Noah Baumbach Quotes

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I've always liked working with friends or, you know, people I have outside relationships with.

I've had times in my life when I really haven't been able to figure myself out.

I graduated in '91, so the '90s for me were very much the first years out of school, so I can't really look at that decade as independent of my own experience of my 20s, really.

There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.

I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.

Will Ferrell's made a lot of brilliant movies.

Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.

There's something really vulnerable about playing something that you like for someone. You don't know what their reaction will be.

I'm interested in music as an extension of character.

There are the people who overthink making mix CDs and playlists, and how that works generationally is all really interesting to me.

With 'Greenberg,' I wanted to make a movie about Los Angeles... my great love for it and also the way that I felt not at home and alienated there.

Manhattan is so tailored. It's driven by appealing to the very wealthy and tourists.

Truffaut loved Hitchcock.

There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.

When I was a kid, I would fantasize about my own funeral.

My dad was a great movie companion. He wouldn't diminish 'The Jerk.' If I liked it, he liked it. He could see it through my eyes.

You can be aware that something is idiosyncratic, and give it to a character, but keep doing it.

It's always really special to be at the New York Film Festival, and always a real privilege.

That's the nice thing about collaborating with someone: Your work becomes a conversation.

I used to get up and write every day, even if I wasn't working on a specific thing. Now, when I have a thing I'm in the middle of, I do that, but when I'm not, time can go by when I'm not writing at all.

I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.

'The Squid and the Whale' I shot in 23 days. I would have loved more time for it at the time, but in some ways that kind of kamikaze way of shooting was right for that movie.

It's near impossible to make a movie in black and white in the system.

How you start the movie is critical. And how often you feel that there's no reason for how it's starting.

There is an isolated experience to being a director. It's very communal because there's a crew, but it's only you. You're the one on the hook.

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