Voice Quotes
Most Famous Voice Quotes of All Time!
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As a child, I was always making sound; it was a compulsion. I loved to scream and yell and sing; it freed me from all the thoughts in my head. I begged for opera lessons because opera singing is the most formidable, most emotional way to use your voice.
In dance you use every party of your body except your voice. I wanted to start acting because I wanted to use my voice.
I wanted to escape so badly. But of course I knew I couldn't just give up and leave school. It was only when I heard my mom's voice that I came out of my hiding place.
We entered 'Lucid Grey' into the Georgetown festival on April 27, 2001. Now 'Sound of My Voice' is opening on April 27, 11 years later. It couldn't have happened in a more perfectly cinematic way.
As American freemen, we cannot but sympathize in all efforts to extend the blessings of civil and political liberty, but at the same time, we are warned by the admonitions of history and the voice of our own beloved Washington to abstain from entangling alliances with foreign nations.
I can tell you, if you shoot in the rain you're going to have a lot of voice ADR to do after the movie and voice looping, stuff like that.
I do a lot of voice over for Japanese anime titles as well as live-action stuff and original stuff from the States. 'Legion of Super Heroes,' 'New Wolverine: The X - Men' animated series, 'Afro Samurai' and some live-action stuff, TV shows here and there - I like to mix it up.
As far as actors who pop up again and again in Japanese dubs, and because they're really good actors, people like Steve Bloom, not only in 'Cowboy Bebop,' but also he's sort of the de-facto Wolverine. If you're doing an animated Wolverine anything, Marvel usually just goes to Steve first because he's recognized as that voice.
When you have a few billion people connected with screens, not voice... screens are important. You can transmit a thousand times more information.
Somebody has always wanted me to speak as a voice of black America, but it has dawned on me that I can only speak for myself.
It's our own small voice within that is our oppressor; it says we are not worthy and not powerful enough. Our limited beliefs are the real foes we need to fight and conquer.
While most of the music I write is instrumental, I love to use the human voice as another instrument.
When I went to university, I was a music major. Timpani was my specialty, and voice.
Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.
Post-bifurcation, I raised my voice and sat on an indefinite fast in Guntur in October 2015. Eight days into the fast, I was forcibly evicted by the police on the pretext that Prime Minister Narendra Modi was coming to Amaravati.
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
Europe should speak more effectively and clearly with one voice in the world.
It is the still, small voice that the soul heeds, not the deafening blasts of doom.
All the intelligence and talent in the world can't make a singer. The voice is a wild thing. It can't be bred in captivity. It is a sport, like the silver fox. It happens.
You have to contort your body in a certain way to hit a low note. When you're on film, you can't. So you do, in a sense, get to hide behind your voice, which is nice.
Adele Adkins' retro-soul debut, '19', was striking less for her songs than for that voice: a voluptuous, slightly parched alto that swooped and fluttered like a Dusty Springfield student trying to upstage her teacher, or at least update the rules.
Comeback records always worry me, especially when they're made by one of my heroes, and I'd heard stories about Gil Scott-Heron recently, about drug arrests and prison terms and other troubles. I wasn't prepared for the ravaged shakiness of his voice on this record or the raw spoken word pieces or the dark electronic backgrounds.
Choosing the narrator for a first-person story like 'Downriver' is a crucial decision because the voice has to be one the reader wants to listen to, and the voice has to be a match for the emotion you want the story to carry.
I chose 'The Voice' because I knew they had a lot more respect for each artist, as opposed to the other shows. They don't get it. I don't think those shows ever got it. I was turned off by some of the other shows and how they did things.
I just wanted to keep consistent and keep true to America and not seem contrived. I didn't want to seem contrived at all with any song choice that might be a detriment to my journey on 'The Voice.'
God gave me a voice to sing with, and when you have that, what other gimmick is there?
As a teenager, I really loved Catherine Ribeiro - extremely powerful, wild, improvisatory voice. I loved old psych-rock bands, and Michael Hurley, and Harry Nilsson. And then later on I discovered the famous European singer Demis Roussos, who used to be in Aphrodite's Child.
The party has to be much more. It has to connect in a real way with rank-and-file members and be their voice.
But when they offered this little situation for me to do this voice in this special segment, I found it so incredibly humorous that I said yes, and I enjoyed it. It was fun.
I would love to put out music that was just stunning or soul-baring or whatever. But I don't think I have the voice for it.
I'm more interested in having a place to work out my voice and my body than I am in having furniture.
I was so comfortable with my ballet power, my dancer power, that to have a voice, the comfort with having a voice, is slower to come to me.
As ballerinas, we don't use our voices. Our voice is the body and the movement quality.
At Julliard we had some voice classes. It was really just so you could carry a tune. It always just helps with your speaking voice also, when you connect your diaphragm and your breath.
Over the years my voice has been destroyed from excessive touring... and I love it.
I've been married to the same woman for forty years, and whenever people ask us how we managed to stay married for so long, we usually say as one voice, 'What's the secret? Don't get divorced!'
When we developed the 'Seinfeld' show, we took a bet on Jerry Seinfeld, who was not a household name. But Jerry had a voice. He was appearing on 'Late Night', on 'The Tonight Show', had some commercials out there, his voice of observational comedy, looking at the world around him, that voice was really starting to come into its own.
Experience, already reduced to a group of impressions, is ringed round for each one of us by that thick wall of personality through which no real voice has ever pierced on its way to us, or from us to that which we can only conjecture to be without.
I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
When my voice isn't doing what I want it to do, it's crushing in the most heavy way possible.
