Picture Quotes
Most Famous Picture Quotes of All Time!
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We have a picture for how complexity arises, because if the universe is computationally capable, maybe we shouldn't be so surprised that things are so entirely out of control.
There are moments that you suffer a lot, moments you won't photograph. There are some people you like better than others. But you give, you receive, you cherish, you are there. When you are really there, you know when you see the picture later what you are seeing.
I will take a picture with anyone who wants one. All they have to do is ask. If I don't want to take a picture, there is an easy way to solve that problem - I don't leave my house.
If you obsess about one thing, you're just going to miss the broader picture.
We tend to talk about the world in a myriad of ways - a microscopic world of elementary particles, a biological world of organisms and evolution, a social world of morality and meaning. But it's all the same underlying world. That's the underlying theme of 'The Big Picture.'
Yeah, in my scripts, I don't tend to describe landscape too clearly because I like to keep it really basic and sort of let people paint their own picture. I don't find it helpful to spend a page describing a setting, except for maybe a few key things.
I feel like a normal kid, still. I just get recognized in public now. People usually just want a picture.
I said during the course of the campaign I didn't like it and I don't like the idea of having an opponent's picture on your ads and it would be nice to see candidates sign a pledge like that.
My dad was an engineer and so I had this picture of science and technology and pursuits of the mind as being more impressive than artistic pursuits, which I saw a as kind of frivolous.
I enjoy the life I have now, but I also enjoy doing regular stuff. I can't pull up to the club and stay outside no more. I can't be at anybody's table. A picture or video can go viral, and it can be misinterpreted.
The Shining is my fourth picture with Jack Nicholson, or as he says, our fourth 'classic.'
I like it when one is not certain what one sees. When we do not know why the photographer has taken a picture and when we do not know why we are looking at it, all of a sudden we discover something that we start seeing. I like this confusion.
We have a remarkably complete picture in many ways - and it could be that we're not accounting for something that's almost three-quarters of the entire universe.
I am not afraid to experiment - sometimes going beyond what is traditionally beautiful is what makes a great picture.
I don't have to run the Peace Corps. I could live without seeing my picture in the newspapers and without being interviewed.
I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.
When they brought Roth back into the picture, obviously I didn't go along with that too well.
The key to U.N. reform is giving Americans a clearer picture of what the U.N. is and what it isn't, what it can be and what it can't be.
Obviously, there's more to aesthetic appearance than just race, but that is going to be the first thing that someone notices when they look at a picture.
I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.
There are over 20 federal agencies that provide some, or all, of the steps in the export process. This can paint a very confusing and intimidating picture for small companies who often don't have designated export officials or trade representatives on staff to navigate the process for their businesses.
As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
My dad had been an ardent amateur photographer, and he taught me to compose a photograph from the back to the front, and then populate the picture.
It's usually so fraught when you're taking a picture. I work with an 8-by-10 view camera and there's a, you know, hood that I put over my head, and it's tricky and complicated.
Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
I taught up in Maine a couple of times and wasn't able to take a single picture. All that blue sky! Ugh. Sparkling clear air, just terrible. I couldn't do it.
You start blocking out things, and that's a really important part of taking a picture is the ability to isolate what you're - what you're concentrating on.
I try not to picture a reader when I'm writing. It's like trying to make a great table but not picturing anybody sitting at it.
The big picture is the Trials and Olympics. I just have to keep focused for that, keep moving forward.
I think 'Lost Boy' is more of a metaphor for oneself. When I listen to that song, I don't picture someone else. I kind of wrote it from a very honest place.
My son craves picture books about Transformers and Ninja Turtles and the Hulk; they show one fantastic creature smashing or zapping another into smithereens on page after page. They are dull and ugly and show no interesting stories or models of conflict resolution or character building.
To describe the overwhelming life of a tropical forest just in terms of inert biochemistry and DNA didn't seem to give a very full picture of the world.
