Voice Quotes
Most Famous Voice Quotes of All Time!
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France always had this balanced position that in so many conflicts was the voice of peace. I intend to maintain that. De Gaulle was pleading for a multipolar world.
I remembered the times I'd second-guessed myself or questioned my own ability. The times when a little voice in my head worried that I didn't have the know-how or the experience to reach for an exciting opportunity.
Even in the early Eighties, when I was one of the most successful models in Britain, I didn't really have a voice. Time after time, when I should have spoken up, I simply walked away.
It was important for me early on to find the voice of each character and figure out what was unique about them and their individual worldview that I could use for comedy or conflict.
I express things through characters because I have a fear that my own voice is irritating because that's been said to me.
Some of my friends and family have tried to challenge me to do jokes that aren't as self-deprecating, where I genuinely express my own opinion in my own voice.
I cannot switch my voice. My voice is not like an elevator going up and down.
You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there.
Hard though it may be to accept, remember that guilt is sometimes a friendly internal voice reminding you that you're messing up.
We need to empower women. Give women a voice in the decision-making process. Give women a political voice where they can champion, for their own welfare. And, of course, for us. United Nations - organizations, agencies - we need to do our part.
To turn the radio on and hear so much more diversity, it's so refreshing. That voice that cuts through what you've been hearing, it's inspiring.
You don't need the 'voice of God' commentary. Instead, by juxtaposing contradictory or confirmatory witnesses and archive material, your point of view becomes obvious.
We must continue to have voting rights in the state, not to politicize this, but they must have a voice in the rebuilding effort in the community from which they have been displaced.
Musicals have long given voice to outsiders and speak of experiences in our culture and environment.
I found my voice singing pop and ballads, almost all of them Colombian artists. When I was 16, my family gave me a recording session with some Colombian producers, and that's where I started my career.
It is my birthright, it is my political right, it is my democratic right, it is my constitutional right... that I must open my mouth... my voice... I can raise my voice.
I'd already been doing work in the community... But when it comes to how to actually amplify your voice, when I saw what Colin Kaepernick did and the amount of coverage and conversation around it, that's when I truly realized how much influence we have as athletes.
I love Bob Altman. I always admired him so much because I always thought he was a genuine voice.
The human voice can never reach the distance that is covered by the still small voice of conscience.
The craziest thing is I didn't know I could sing like this - ever. My voice has changed, or I've grown into it, woken up.
In terms of my voice, I'm very clear about who I am as a person and what I think.
I was always the hero's girlfriend or wife - actually, the woman with no voice.
I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
The voice of conscience is so delicate that it is easy to stifle it; but it is also so clear that it is impossible to mistake it.
When I was running away, I didn't have somebody there to help me run away. All I had was DMX's voice or Eminem's voice or Tupac's voice.
I'm known as a voice for a generation of people that don't have a voice.
Like in those cancer villages, a group of old ladies kneeling down in front of me, you know, holding a bottle of polluted water and hoping that they would get help, this is the voice that got drowned in this complex, globalized supply chain system.
You have to be so careful with your voice, especially when you're using it every day.
We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
I was the first and only person in my family to go to university, and I spent two decades redesigning myself: even my voice is the product of elocution lessons.
'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.'
Before adolescence I had an incredible voice. Like when I was 12, 13, 14 - I was taking acting classes, I was painting, I was making music, I was taking photographs. I was kind of exploding creatively, and then something about adolescence really just ground that out of me.
I do dumb stuff, like playing my favorite dumb Barry White song and lip-synching into the mirror so it looks like his voice is coming out of my mouth.
Since the advent of the Internet - more recently compounded by blogging - everyone can be a published voice. Any cowardly, anonymous anger-monger can have an audience of thousands. That doesn't make them a journalist any more than my throwing an onion and a few carrots into a pot of boiling water makes me Julia Child.
The voice I've chosen to turn to is that of NPR. With a reputation for some of the finest journalism in the country, the nonprofit organization is renowned for its unbiased stance - to the point that it's been accused of being both conservative and liberal.
I have a crush on Steve Tyler. He's funny, he rocks, and has a voice like a god. There is another one who I have discovered can sing. I should try and make an album with him... it's Barack Obama!
The range of the cello is so big, it can play as low as the double bass and as high as the violin. It has the perfect shape, and its sound is the closest to the human voice.
A cello can sound like so many instruments, but it's only one, you know, like a guitar; it has percussive qualities. It can sing like the violin, you know, like a voice.
The cello is such a versatile instrument. It can rock like the hardest rock guitar, and it can sing like the human voice. We couldn't do what we do without the classical training. It's a hard instrument to play. There are no frets, and it takes finesse and technique to play.
