Voice Quotes
Most Famous Voice Quotes of All Time!
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I like to express myself fully with my body, with my language, with my voice, and through directing.
I see no reason to keep silent about my enjoyment of the sound of my own voice as I work.
I see no reason why the Shias should be debarred from having their voice in the elected bodies and governmental institutions in any matter which affect the Shias. We must so organise the Muslim League that justice is done to every sect and section inside it.
When I started learning the cello, I fell in love with the instrument because it seemed like a voice - my voice.
The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
Man, you don't know how I felt that afternoon when I heard that voice and it was my own voice.
A soprano's voice is a little like a mother's cry, which is why it attracts all human beings.
The sound of a mother's voice expresses a feeling of intimacy, which has a truly magical effect on the listener.
Sometimes, growing up, I tried to be very Latina; I would change my voice... experiment with my hair a lot, trying to figure out who I was in a primarily white school.
When there is a certain subject matter where I want to get involved, where I think I could add to the conversation, and especially with gender issues, I appreciate having that voice and that seat at the table.
I do like reality TV like 'The Voice.' I enjoyed working there every single day. It was amazing.
You know, I like playing around with my voice and trying all different types of kooky voices.
Every voice on the Left bleated about how they feared protests and riots by angry Donald Trump supporters if and when he lost the election, yet it is the Leftists themselves destroying property and blocking roads. Everyone can see where the hate is coming from. Everyone.
The responsibility I have is a great thing, from helping tennis grow in Canada, but also in the future, being able to do stuff through my foundation, helping kids, and helping everyone I can, and really trying to make a difference. It would be a shame to be in the spotlight, have a voice and not do much with it.
I promise that as a president elected in a direct popular vote, I will try to be the voice of all citizens.
I love Adele. Adele is my favorite artist. She's British. She's funny. She's just an amazing, incredible voice, and I love to sing as well.
When preparing for a concert, I do lots of training. I work with a choreographer to create great moves and then I have to keep my voice strong with lessons.
I think that when you follow Christ, one of the things that happens when you start listening to His voice is that you really are alone.
When I recorded 'Cooler Than Me', I had been singing for like, three months at the most. I was just a producer experimenting with my voice on tracks, and now I'm, like, a really good singer in a legit way.
I think I do too many voices in these shows. I think it's because we have trouble getting voice talent.
The Tea Party has an important voice in the country and now they have a voice in the U.S. Senate.
As an actor, you're trying to capture the nuances of real life, but voice work is almost over-acting.
I really like Billie Holiday's husky voice, and I'd definitely like to find out more about her.
Years and years of therapy taught me to speak up because speaking up is what gets things done and gets your story and your voice heard.
My first media interview was when I was a high school freshman and I was set to compete at state champs. The interview was the first occasion people had heard me on TV. When I watched back the recording on TV, I thought, 'Wow, is that what I sound like?' I didn't like the sound of my voice.
I didn't like filtering the story through me, saying, 'Reader, you'll be safe with me. While it gets a little dangerous, it'll be okay because, after all, you're with me, because I'm a warm convivial voice. But let's be entertained by this horrible stuff.' I didn't like that.
I was with Tina Turner when she first saw Janis Joplin, and she said to Janis, 'Honey, you can't continue to sing like that, or you'll have no voice,' and Janis' response was just to laugh and take a swig on her Southern Comfort.
It's a wonderful acting challenge to tell a story and convey emotion with only your voice.
I respect Rush Limbaugh; he is a national conservative leader, and in no way do I want to diminish his voice.
Everybody you work with has their own voice, and if you do your job well enough, even their closest friends or their partner of 40 years isn't going to recognise the fingerprints of a ghostwriter.
Encouraging young people to believe in themselves and find their own voice whether it's through writing, drama or art is so important in giving young people a sense of self-worth.
Given this voice, I know it does sound like I've come from money. But my dad was Canadian and my mum Hungarian, so it's not like I have some high-society, upper-class English background.
