Ludovico Einaudi Quotes

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All my life, my heart has felt closer to rock n' roll.

I don't crave acceptance in the classical world.

I wanted to be a rocker and photographer and tour the world!

I was completely anxious when I was young.

You can put the Beatles and the Rolling Stones in the same category, but the types of music, the colors each band evokes, are completely different. It's the same with Mozart and Beethoven - they express two very different aspects of music.

My music comes from my personal background.

I went to Mali for the first time in 2000, and I met Toumani Diabate and Ballake Sissoko - two of the greatest kora players of our time.

I don't like the idea of 'classical crossover,' even if sometimes I see this category given to what I'm doing.

I am very happy to be able to cross borders to go to China, to Mexico, to America, everywhere, and there is an instant understanding of what I do. This is incredibly beautiful because you've suddenly communicated with everyone without speaking the same language. The language of music is able to go anywhere.

I prefer to play in smaller venues because I like the intimacy, the connection with the audience.

On every new project, I try to write in a different way and see if there's a new side of myself I haven't explored.

I think what really stays with me is the idea that you can write music about the texture of a wall, and everything is in some way connected.

I couldn't find a way to write music with numbers and rules and schedules. So I tried to forget the academic idea of music and started to see if it was possible to do creative work, taking in all the influences I wanted to keep.

Now anybody can make music at home, and you can hear music on any computer without having to buy it. Everything is apparently better with all the machines we have now, but at the same time, the quality of life is not improving.

I like to keep changing because discovery is always interesting.

You can learn and enrich yourself through the process of knowing a different musical culture.

With every musical project, I ended up feeling more enriched by the experience.

In a soundtrack, you are in a way always relating with... a combination of different languages. It has to have the same path and same rhythm. Sometimes it's a polyphony of languages that have to work together in some way. With musical projects alone, you can be more free.

I express myself using my classical skills to write more complex forms of popular music.

My mother played piano at home; she came from a musical family. Her father, who I never met, was a conductor and composer.

I feel a vocabulary in my music that is coming from popular music. Popular music is like the mother of all languages.

I grew up partially with classical music but listened to a lot of rock when I was young - I like acoustic, and folk from Mali and Armenia and Turkey.

The Beatles, 'Revolver.' It's pop. It's classic. It's experimental. It's revolutionary.

Doing the Five Tibetan Rites exercises every day - it makes me feel at home wherever I am.

I love to go to the bar close by for a good espresso and have a chat with the bartender.

A great melodic line is like a person's soul, and coming up with an original melody, it can be like you are illustrating the soul.

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