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I see journalists as the manual workers, the laborers of the word. Journalism can only be literature when it is passionate.
I see little alteration at Lyons since I formerly passed through it. Its manufactories are, nevertheless, flourishing, though less improvement than could be expected is visible in the external aspect of the place.
Since I was a child, everyone would ask me what I wanted to do when I grew up. Was I going to be a designer? It's as if there was a path drawn for me, and I could see, from where I was standing, exactly where it ended.
I want peace. I want to see if somewhere there isn't something left in life of charm and grace.
I write a book over a period of months or years, and when I'm done with it, usually another year goes by before I see it in print. It's hard to be patient and wait.
If we aren't going to be afraid of conflict, we have to see it as thinking.
I've wanted to see beyond the Western, mechanical view of the world and see what else might appear when the lens was changed.
It is rarely that you see an American writer who is not hopelessly sane.
As for our garments, my Mother did not only delight to see us neat and cleanly, fine and gay, but rich and costly: maintaining us to the heighth of her estate, but not beyond it.
I get so tickled when that pilot happens to be an African American because I rarely see that. The same is true when I go to find restaurants. I mean, most places I go, I kind of have some idea who the chef is, which is why I want to go.
But there is something to the fact that we don't see games on the West Coast, or we don't see games on the East Coast, and stuff like that. It's so unfair, because there is a bias that takes place.
At USC, if you're running back there, and you do gain you over 1,500 yards, people see you as a candidate, but not one of the top ones.
Artists realise that mathematicians have a way of looking at the world that can make them see things differently.
I'm obviously attuned to pick up mathematics whenever I can see it. But in Mozart there is a lot of conscious use of mathematical symbolism and numbers in order to try and give messages.
I refused to accept anything, doubted everything. So, doubting everything, I had to find something that had not existed before, something I had not thought of before. Any idea that came to me, the thing would be to turn it around and try to see it with another set of senses.
What art is, in reality, is this missing link, not the links which exist. It's not what you see that is art; art is the gap.
Have you ever had one of those moments when you look up and realize that you're one of those people you see on the train talking to themselves?
Back in the early days at Netflix, it wasn't unheard of for me to tell prospective hires that I could see our stock going to a hundred dollars someday.
It's quite nice to see that I didn't have to change who I was to reach two very different types of people.
'Solja Rag' was designed for Juvenile. It wasn't one of them beats where I was gonna chop it and see who I was going give it to: it was Juvenile all over it.
A lot of artists are scared when they see trumpet players show up - they like, 'Nah, that ain't what I want.' I try to tell them, 'Dude, I'll give you trademark Mannie Fresh, but it's not about keyboards and a drum machine.'
I have done some pretty dumb things. I am not going to lie. I see the things I have done. And I have done some dumb things.
Everywhere, I see it's just 'Manny, Manny, Manny.' It kind of gets a little distracting at times.
I wanted to encourage people around me to evaluate their lives and see where they are holding themselves back. I wanted them to dream again.
Whenever counterterrorism professionals see punditry and media make grand pronunciations on terrorism that defy all demonstrable evidence, an unrepeatable oath is usually muttered.
People paid money for tickets to see us and be entertained by us, and we've never forgotten that. Anything after that was a bonus.
It's always about 'what have you done for me lately.' As players we see what is going on.
You just try to learn and see what you can put in your repertoire, and that's what I try to do.
I want to see us push for economical and educational advancement in communities of color and low-income communities, and I want to see our relationships between our communities and our law enforcement be advanced.
The trouble with kingdoms of heaven on earth is that they're liable to come to pass, and then their fraudulence is apparent for all to see. We need a kingdom of heaven in Heaven, if only because it can't be realized.
I see genres as generating sets of rules or conventions that are only interesting when they are subverted or used to disguise the author's intent. My own way of doing this is to attempt a sort of whimsical alchemy, whereby seemingly incompatible genres are brought into unlikely partnerships.
The kingdom of heaven is like electricity. You don't see it. It is within you.
My spiritual evolution I would describe as journey from literalism to figuratism. I now see all religious texts as pointing to an ineffable truth.
I don't think about the press or the crowds or the other leaders of the race. The focus is only on myself. As soon as I see the targets, I tune them out.
I get bored with music so I try to listen to things in different types of genre to see what's possible.
