Robert Rauschenberg Quotes

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The artist's job is to be a witness to his time in history.

You begin with the possibilities of the material.

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Well, I like way downtown near the Battery. I lived down there at this time and for, I guess, the following well, this is where I moved to uptown and I've been here for four years and this is 1965.

Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.

There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured, struggle, pain.

The only thing that I could get with chance, and I never was able to use it, was that I would end up with something quite geometric or the spirit that I was interested in, indulging in, was gone.

So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design.

Pollock also... wanted one to be wrapped in the painting.

Oracle was I had started it I guess two and a half years ago, maybe even longer than that, closer to three.

One can see that a canvas is six feet by eight feet, say, quite accurately. But you can spend two minutes and think it's five, or thirty seconds and it's just a different bed for activities there.

If you don't have trouble paying the rent, you have trouble doing something else; one needs just a certain amount of trouble.

I'm sure we don't read old paintings the way they were intended.

I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.

I wouldn't use the same color in a picture in more than one place.

I think maybe chance works better in a situation like music because music exists over a period of time, and you don't maintain constantly the you can't refer back from one area to another area.

I think a painting is more like the real world if it's made out the real world.

I got so I was really just sick of sculpture.

I don't think any one person, whether artist or not, has been given permission by anyone to put the responsibility of the way things are on anyone else.

I don't mess around with my subconscious.

I did a twenty foot print and John Cage is involved in that because he was the only person I knew in New York who had a car and who would be willing to do this.

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