Noel Fielding Quotes

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I used to wear this cowboy outfit. I wouldn't take off. It was ridiculous. My mum was like, 'You've got to take that off sometime,' and I was like, 'No way, this is it.' It was the '70s - it was turquoise and yellow, really psychedelic colors. I wanted to be a psychedelic cowboy.

When you're a kid, and someone's an artist, you think of Leonardo da Vinci. You don't think that's a job; you just think of a man with a beard, painting the ceiling of the Sistine Chapel.

My mum and dad are both really funny. My granddad's really funny. My uncle's really funny. Everyone's really funny. You have to be quick; otherwise, you get roasted. Everyone takes the piss quite a lot. You have to be really sharp.

When I was a really young child, I felt like I could see fairies. I was convinced there were fairies in my grandmother's garden.

I've got quite a strong drive, and that can be slightly deplorable. Struggling to become a famous comedian - there's something weird about that.

I hate my feet. I don't like my hands, either: they're like lions' paws. When I was in the Boosh, in a catsuit and gold heels, I was constantly thinking, 'I hate the way I look.' I should have just enjoyed myself, because that was as good as it was going to get.

When I was 14, I had a job in a cake shop. I got caught by the boss, lying down eating cake, and was sacked on my first day.

When I was 11, I was with my cousin in a scrapyard; there were three trains on top of each other, and we climbed up to the top. It was really high, and I nearly fell off, but my cousin grabbed the back of my shirt.

I start getting bored and misbehaving if I don't work hard. It's fine when you're younger - you go out a lot and muck around with your mates and drink and stuff - but I'm a bit over that now.

I've always had a good imagination. If I saw a sitcom, and everything was made out of cheese, I wouldn't go 'What?' I wouldn't get angry. I'd think, 'Right, OK, all cheese? Amazing.'

The combination of us two was a once-in-a-lifetime thing. You meet someone, and you just work, you have chemistry on stage, and writing.

My friends who have kids look like they haven't been to bed for a year.

I've been writing the show with Nigel Coan, the director of 'Luxury Comedy', and Tom Meeten. Three's good. With two, you can lock horns a bit. On your own, you're not sure whether what you've made is any good. I don't know how people write novels. I would go mad.

For the second series of 'Luxury Comedy', I tried to drop the 'Noel Fielding' from it. I thought that would make it less like a solo project and more like a show. Also, it would probably have been easier to take the reaction to the first series if it had been a project rather than my name and face!

You go to all these parties and meet all these crazy people. But ultimately, it just ends up with you in a club, and then you're in the VIP area of the club, and then you're in the special secret VIP bit, and then eventually, it's just you, on your own, in a VIP box, going, 'Is this fun? I'm not sure this is fun.'

I think the more you party and the more you get drunk, the more your soul starts to evaporate, and eventually, you're just a husk. So you have to go to the gym and build your soul up again.

You're still young. Don't panic. It's hard to know what you should be doing in your 20s. Try different things, have some fun, and see what happens.

I believe in fate. I didn't set out to be a comedian at first. I'm still not sure if I am or not.

People like to put you a box. I've always been the wrong shape. Maybe you are, too. I think all the people who are wrong shapes for boxes should go out and march into the streets singing, 'We are the shapes! We don't fit the box.'

Over the years, I've trained my hair to do what I say, and it's usually well behaved. I often reward my hair with special treats when it pleases me.

It is scary playing someone you know. You don't want to let him down.

I love David Suchet. I'm obsessed with Poirot. Then I saw him in 'The Importance of Being Earnest,' where he did Lady Bracknell, and he was amazing - he did it like a dinosaur, like a velociraptor.

People keep asking me if the Boosh is coming back, and I say, 'I hope so.' I'm not bothered people ask me about it. TV's become quite disposable, so to make something that lasts a bit of time - it won't last forever - is quite nice.

I think I'm constantly surprised that adults can't deal with illogical things or thing that are weird or psychedelic. I've never really lost that.

In television, there are so many things between you making a joke and the audience seeing it. It's like an assault course.

I'll be seen as eccentric, like Vic Reeves or Spike Milligan, which would be amazing. But I suppose I'm in this weird transitional period between having some success doing weird stuff and not being eccentric yet. I'm in limbo.

There's a little pond near my house, and I see two swans there all the time who are obviously in love. But they look like the same bird, so I don't know if they're male or female, but they're definitely in love.

I was quite a shy kid, but I was quite funny at school, and I was really into art. In our class, there were two of us who were good at drawing, and my teacher was like, 'He's going to make a wonderful artist one day, and Noel can make everyone laugh.'

When you're 14 and you're with your friends, you laugh about really stupid stuff, but as you get older, the laughter inside you dies. When you're older, you need a bit of help.

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