I think that the message of inclusion is something a lot of people believe in and want to see succeed.
I'm really happy to bring bisexuality to TV because you don't see that often on television, especially with women.
It's a place where I could do something on a weekly basis and see if I like it.
Acting found me. I thought maybe I should try to find it again. We'll see.
China is completely lacking in self-awareness and as someone who has stepped outside that society, I have a responsibility to write about it as I see it.
I hope they can see that as a consumer, if they express themselves, they may make an impact and leverage their impact on the brands, and the brands can leverage their buying power on tens of thousands of polluters - suppliers - in China.
If it was just me and Elvis one on one, which only happened once or twice in the times that I did see him, it was a really comfortable. He was a cool guy. Easy laugh, nice guy.
Estimates are that in 2012, more than 32 million books were available - the explosion, thanks to the ease of self-publishing; 2013 could see even more titles grace our virtual bookstores! That means we are going to be awash in covers and titles, plot descriptions and characters.
After the Green Revolution, I came up with the concept of the Evergreen Revolution. In this we will see increase in farm productivity but without ecological harm.
See, technology can advance yield and productivity, but only public policy can advance the income of farmers. There has to be a synergy between technology and public policy.
If you really want to study evolution, you've got go outside sometime, because you'll see symbiosis everywhere!
I do see myself as an old-fashioned storyteller. But there's always a touch of the political in my plays.
Who wants to see the same play again? I certainly don't want to write the same play again and again.
It is striking to see the magnitude of impact mentorship and tutoring can have on student performance and young lives.
I like to put people into situations that are out of their comfort zone and see what happens.
I wouldn't want to be a mother that put blinders on and didn't see what was going on with my child. There can be huge consequences to such a thing.
Law enforcement agents need to be vetted more thoroughly and psychologically and emotionally to see who they are, if they're really built for fairness in all communities.
I know what the Giller nominee effect is, but we'll see what the next level is.
As we look ahead, we see increasing opportunities for Duke in natural gas - not just for producing electricity, but in providing gas for our customers. We have been investing in renewables as well throughout the U.S.
Effectiveness comes from those qualitative things that give you the ability to network, communicate, and lead people toward an outcome they can't see.
I've got a golf scholarship for school, so they understand if I'm away. A couple of years ago they called to see why I wasn't at school, and now they're like, 'oh, she's at golf.' Sometimes I'm in class and sometimes the teachers don't realize I'm there. She goes, 'oh, Lydia's absent.' And I'm like 'no, actually, I'm here.'
I used to think feminism was a liberating force - now I see many of those people are just censors under a different name.
I moved to Los Angeles when I was about 20, all by myself. It was exciting. I had this moment when I felt like I needed to put on my big-boy pants and just make that leap to see what would happen.
Whether you do a play in front of 100 people or a movie that one billion people see, you're still affecting people.
It is essential to an architect to know how to see: I mean to see in such a way that the vision is not overpowered by rational analysis.
I came into office to do what was correct, not to see what was politically expedient to get re-elected.
The American people overwhelmingly want to see smart policy that secures our families, our borders, and our economy.
I don't like the idea of 'classical crossover,' even if sometimes I see this category given to what I'm doing.
On every new project, I try to write in a different way and see if there's a new side of myself I haven't explored.
Logic takes care of itself; all we have to do is to look and see how it does it.
If you see the Sopranos, you're not going to be speaking in the Shakespearean English.
Indeed, when all parties campaign effectively the overall effect is to push up voting rates, as you see in tight marginal seats or close general elections. That must be good for democracy.
There are so many remarkable playwrights working right now, that I see everything I can. Annie Baker is a genius, I'll see anything she writes. The same for Lynn Nottage, Cynthia Hopkins, and Lisa D'Amour. Anything they've got going on, I'll go see.
I have to try different things to see what works best. Other people get impatient with that.
I did see 'Zoolander II,' and I thought it was a cool movie, but I liked the first one way more.
See, it's kind of like James Bond. There's a new James Bond every couple of years. Maybe I can do the new 'MacGyver' and put my own twist on it.
Theatre has so many competitors, it's no longer enough to see and hear a play. You want to be able to touch and smell it, too.
I would trade places with Michael Bay when he was directing 'Transformers' because I'd get to meet Shia LaBeouf and Megan Fox, and also see what it's like to direct a huge action movie. That'd be awesome.
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