Paolo Bacigalupi Quotes

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All the definitions people want to put on you in terms of what kind of writer you are come with hidden meanings. If you're writing science fiction, you're writing rocket ships. If you write dystopian fiction, it's inequity where The...

I say I write extrapolations. I look at data points and ask what the world could look like.

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Novelists want to be published and need a publisher to decide to print 20,000 copies. So you need to entertain on some level. I want to reach out and connect.

The young adult category is particularly interesting to me in terms of science fiction and fantasy tropes.

People don't actually stay still, you know - when their area is a disaster, they go somewhere else, right? And that's just a natural human impulse.

I think that, when I think about the future that 'The Water Knife' represents, it's one where there's a lack of oversight, planning and organization.

When I think about myself as a writer, for sure I am a science fiction writer. The tools of extrapolation, the tools of anticipating the future - those are science fictional questions.

Mostly I sat down and said, 'I'm not going to write a boring story.' And that actually, surprisingly, solves most of your problems.

The things that have really gotten confusing to me is how you balance the desires of your publishers to produce things on a schedule, and people are always sort of giving you ideas on what you should follow up with...

I think inherently, a little bit, I'm a bit of a pleaser, and I want people to like me and be nice, and to not ruffle feathers and just make everybody happy and stuff. It's a personality flaw.

By nature I'm sort of an introvert.

I was interested in political failure here in the U.S. The way we're failing to work together to solve even our smallest problems, let alone the complex ones.

I focus a little more on pacing when I write books in the young adult category, and of course there's the great American fear of anything sexual, so that's somewhat backed off in YA.

Fiction is optimistic or unrealistic enough to demand that there should be a meaningful narrative.

I'm really interested in how conflicts arise and how they reach points of no return. I'm no pacifist. Sometimes force is necessary. But war is a choice.

When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love...

I don't put a very clear label on my work. If anything, I write science fiction - looking at a moment now, in the present, and then extrapolating outward to think about what the future might look like if this...

Sometimes when we label something dystopian fiction, I feel like we're trying very hard not to use the words 'science fiction,' because science fiction has those horrible connotations of rocket ships and bodacious babes.

As a kid, I always liked reading stories where I had a power-projection fantasy. I wanted to be inside of a story where I had power and influence, was going to rise to power, was going to somehow influence my...

A wise human would have an understanding of the supply chain and how the pieces fit together. But it's against our nature to think about it.

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