan of any writer who can pull me into compelling characters and stories - but I can't imagine I'll start writing domestic dramas any time soon.
After university, I went into film. I started out making tea, managed a brief stint as an assistant director, then found myself writing a screenplay. In the end, I wrote quite a few - but by January 2006, I wanted out.
There is not now, nor I suspect will there ever be, a le Carre novel with ninjas in it. Most serious novelists are wary of including ninjas in their writing. That's a shame, because many much-admired works of modern fiction could benefit from a few.
'Gone-Away World' was a shotgun blast, an explosion out of the box I'd put myself into writing film scripts. 'Tigerman' is shorter, tighter, more crafted.
When I was a child, writing was the worst possible choice of a career in my family.
I do what I want to do. I see where my enthusiasm is. Over the years, my techniques expanded. That's how the writing came out.
After these three novels I gave up writing novels for a time; I was dissatisfied with romantic doom, yet didn't see much way around it.
I did not think much what I was writing them for, except that I knew I wanted my next novel to be in some less conventional form than straight narrative.
By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas.
In all love stories the theme is love and tragedy, so by writing these types of stories, I have to include tragedy.
Writing the last page of the first draft is the most enjoyable moment in writing. It's one of the most enjoyable moments in life, period.
I read 'The Conspiracy Against the Human Race' and found it incredibly powerful writing. For me as a reader, it was less impactful as philosophy than as one writer's ultimate confessional: an absolute horror story, where the self is the monster.
In the summer of 2010, I had decided to get into film and TV writing, so I wrote scripts for six different ideas I had developed, and the pilot for 'True Detective' was one of them.
I left the University of Chicago's creative writing program for a tenure-track job at DePauw University in Indiana, then left DePauw in 2010 for Los Angeles.
At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.
'The Atlantic' really gave me my writing career - even just the conviction to be a writer.
I always, by an involuntary act of defensiveness, return to my everyday self: so, I find, have I withdrawn from writing about experiences which have most closely concerned and disturbed me. I have been deflected by my own reticence.
I like the process of pencil and paper as opposed to a machine. I think the writing is better when it's done in handwriting.
Writing doesn't leave much time for hobbies, unless you consider that I began writing as a hobby and have made the hobby into a profession.
The world has gotten smaller and more accessible since I first started writing in the 70's.
I was quiet, and I was artistic. I liked writing poetry, and that was very strange, so I was bullied a lot.
I'm not an emotional person; I keep it in, and I wouldn't know how to get it out if it weren't for acting and writing.
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