Voice Quotes
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The genesis of Public Interest Litigation in listening to the voice of the voiceless and giving access to the poor, the marginalised, and the weak is a unique experiment to be lauded.
Look at someone like Ke$ha. I wouldn't say she's got the most rangy, incredible voice, but she's got a thing. She stands for something, and people are buying into that.
I think Bruno Mars is a great example of a great voice and classic songwriting with a twist that makes it contemporary. I think he's done a great job of it. I think Katy Perry has undeniable songs for what she does, for that pop market. And, if we're talking in the truly pop market, I would say those two.
I loved Judy Garland. I thought she was such a classic beauty. I thought she was so endearing and charming, and I loved her voice. She was such a dreamer, and I think I was, too - and I am.
I had a thick accent, and people didn't understand me, and I was ashamed, and I fumbled. I radiated an uncertain energy; sometimes baristas sensed this and wouldn't try to talk to me, and then an insecure voice in my head would cry, 'He's racist!'
My songs are all about celebrating poignant music. While some of them focus on fun and revelry, they are fortunately backed by powerful lyrics. Put together, the lyrics, tune and my voice strive to take the songs to the next level.
I think I have allowed my voice to experiment with the different genres. And I think that I have just really enjoyed the journey of getting to know my voice and seeing what it's capable of, what it's not capable of.
I'm constantly complimented for my voice, even by random people at the airport!
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voice-overs.
There are very few VR games with really strong characters and voice acting.
We all dream dreams of unity, of purity; we all dream that there's an authoritative voice out there that will explain things, including ourselves.
To me, the appeal of opera lies in the fact that a myriad of singers and instruments, each possessed of different qualities of voice and sound, against the backdrop of a grand stage and beautiful costumes, come together in one complete and impressive drama.
I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.
I do everything all wrong, but I think for me that's the best, because I don't think I have a voice.
I've always felt that as long as I was able, I was supposed to give all I've got to ensure a healthy and loving legacy for those still to come, and especially for those with no voice.
I think when you're just counting on your voice, you actually need double the energy. I find myself acting out the scenes and being very physical while I'm recording because I think you can tell when someone is just sitting on a stool.
I want a part where I can use my own hair, my own voice, and maybe even be literate.
I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.
I went to school to learn guitar, solfeggio, and harmony. I wanted to know more about music, how it works. I wanted to take voice lessons, too, and that's when I discovered what I could do with my voice. At the beginning, I thought I would do classical and pop, but then I learned that I really liked the classical music.
Even if change in a voice is light, and people maybe don't notice it, that slight change is, for singers, a bit of an earthquake.
Around age 38, there was a slight change to my voice, and very much in the center. That made it possible to start thinking about certain roles: Guillaume Tell, Romeo, Edgardo. These roles require a fuller center.
I don't push my voice; I try to keep a good technique, a natural way of singing, to sing from the breath, which is the main thing.
You are born with a voice. And in a way, you don't choose what you want to sing. It's the quality of your voice that matches a certain repertoire, and that's what you're going to sing.
It's tricky when you're doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don't have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.
Basically, I was a freak show. This kid with this big old voice. I was a travelling freak.
I have a half an hour warm-up I do that my voice teacher gave me. I exercise at least for an hour during the day. I don't have any superstitious rituals or anything like that.
My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
It would not occur to me to write a joke like, 'This would be great if I was more like Andrew Dice Clay.' It's not the voice I write in - which is largely an extension of the voice in my head that I think in.
I would never put any growl on my voice in concert - it's not the kind of music I sing.
The invention of ethical and political doctrines, which blossomed into our own social sciences, is a product of times when things appeared manageable. The same goes for the criticism of those doctrines, though as a voice from the past, this criticism proved prophetic.
Perhaps the enemies of liberty are such only because they judge it by its loud voice.
While in high school, I worked part time at Subway, then at the front desk of the local YMCA, then at a tennis club, until I landed an unpaid internship at 'The Mountain View Voice,' my hometown newspaper.