Al Jazeera is known in the Arab world as the voice of freedom of expression.
Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.
You should know that I've been hearing-impaired, not quite since birth, but I've been wearing hearing aids since I was 13, so I'm very conscious of the difficulty of voice communication.
The fact is that at different stages of your life, and under the influence of different inspirations, you write different things. The point is not necessarily to find your voice, which grinds out the same sort of thing again and again, but to find a vehicle for people who are far more important than the author: the characters.
Showrunning is when you're the constant creative voice in the show. For a year-and-a-half, you are working on the scripts, you're fine-tuning them, you're the final say on the edit, the music and the cast.
I ask the rights to pursue happiness by having a voice in that government to which I am accountable.
I and others of my sex find ourselves controlled by a form of government in the inauguration of which we had no voice.
I think the voice is an underrated instrument these days and it's easy to make up for lack of ability with effects. I think sometimes people are more wowed with effects than core craftsmanship. Strong voices are not as common as they used to be.
I knew that we were clicking when mimics started kidding my voice, I'll know that I'm on the way out when they stop doing their imitations.
I have barely seen my son since he came into the world. Even though I hear his voice on the phone almost every day, it is very tough to not be present while he is growing up.
I have had people telling me that they liked my screen presence and my voice, so I guess that's my strength.
The people of the Fifth District of Louisiana need and deserve a voice in Washington.
The best part about being in the 'showbiz' industry is that you can voice your opinion.
And therefore we must seek dialogue in this networked world. We must ask which voice was actually attempting to make itself heard and saw no other possibility of gaining a hearing. To that extent, for a while this also represented a forced opening of a cosmopolitan view.
I really want to sing, but my tone of voice is really too deep to do what I want.
I've been singing for six years. I've been in and out of the studios with top producers, but it wasn't something I was ready to express to the public or to the press. I wasn't ready to come out. I wanted to perfect my voice and be 100 percent positive that I could come out right.
I'm not just a voice who wants to sing on anything. I co-produce, I want to select who comes in and plays on what songs, who to duet with and all of it.
As an actor, I always wondered what it would be like to watch an animated character with your voice behind it and see if it seems seamless or if it seems like your voice is isolated from the animation.
I can say sincerely, don't take your voice for granted. It is truly what makes us all equal.
If we want to change this culture of hate and bigotry, every one of us must stand up and speak with one voice to condemn it, because an attack on one of us is an attack on all of us.
A lot of being a good voice is knowing when I have a place to speak and when it's appropriate. And to speak from the heart when I do.
If I'm elected president, I'll make people's voice the foundation of policymaking.
I've started getting into quite a bit of voice work, definitely from 'Battlestar.'
When you are honest in your comedy, you have to acknowledge the world that you're in. Through a comedic voice, you're talking about what needs to be talked about, whether it's race relations or politics or anything that's happening on a global or an American scale.
I don't even know why I'm saying this in an interview situation, but I always feel like I'm not good enough for some reason. I wish that wasn't the case, but left to my own devices, that voice starts speaking up.
I took vocal lessons for the first time and actually learned a lot about using my voice as an instrument as opposed to just doing what I've always done and going by feeling. I'm still doing that, but I've learned a lot of tricks and how to manipulate and play with my voice a little bit.
People are so scared to really voice who they are. They want to be politically correct. Just scared to see what other people's perceptions are.
It's so important to me to take care of my voice. I do a lot of vocal warms-ups right before I go on.
One of the things that motion capture and/or voice acting does is allow you to continue your career, change it, or bring a new aspect to it.
There's only one thing worse than a man who doesn't have strong likes and dislikes, and that's a man who has strong likes and dislikes without the courage to voice them.
A poem, once it's written, is meant to be read with the inner voice of the person who reads it.
Comcast is a big voice: they have a tremendous voice across America; they're a tremendous voice in Spanish and English, and they have a tremendous voice in Washington.
I have recently taken on two major challenges: running the CHC BOLD PAC and serving Los Angeles as our voice on the Energy and Commerce Committee.
I'll never forget when I was, like, 17, and 'Highway to Hell' came on the radio, and I was like, 'Dude, listen to that guy's voice!'
Even hostile parodies admit from the start that the target has a distinct voice.
As I've gone along, I felt like I was discovering an aspect of my voice that I didn't know was there: an ability to interpret a song in a way that makes it more accessible.
It's amazing to hear, as a voice matures and then starts to decline, what kind of emotion is still conveyed by a really good vocalist.
I have never fallen in love with my own voice, but I've always had an attraction for it.
What I learned about stammering was that, when as a young child you lose the confidence of anyone who wants to listen to you, you lose confidence in your voice and the right to speech. And a lot of the therapy was saying, 'You have a right to be heard.'
What I owe the Tea Party is to be the conservative voice they elected me to be.
I'm a believer in fate and in fulfilling your destiny. I've always had a kind of inner voice that I have learned to listen to.
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice.
It may not necessarily reflect my current frame of mind. Sometimes I have to put myself at the point in time of the voice that I'm trying to sing with.
My message is to forget about dichotomies. The 'Brain Opera' is an opera, even if it does not tell a story in the usual way. It is a psychological journey with voice - so I do consider it an opera.
I often compare my voice to an old car you're only 50% sure will turn on when you need it to.
I was trying to find an original style that didn't sound like Tony Bennett or anyone else. So I prayed about it, woke up with this high voice, and by 1954, I was going to amateur nights and winning.
As long as my voice is here, and there is a Holiday Inn waiting for me, then everything's just swell.
I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice.
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