Paolo Bacigalupi Quotes

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When we live the 21st-century good life, almost every aspect of it is predicated on not looking at the implications of what we're up to. Happiness at this point has a lot to do with not looking, so you don't...

The conclusion I came to was that even if I couldn't sell books, I still liked the process of writing.

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I'm less crazy and unhappy when I'm writing.

I have friends who are science journalists, and I'm seeing stories of theirs or talking with them about ideas that they're pitching. Certain kinds of science are around me all the time, like climate change and biology.

I am interested in agricultural corporations and how they function. The idea that they own the genetics of our food supply is a really compelling thing to me.

Science fiction has these obsessions with certain sciences - large scale engineering, neuroscience.

I think the fact that we, as writers, don't engage with resource-level questions is a symptom of our society where we just don't know where our stuff comes from.

As far as 'Windup Girl' becoming a hit - none of us expected that. 'Night Shade' was just hoping not to lose their shirts, and I had grown up hearing from everyone that science fiction didn't sell, so all of...

Originally, 'The Windup Girl' started as a short story - a very gnarly, complicated short story set in Bangkok that didn't work very well.

I think there are narratives going on all the time that we think of as tangential - up until they turn out to be deciding factors in our lives.

I'm particularly interested in black swan events: unprecedented surprises that destroy the conventional wisdom about how the world works.

I used to work for a newspaper that covered local resource issues, and my coworkers and friends were journalists. Their reporting work was always pretty grim.

I think that we live in a highly specialized, technologically advanced society. Highly developed societies tend to have very remote understandings about what underlies our prosperity.

I'm interested in how we react when we're heavily pressed. When we're vulnerable and our survival is in question, how do we behave?

I don't know why we choose to reach out to help another person, or why we decide that we can't, and withdraw and try to care only for ourselves, but I'm fascinated by that choice.

I started really thinking a lot about where does a country go when we stop being able to speak to each other, when a nation stops being able to solve problems because its ideological differences become so deep that it...

When somebody keeps telling you, 'This book is amazing,' you sort of have this pleasing instinct to say, 'Oh, let me make you happy again; let me do that trick again.'

When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be...

My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going...

I suspect that young adults crave stories of broken futures because they themselves are uneasily aware that their world is falling apart.

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