People buy a game because they like the game and they want to play the game. And there are certain characters in games that people like, obviously. I don't know if a certain character's voice or lack of a certain character's voice can cause somebody to buy or not buy a game.
Something like Deckard Cain is great; it doesn't ruin your voice. But games that involve violence or battle or mutating and stuff like that really does take a toll on your voice. And I've even had to start to go to a voice guru kind of guy to do exercises to try to save and get back some of what I lost.
Games are another place to find work, not only the voice stuff but in the motion capture stuff. It's exciting work.
When I write from the point of view of a child or a young person, I am trying to tell the truth as an adult voice sometimes cannot. We are so often wrapped in the garment of trying to reassure ourselves that we are not afraid.
I studied voice at Yale with Blake Stern from the music school, and he had me singing German lieder and Italian songs.
To sing along with Stevie Wonder, you had to make your voice do things it was not accustomed to doing.
I was blown away by the control and the range that I was hearing. I'm listening to Pavarotti and thinking, What the hell have I been doing with my voice all these years?
I get to study and I got to mimic and what I basically did was I stole from every person that I could steal from. I was an imitator. That's what I was. It was years before I could take all of these things that I loved about all of these different artists and put them together and find my voice.
Definitely, as I get older and my taste buds change, I want to do different things. I'm not ready for directing yet, you know, maybe when I get my big boy voice; I don't have that yet, but right now definitely producing for sure.
I can't believe the pro-choicers attitude toward unborn children-to me it's the ultimate liberal cause, to defend those without a voice.
That inner voice has both gentleness and clarity. So to get to authenticity, you really keep going down to the bone, to the honesty, and the inevitability of something.
When I'm trying to find my way into a character, the voice and physicality are the first two things I do.
My mom has a very high-pitched voice, and there are some similarities between her and the voice I use on 'Big Bang,' although my mom has the Jersey accent, so I took that out. But the tone of the voice is very similar to my mother's.
I remember watching 'Three's Company' with my parents, and it was time for bed, so I started to make my voice lower like Don Knotts and imitating him. They started laughing, and I didn't have to go to bed, so that informed a lot.
Voices have always been my way into a character. I usually approach the voice first.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.
I always try to have my mother's voice in my head, because I am very proud of the morals that she tried to instill in us.
It's lucky that my life outside of work is so mellow; I'm really a homebody and a hermit, so I don't have to worry about blowing my voice out.
I auditioned for 'The Voice' because I really wanted to try and figure out a way to get myself out there. I really couldn't imagine doing anything else - music was the only thing that I really clung to.
I wanted to play my original music, but it was really hard because a lot of the people who would come out to the shows found out about me through 'The Voice' and wanted to hear covers.
I know I'm not a great singer. But I love to sing and I like to use my voice in different ways.
Whitney Houston's voice was the very first voice I fell in love with. She was the voice that made me want to become a singer.
I like Joan Jett's 'I Love Rock 'n' Roll' because it's got a nice low singing voice.
The White House isn't the only platform with a voice. ABC has a pretty big voice, too.
You know in democracy you can protest peacefully and I'm sure you know it will have at least some kind of impact. You need to raise your voice. If you can't do much, you know, but at least raise you voice. Raising your voice is something you need to do.
I wanted to be Whitney Houston at first, and when I started taking voice lessons, my voice teacher kind of geared me more towards opera.
I think the only way you can become a writer is through honing your voice, creating your own voice.
The first person is a tradition I relate to and that I use; historically, it's been the voice I work in. But the hair on the back of my neck stands up when I'm referred to as a 'confessional' writer.
A l lot of films I've done are essentially about women who are finding their voice, women who don't know themselves well.
It is very clear that voice communications is moving on to the Internet. In the end, the price that anyone can provide for voice transmission on the Net will trend toward zero.
Adele's voice is incredible. Chet Baker also has one of my favorite voices of all time, and so does Joni Mitchell. And Frank Black. Oh, and Stevie Nicks.
I'm not trying to represent all Muslim women. I'm trying to give voice to the silent majority. Unfortunately, I'm a bit loony.