That's always a cool thing to be the voice of what the eyes are seeing. It gives you the role of the Greek chorus and that's always fun to do.
I have good voice inflection, that's why I'm good on radio. But on TV, I look too big because I move my hands around a lot.
Shortly after I started working as a doctor, I decided to listen to the voice inside me before it was too late. It was now or never, so I decided to explore acting.
In the early days of Twitter, it was like a place of radical de-shaming. People would admit shameful secrets about themselves, and other people would say, 'Oh my God, I'm exactly the same.' Voiceless people realized that they had a voice, and it was powerful and eloquent.
Ringo Starr may not have much of a voice, but when he sang a song on a Beatle album, it had its own special charm.
Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.
Aretha Franklin's 'Let Me in Your Life' is one of the few recent R&B albums that places the emphasis entirely and deservedly on a voice. Many R&B producers have been making records on which the singer is outshined by the song, the arrangement and the sound.
Because of her interest and demands, I amplified an average baritone voice into one that is loud and clear.
Diane Cluck is part of the anti-folk movement in New York. She's got a really haunting voice, and she usually sings in the pentatonic scale.
Trying to give an individual a voice has always kind of been my mission in my life. As an actor, I've always seen that was something that needed to be done. You need to find that voice inside of you so that you can stand up and be who you really are.
If you destroy the credibility of those people or institutions that could undermine your own, you create an opportunity for your voice, however irresponsible or misleading it may be, to gain traction.
When your voice contradicts reality and truth, the only way to create space for it is to discredit reality and truth.
Because we are all of an oral tradition in our beginning histories, the voice of the poet in this particular society will be heard.
Simply put, broadband voice is an interstate matter that must be dealt with through clear national standards.
My family are from Liverpool, so I have some twang there - I have a Midlands accent, and I was raised about an hour north of London, so my voice is a mess. Although, to American ears, it sounds like the crisp language of a queen's butler.
Armando Iannucci is one of my heroes. As I was growing up, he was probably the most influential comic voice that I had.
Confusion heard his voice, and wild uproar Stood ruled, stood vast infinitude confined; Till at his second bidding darkness fled, Light shone, and order from disorder sprung.
'LOL' is one of several texting expressions that convey nuance in a system where you don't have the voice and face to do it the way you normally would.
I couldn't have recorded this record 15 years ago. My voice didn't have the depth to pull these songs off.
Of course there are regrets. I shall regret always that I found my own authentic voice in politics. I was too conservative, too conventional. Too safe, too often. Too defensive. Too reactive. Later, too often on the back foot.
Dick Mills was in charge of sound effects and all the rest then, and he put the voice through a ring modulator or whatever gizmos he'd got at the time to make it sound a little more electronic.
Let the workers organize. Let the toilers assemble. Let their crystallized voice proclaim their injustices and demand their privileges. Let all thoughtful citizens sustain them, for the future of Labor is the future of America.
Adam was placed in Paradise in perfect estate, and in the company of God's angels; God walked and did talk with him. He heard the voice, and beheld the presence of God.
Before 1994, many South Africans used theater as a voice of protest against the government. But with the end of apartheid, like the artists who watched the fall of the Iron Curtain in Europe, theater had to find new voices and search for new issues.
I think I have a great voice, but it's not special enough to be remembered. But what's special about me is much more than just my voice.
I'm more an actor who can dance and sing if I absolutely have to. I studied theatre in college, but I studied drama, but I don't have that Broadway voice, and I'm not a trained dancer or anything like that. I identify mostly as an actor first and foremost.
I don't like it when celebrities get voice work. But then again, if I was the producer, I wouldn't want a bunch of no-names doing my show and have to worry about word-of-mouth. I see both sides of the story.
Any voice where you've got to scream over a battle or whatever, that's always difficult. It's harder than it seems.
