Tony Harrison Quotes

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I'm hoping to have a ninth decade like Matisse's.

You litter poems with too much learning when you're younger.

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I hate being called poet/dramatist/translator/director. 'Poet' covers it all for me.

It is always better to write for the whole of society than for the poetry-reading public.

I spent a lot of time on recce. It is a kind of creative chaos, but I like the sense of creative serendipity.

'Night Mail' belongs quintessentially to the age of steam. It is impossible to simply go with the idea of remaking it.

Coming from a very inarticulate family made me try to speak for those who can't express themselves and created a need for articulation at its most ceremonial - poetry.

I've always had the wish, the need, and the obsession to become a public poet.

I've written on public matters, but I don't understand how anyone could tout me as a possible poet laureate when I wrote a poem on the abdication of King Charles III or about the sex life of the Royals... anybody...

I think that, as you get older, you want to be freer rather than more bound.

I think it's the tendency to want to create gods and monotheistic absolutes and absolute certainties that is the continual temptation in human thought - that's the great danger. Every time we create a god, we diminish humanity.

One of the important things about familiar form and metricality is that it draws attention to the physical nature of language: the spell-binding nature of it and the ceremony of articulation.

I believe more in the power of drama than in the power of religion.

A poem, once it's written, is meant to be read with the inner voice of the person who reads it.

A lot of my activity in the theatre, and even in writing poems, was a kind of retrospective aggro on the English teacher who wouldn't allow me to read poetry aloud.

I need to look back on my poetic ventures, make sense of them as a whole, and move forward... and to experiment without external demands.

Honours seem to be the nature of British life. It's horrible. Maybe I'm mad, but the older I get, the less I want to have honours loaded on me.

I really admire the great Japanese artists who could change their name three times in a lifetime. You could get rid of one and renew yourself.

You get early inoculation against the idea of success if you're a poet. When I published my first collection of sonnets, I sold about five copies; now kids study them for A level. Wanting to be successful in that other...

I wanted to learn Latin and Greek and become a poet and acquire power over language. I only understand this clearly in retrospect, that my ability to study came from a hunger to learn all the resources of articulation.

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