Words mean more than what is set down on paper. It takes the human voice to infuse them with deeper meaning.
For me, at a very young age, I knew I wanted to be in the entertainment industry; I wanted to be an announcer. I was very smitten at an early age with the voice I heard coming from a radio.
I get my voice from my mother's side of the family. My mother and my grandmother both had strong voices.
I heard my brother's voice even though we were apart. I then answered the phone and found him on the line.
When I am in the sound booth, I am trying to convey as much as I can through just my voice.
The difference between 'Resident Evil: Damnation' and 'Resident Evil 6' is in 'Resident Evil 6' we did facial mo-cap, along with the voice over. We had these little reflectors glued to our faces and these head pieces in this room filled with light with about 40 cameras.
'Cartel Land' seeks to give voice to the people of Mexico who suffer grievous harm from cartel violence and government corruption.
The Google Voice service is a lifesaver for me. My actual phone number changes a lot, so having a canonical Google Voice number that doesn't change - it's actually my same number from high school - is indispensable.
I only hear my own voice. When you start hearing other voices, then it's time to worry.
For some reason, they always gave me a fat suit in high-school productions. If there was a character who needed to be robust, they gave me a fat suit, and I put on a silly voice.
I have always been attracted to apostrophe, perhaps because of its resemblance to prayer. A voice reaches out to something beyond itself that cannot answer it. I find that moving in part because it enacts what is true of all address and communication on some level - it cannot fully be heard, understood, or answered.
I have never had a vote, and I have raised hell all over this country. You don't need a vote to raise hell! You need convictions and a voice!
I love anybody who's willing to stick to their own vision, their own voice, who's not easily swayed by money or by financers who are going to tell them what they should do.
I have a British voice and a rather formal one at that, having been brought up in post-WWII Britain. My voice is perfectly suited to the sort of book I write, I think. It would not fit a contemporary, besides which I do not know enough about the contemporary world to write convincingly or comfortably about it!
I would never scream at my kids, never raise my voice. But as they often tell me, they were so well behaved that screaming was not necessary.
I will never, never ever sing on stage, but when I'm in the studio, I do sing melody lines. When I'm working with singer-songwriters, and I hear melodies, I can guide them. I will be like, 'Oh no, do this this this.' But you will never hear my voice on a Martin Garrix track.
All policies should be guided by science, not just whose voice is the loudest.
I'm very aware when I'm speaking to the English of how flat my Mid-Atlantic American voice is.
At 28 years old, seven years out of college, I was so convinced that my voice outed me as a fag that I had stopped speaking to people I didn't know.
My overall plan for Instagram is to continue to create a tool that will inspire people to use their visual voice.
Right now, with social networks and other tools on the Internet, all of these 500 million people have a way to say what they're thinking and have their voice be heard.
I did the voice of Cyclops on 'Shrek the Third'. I don't know how I got that. They said they wanted a Michael Chiklis type, and apparently it came down to me and Michael Chiklis, so how they gave it to me, I don't know.
Our job is to make manifest the story, to be it. In a sense, the theatre is such a big star itself, bigger than any Shakespearean actor I could hire, that we should take the opportunity to fill it with voice and verse and movement, not interpretation.
I've always been haunted by the devastating voice and beautiful songs of Tim Hardin. I can't imagine anyone hearing him and not feeling the same.
It took me quite a while to find my natural voice. I'm glad I stuck around long enough to see that happen.
My aunts and uncles were like, 'You've got such a great voice - why don't you try out for 'American Idol?'' I'd say, 'Because I'm a songwriter, not a puppet.' Even if I won and became really successful off a show like that, I'd be miserable.
They sent me the script, asking me to play the part of a general. I have never played the part of an authority figure. I've never thought of myself that way. I was uncomfortable with it, but I worked at it and knew I had a guttural voice for a general.
Singing shows are fun. Every viewer has their own opinion. We all know whether we think a voice sounds good or not. There's a play-along element. All these shows can be supported.
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