When I go out, I'm always dressed up. Not in drag but always prepared to be 'on.' Just in case somebody's going to take a picture. Everyone has a Facebook page, so no matter what, I'm prepared to service the public.
I found out that you could audition by sending a picture of yourself and some information to Newsround.
Children's picture books are a unique record of social evolution: in gender roles and racial politics, as is much discussed, but also in fashion and interior design.
I usually played out and out heavies. No one else 'saw' me in any other role. No one else had ever believed I could be anything but a heavy. It was a heavy in a picture with Clara Kimball Young that June Mathis saw me and decided to cast me as Julio. 'There is the man for Julio,' she said, 'He, and no one other.'
I can't picture going to a beach, or anywhere on vacation, without a couple of books as companions.
A vision is not just a picture of what could be; it is an appeal to our better selves, a call to become something more.
If I'm reading a script, and I'm not buying it, I need to be able to relate to the character on some level, and they need to have more than one dimension. I need to have an idea of what this guy's thinking about when he's taking a shower not on camera. And if I can't picture him taking a shower and getting dressed, then he's not a real person.
'Argo,' 'Lincoln,' and 'Zero Dark Thirty,' three films honored with Best Picture Oscar nominations, lionize their Washington-anchored protagonists as crafty, competent, and virtually incorruptible.
The actor is concerned with his own bit of it, but the director's somehow trying to work the whole thing into a much bigger picture. It's like conducting an orchestra.
There is a sense of melancholy attached to seeing images of yourself from a different era, especially when you see a picture.
Might we... be doing something with our brains that cannot be described in computational terms at all? How do our feelings of conscious awareness - of happiness, pain, love, aesthetic sensibility, will, understanding, etc. - fit into such a computational picture?
And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!
I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.
If you see the picture when things get exciting, he chews faster. When he really gets shocked, everything stops, including the chewing. So I worked it in for me.
I'd much rather turn down a starring role in a bad picture and do a small role in a very good picture.
I was the first wrestler ever in the history of wrestling to star in a major motion studio picture that became #1 box office of the weekend, and that gave the itch to I don't know how many wrestlers.
Only thing I ever thought I'd see is a picture with me in a uniform with stripes on it and a number under my mug shot.
Natalie's estate is handled by Global Icons, and they police the world so her picture isn't on a T-shirt or coffee cup unless we approve of it.
I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested.
It seems everyone in the world is now a potential member of the paparazzi. Most of the time people ask if they can take a picture with their mobiles but increasingly they don't bother to ask.
What is the use of good painting? We want a spell cast upon the optical part of our existence! We seldom really see the world, but when we do, we become as still as a picture.
I kept the same suit for six years and the same dialogue. They just changed the title of the picture and the leading lady.
The Church cannot be content to live in its stained-glass house and throw stones through the picture window of modern culture.
I don't think KERS will change the overall picture - the gaps between the teams won't get any bigger. And I don't expect more overtaking, especially not under braking. The braking distances of modern F1 cars are just too short to make a big difference.
It's flattering to make a picture which becomes a classic within 10 years; it's not so flattering, however, when people get the impression it's the only picture you've ever made.
Vision - It reaches beyond the thing that is, into the conception of what can be. Imagination gives you the picture. Vision gives you the impulse to make the picture your own.
I wanted to be an Ailey dancer. I would watch Alvin Ailey videos over and over, and I'd picture myself doing that. I was obsessed with it.
My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture.
Nothing had changed in my routine, except that when I went down the chippy and got me special fried rice, it would be wrapped in a newspaper that had my picture all over it.
The marketing costs are insane now. So even if you've got a picture like 'Flipped' which cost under $14 million, or $13.5 million, you're still going to spend on an national basis, if you release with a good national release, you're still going to spend, you know, $30-$40 million.
The reason they don't make movies for adults and for people which are the largest bulge of the population is because they are not usually going to the movie the first weekend. They take a while to learn about it, probably word of mouth. It takes a lot of money to release a picture.