I got a call from my agent saying you have an offer to voice a cartoon by the name of 'My Little Pony.' And that's pretty much what went in my ear. So I asked him the three questions that actors always ask. I need to see the script, when and how much, which were legitimate questions.
'The Voice Kids' was a tremendous success in Holland. There was a big emotional reaction from the parents of the children taking part.
And all the charms of face or voice Which I in others see, Are but the recollected choice Of what I feel for thee.
Breathing is always key in any character. When you have a character with no voice, that makes it even more important.
Some scenes you juggle two balls, some scenes you juggle three balls, some scenes you can juggle five balls. The key is always to speak in your own voice. Speak the truth. That's Acting 101. Then you start putting layers on top of that.
My motto is never to try to imitate anybody: I have always looked inward and followed the inward voice.
How can this full, perfect, just and supreme voice of the people, embodied in the Constitution, be brought to bear, habitually and steadily, in counteracting the fatal tendency of the government to the absolute and despotic control of the numerical majority?
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
I read Nietzsche when I was a teenager and then I went back to reading him when I was in my thirties, and his voice spoke directly to me. Nietzsche is such a superb literary artist.
The only fight worth fighting is to give all children equal opportunities regardless of race or gender, to judge individuals on their qualities and not their backgrounds. The victory won't come when nobody feels able to voice racist abuse, but when nobody thinks of doing so in the first place.
Well as I say, don't believe everything that you read and don't be afraid to think and it is alright to understand what has gone before but don't just rely on copying but develop your internal voice and your own internal means of interpreting.
Commemoration of Katherine of Alexandria, Martyr, 4th century If ye keep watch over your hearts, and listen for the Voice of God and learn of Him, in one short hour ye can learn more from Him than ye could learn from Man in a thousand years.
The last person they expected to connect with a screenplay was the comedic, blonde actress with the funny voice.
You need a lot of leaders, but a hockey team needs a voice, not only in the community, but more importantly between the coaching staff and the players. There are always ups and downs in a season; the captain is the guy players look to in those situations.
I was very flattered when Disney Junior reached out and invited me to come voice Ariel for this special primetime edition of 'Sofia the First.' As the parent myself, I really appreciate the positive messages that this animated series is trying to put out there.
I remember when John Lasseter called me back in the late 1990s to personally invite me to come be the voice of Barbie in 'Toy Story 2.'
An activist is someone who makes an effort to see problems that are not being addressed and then makes an effort to make their voice heard. Sometimes there are so many things that it's almost impossible to make your voice heard in every area, but you can sure try.
I am a voice for innocent animals who are being neglected and dumped by the millions at shelters.
I definitely don't subscribe to the theory that more instruments, or more vocal tracks, harmony, or double tracking the voice, is a good thing. People do their early albums very stripped down, then each album becomes bloated.
Denying the president a constitutional voice is the real threat to our system of separated powers.
I was in my thirteenth year when I heard a voice from God to help me govern my conduct. And the first time I was very much afraid.
In the 20s, you were a face. And that was enough. In the 30s, you also had to be a voice. And your voice had to match your face, if you can imagine that.
I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink-covered bathroom fixtures. I went Hollywood on the inside, and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses.
I love Harriet Harman, she is a supporter of women of all parties, a kind word, a friendly voice, and this country is lucky to have her.
There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the height of my voice. And so I learned to deal with it.
For minority actors, developing our own projects has to be the eventual path. We have a lot of stories to tell and a really unique voice. But none of that is going to be heard as long as we're just the hired hands, acting.
When I started out, I was absolutely awful, I had no voice, I didn't have a lot of stage presence and most of the interpretive intensity that I brought to the experience was actually terror.
I've abused myself a lot over the years. But my voice is still intact - really, it's better.
We all need to decide what makes it safe and secure on the Internet. It can't be anybody else's decision. We have to have a voice.
When I first started, all the reviews of Cold Chisel would say, 'This singer won't have a voice in six months.'
I think what's wonderful is that 'Community' has always had its voice, has always had it's vision, and that started from the very beginning.
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