Television Quotes
Most Famous Television Quotes of All Time!
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I hate television. I hate it as much as peanuts. But I can't stop eating peanuts.
I've lost so many gigs composing commercial or television music because I can't repress my inclination to work against conventions.
If the television market collapses - and it will collapse - then, it seems, there is too much regulation, and that's not a good thing.
'Handmaid's' is the most profound television I've had the privilege to be a part of.
Nothing could be recorded in those days except by aiming a movie camera at the television screen. It was at least another 10 years before they had any kind of recording medium.
The fact that I am a Filipino actor playing a Filipino role is crazy. Filipinos are the second largest Asian minority in the United States, and we're hardly represented in the media and on television.
I love the consistency of working on television. You don't get that in working on film.
After studying in Sheffield, I went down to London to do my post-graduate degree at the National Film and Television School, embarking on the movie that would eventually become 'A Grand Day Out.'
All television is educational television. The question is: what is it teaching?
I was raised by television. It was my first cultural window. It was a constant companion.
Most television shows are going to require an actor sign up from four to six years, but an anthology show really amounts to five or six months at the most. I thought serious actors might be attracted to that.
Killing characters on television has become an easy short cut to cathartic emotion.
We decided we didn't want to do a musical for TV because the idea of writing a musical that would be seen on television once seems insane.
In Russia, writers with serious grievances are arrested, while in America they are merely featured on television talk shows, where all that is arrested is their development.
It is not entirely true that a TV producer or reporter has complete control over the contents of programs. The interests and inclinations of the audience have as much to do with the what is on television as do the ideas of the producer and reporter.
Television has lifted the manufacture of banality out of the sphere of handicraft and placed it in that of a major industry.
The thing about improv that I really love in scripted television is that it really makes a moment authentic.
I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross.
I'm glad that cinema is catching up to what television has known for a while: That three-dimensional, complex women get an audience engaged as much as the men.
If we can be changing some lives along the way, that's the holy grail on television.
I actually came out of drama school and went into two years of working in film and television, which was a happy accident.
I started in the theater when I was 10, so I grew up in the theater and was very used to that, but I love movies and television, also, obviously.
There was a time when the FCC tried to require a certain amount of television and media to be educational, a certain amount to be newsworthy and a certain amount of it to be public access.
One doesn't go on television for the Manhattan crowd. You buy the sides of buses for that.
My family is not at all involved in television, or film, or theatre, or any of it, really.
We owe a lot to Thomas Edison - if it wasn't for him, we'd be watching television by candlelight.
I've learned more about directing from five years of television than I could have in ten years of film.
In 1962 I was 17, so I was definitely watching the dance shows on television.
I have so much respect for television actors and directors. We're on set doing 16-hour days, and that's just what we do.
Prestige podcasts, like prestige television shows, tend to have an audience that believes itself literate, well-informed, and reasonable. Listening to podcasts, in this model, is a form of virtue.
It's not unknown that Vancouver is a huge destination for television and film. It has been for many years. It just seems to be that I'm drawn to the show that shoots in Vancouver.
Conspiracies are a perennial favorite for television producers because there is always a receptive audience.
Savvy observers occasionally note television's resemblance to the weather: Everybody loves to complain about it, but nobody can do anything to fix it.
I'm grateful that I have a theater career because television isn't kind to you when you're over forty.
I think people have a vague sense that the television system is changing.
Without 'Twin Peaks,' there would have been no 'Northern Exposure,' 'Picket Fences,' 'X-Files' or 'Alias.' It started the movement of 'off-center' television.
Since I was eight years old. I didn't have a TV, so comic books were definitely my television, my soap operas, and all that.
Marshall Herskovitz and Edward Zwick really changed the way one-hour television looked and the depth of how deep it could cut emotionally.
I directed before I was even in television; I directed in the theatre for seven years, so that was my trade anyway. But in the UK, I've given up any hope of being considered a director.
I wasn't really interested in doing television. I don't have that much ambition. My agent, Eileen Feldman, has all the ambition for me.
You can get away with a lot more in a film or television score. It is contextual.
In this country, you have movie actors and theatre actors and television actors.
My job, live television, broadcasting, there's mania involved in there, too, but it's the good stuff.
I was raised in a conservative Christian household. We weren't even allowed to watch 'secular' television, anything that was deemed not proper for Christians.
Sports like sailing, rowing, and bobsled have long vexed spectators and television producers.
Ultimately, the joy of sports is social and psychological, both in the ballpark and around a television on Super Bowl Sunday.
A lot of my work, the subject is film and television itself, and history, and how that kind of coincides with larger cultural history and memory.
I think the sitcom is the format for television. It's the essential form, and it represents more of the canon of TV, which is why I latched onto it.
I grew up in Los Angeles. I watched lots of television; I still watch lots of television.
I grew up watching tons and tons of television. It was all I would do, especially during summer vacations.
Every day I turn on my television set and I see Newt Gingrich on television, I rejoice.
Sometimes when I'm reading a script, I can't quite believe that this is going on television alongside cereal commercials.
I've grown and changed, and I'm still making television and movies that I feel really proud of.
The pilot system in television is utterly broken. It's a huge waste of money.
If there's anything unsettling to the stomach, it's watching actors on television talk about their personal lives.
The publicity machine for films and television is so much bigger than for theatre.
I don't have anything from the television series. I treasure the videotapes from Columbia House.
Whether it is the cavemen in the caves thousands of years ago, Shakespeare plays, television, movies and books, stories and characters take us on a journey. All I do is tell those stories without scripts and without actors.
Saturday and Sunday mornings are the only time the children are allowed to turn on the television.
Like yes, I was part of a launch of an entire cable television network and we all worked so hard getting prepared for it and rehearsed so many times.
Even as voters, we try to keep up with the guys as much as possible, mainly through television or ESPN.
The demand for standup in the eighties was created by how easy it was to exploit 'comedians' and create very cheap television programming.
On some level any appearance on Television can be seen as a product endorsement.
Theater is my favorite platform. Television is my favorite paycheck. The more television I can do, the more theater I can do.
There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.'
Cultures and races are mixing in a very organic way in the world, and that should be reflected in film and television.
I think the amazing thing about 'Twin Peaks' was that it completely changed television from that point forward.
There are very few things that 13 million people tune in to witness, so television is a really relevant and powerful thing.
I loved television. 'Starsky and Hutch' was my show. 'SWAT.' Both Aaron Spelling shows. Loved 'em.
I don't watch a great deal of television because I don't have a television, and I don't have a huge catalog of films that I've watched, either.
Although my dad's a writer, we grew up in a telly-watching household. I never found him disparaging about television.
I really started acting when I was 12 when I was doing this television show called 'Jack & Bobby.'
Finally, the complexities of black relationships are being portrayed in television and film.
I always knew I wanted to be in television when I was a kid, and I knew I wanted to model.
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