'The Missing Picture' came together slowly, after much provocation and by refusing different forms, until I finally found the right form.
The Khmer Rouge tried to delete everything. They tried to erase our past, our personality, our land, our sentiment. What we tried to do in 'The Missing Picture' was to reconstruct our identity, to bring it back to the people through cinema.
The picture of me as a child is that I was always with a ball - that's why I was so skinny: I would miss dinner. Mum would have to leave me some food in the microwave.
I like having my picture taken and being a glamorous person. Sometimes when I find myself getting impatient, I just remember the times I cried my eyes out because nobody wanted to take my picture at the Trocadero.
MPC, Moving Picture Company, they're really excellent, they did the majority of the effects.
Let me see the 'Cuban missiles on the island' picture. Trump needs to see it before networks need to see it.
If you ever plan to run for office, if you're a teenager, remember everything you do, every tweet, every Facebook posting, every picture you put on Instagram will be there forever for journalists and politicians - for your competition to dig up.
My first crush was Hayley Mills when I was a little kid in England. I used to kiss her picture goodnight.
The usual picture of Socrates is of an ugly little plebeian who inspired a handsome young nobleman to write long dialogues on large topics.
When I did 'Shaft', I was so happy to be working and to have been a star of a major motion picture, I had no idea or concept of where it was going to go, and it turned out to be this huge film. That was the icing on the cake.
I really like science because it seems to be that place where you get the big picture, everything connects.
I think, as a writer, you see the big picture, and as an actor, you're thinking of all the minutiae, all the very small details.
'Birdman' is basically 'All About Eve' - the 1950 comedy about rehearsal rivalries in a Broadway show, and another Best Picture laureate - reimagined as a Batman suicide mission. The movie couldn't be actor-ier.
'The Sound of Music' did more damage to the industry than any other picture. Everyone tried to copy it. We were the biggest offenders.
When you're doing a film, it's your film and it's, you know, your blood and - is in it along with everybody else's, and it's the greatest picture ever made when you're shooting it. It's only after the critics and then the public say you were wrong that you realize that you were wrong.
A photographic portrait is a picture of someone who knows he is being photographed, and what he does with this knowledge is as much a part of the photograph as what he's wearing or how he looks.
If each photograph steals a bit of the soul, isn't it possible that I give up pieces of mine every time I take a picture?
When coal came into the picture, it took about 50 or 60 years to displace timber. Then, crude oil was found, and it took 60, 70 years, and then natural gas. So it takes 100 years or more for some new breakthrough in energy to become the dominant source. Most people have difficulty coming to grips with the sheer enormity of energy consumption.
When coal came into the picture, it took about 50 or 60 years to displace timber. Then crude oil was found, and it took 60, 70 years, and then natural gas. So it takes 100 years or more for some new breakthrough in energy to become the dominant source.
Lots of kids, including my son, have trouble making the leap from reading words or a few sentences in picture books to chapter books. Chapters are often long... 10 pages can seem like a lifetime to a young reader. Then reading becomes laborious and serious. That's why some of the chapters in my books are very short.
What counts is putting the intensity that you yourself have experienced into the picture. Otherwise it is just a document.
The megapixel war in conventional cameras has been a total myth. It's taking us all in the wrong direction. Once a picture goes online, you're throwing away 95 to 98 percent of those pixels.
Unlike regular digital or film cameras, which can only record a scene in two dimensions, light field cameras capture all of the light rays traveling in every direction through a scene. This means that some aspects of a picture can be manipulated after the fact.
I loved photography but was frustrated by the limitations of cameras. When trying to take a picture of a friend's young, active daughter using my DSLR, it was impossible to capture the fleeting moments.
For low light, all the light rays participate. We're using all the light coming through a large aperture to make a picture with a large depth of field - totally impossible with a conventional camera.
Camera 1.0 was film. Camera 2.0 was digital. 3.0 is a light-field camera that opens all these new possibilities for your picture taking.
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