If you make modern rap music, how do you write without ripping off anyone else? It's just about having a distinct voice in your songs.
To me the voice has always been the way to start any character. Once I find that, I'm good to go.
A journal is your completely unaltered voice - it's just for you. And if you know that voice, and you like it, you can bring it out to everyone else, and that's the most honest and vulnerable thing you can do.
I mostly did musicals and concerts when I was younger, and then I realized I don't quite have the voice for it, so I went into acting, which I enjoy more.
The complaint with me being on stage was always that I was slightly too naturalistic and not projecting enough. I've got quite a soft voice, so that didn't help.
The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.
I'd love to do something with Bruno Mars because I love his voice and the playful and intelligent way he delivers a song.
Nothing I force myself to write about ever turns out well, and so I've learned to wait for the voice, the incident, the image that reverberates.
I hate 'The Voice.' I think everyone thought 'The Voice U.K.' would be like the U.S. version, and it's not.
The teapot takes in water and gives out tea. So the human individual takes in anything you give him and promptly transforms it; he is ready to give you out again his own reactions - first, in thought and emotion, then in voice or action.
Voting is how we participate in a civic society - be it for president, be it for a municipal election. It's the way we teach our children - in school elections - how to be citizens, and the importance of their voice.
It is impossible that the whisper of a faction should prevail against the voice of a nation.
When I was 5 years old I started singing in church and I hated my voice because I sounded like a grown woman, not a child. I was ashamed of it.
I've sung my whole life. I've taken lots of voice lessons and I love to sing. But I've never really sung professionally at all.
I read 'Rebecca' when I was a teenager and was swept away by the powerful voice, the gut wrenching suspense and the dark, twisted love story at its center.
I wanted to come through with my own voice and, hopefully, have it affect people. I want people to know that I'm not an Elvis impersonator.
Not only does Annette Bening have a really lovely, deep voice, but she's also a great articulator. I think I'm more of a mumbler.
Agents and publishers are always looking for something 'different,' a fresh viewpoint and a new voice, not just re-hashed versions of stuff that's gone before.
Back in those early days when I began my apprenticeship as a poet, I also tried to voice our anger, spirit of defiance and resistance in a Jamaican poetic idiom.
That's one strength that Stevie has. She's really not a strong instrumentalist in any way. Her instrument is her voice and her words. And it keeps her focused on the very center of that.
Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.
I've been listening to a new band called Wolf Alice, courtesy of my son. The vocalist, Ellie Rowsell, has a gorgeous voice.
I started taking voice when I was six and dance classes every day - I just couldn't get enough.
I've always had a big voice, but I'm very aware of when you need to belt or go all out like that - when it's necessary and plot driven - as opposed to just screaming to scream, which I hate.
We kept everything: every major event that's happened to African-Americans since 1945, with 'Ebony' as a repository for all those photographs and as a voice for all that happened.
My mother gave me singing lessons; that was totally painful, because I couldn't do what she wanted to hear. She used to say: there's more there, there's more voice but I just didn't want to give it to her.
I'm not going to take any special interest money or any PAC money... when I get to Washington I want to be the voice for the people of Connecticut and not owe special favors.
The thing I like about singing duets is that I get things out of my voice I never get singing by myself.
Singing with Aaron Neville, he pulled stuff out of my voice I never could have gotten, because if he's providing XYZ, I have to put in ABC, and usually I don't have to put in ABC.
When I was teeny tiny, I definitely had a voice that didn't quite match the way I looked at five.
When I got back from London, I started with a new voice teacher in the experimental wing, who trained me to have my own artistry as opposed to forcing a technique upon me.
In every song, there is a vocal element that doesn't have any words. I wanted to play around with how emotive and expressive my voice could be.
I've always thought it was easier for girls to sing harmonies because their voices can go to that higher plane so much more easy than a male voice.
Josh Gad was in my class. Katy Mixon. Griffin Matthews. Josh Groban - he ended up leaving to become a huge star, but he was in our class in freshman year. I remember Josh was this nerdy kid in a turtleneck with a voice from heaven.
When you're special to a cat, you're special indeed, she brings to you the gift of her preference of you, the sight of you, the sound of your voice, the touch of your hand.
I had this exceptional classical music voice. If I'd followed a true path for my talent, I would have ended up being an opera singer.
I'm not into 'The Voice.' It's an affair between a television network and a record company.
War is so unjust and ugly that all who wage it must try to stifle the voice of conscience within themselves.
I was a boy soprano. I had a natural kind of voice and then trained it after my voice changed.
I was working out at a gym in Montreal when I was doing 'The Bone Collector.' I walked in and said 'Where do I sign in?' Somebody behind me, without even seeing my face, said 'Excuse me, are you on 'Star Trek'?' They recognized me from my voice.
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