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I watch every horror film that comes out in theatres. I watch every horror film that's on Netflix.
Countries like France should not be naive. We don't have a French YouTube or Amazon or Netflix.
Netflix is a better company with more upside than we had given it credit for than when we shorted it.
Youku Tudou is a hybrid, like combining Netflix and YouTube. Like Netflix, with Youku, which launched in 2005, we syndicate a library of longform content and create original content. The Tudou model started with user-generated content but is increasingly becoming about partner-generated programming.
The subscriptions were working so well, and on top of that, we saw the success of Netflix and Spotify and thought, 'We can create a similar kind of experience for books.'
Let's be honest, Netflix has stepped up its game up. It seems to have a lot more of an assortment of stuff.
There are so many entertainment options - Netflix, Amazon, Hulu - and especially for younger people, who are Internet-savvy and video game fans.
I've personally unsubscribed from Netflix twice because I've been frustrated with changes in their catalog.
The two things that got everyone's attention about the 'House of Cards' deal was the two-season commitment and David Fincher. After David Fincher directs a series for Netflix, no one else can say, 'Well, I'm not going to direct a series for the Internet.'
'Walking Dead' has done great on Netflix, but to pay for the full output deal just to get 'Walking Dead' didn't make sense.
The longer people watch Netflix and the longer they stay members - they're the criteria of success for us.
Typically on a TV series, the writers on a show are writing for their life almost every episode. When someone sits down to write a Netflix show, they know there's going to be a 13th hour.
In the first week of release, 'Beasts Of No Nation' was the most watched movie on Netflix, in every country we operate in.
Netflix is distributed in 50 countries around the world. It's an incredibly affordable, well-distributed product that gives anyone with access to the Internet and a screen access to content in a very affordable way.
There was no DVR, no Netflix, and no binge-watching. We didn't even have a VCR till I was nearly out of high school.
Aziz Ansari was on 'Parks and Recreation' for, I don't know, what, seven years? And he was a really popular stand-up comedian. He even says that his Netflix show wouldn't have gotten made unless he created it himself. No one was probably willing to put someone like Aziz as the lead in a show until he actually created it himself.
People have more options to watch quality, professionally produced video than ever before, and they are using those options - whether it is DVR, Netflix or Hulu.
I love the NBC comedies. I DVR 'Parks and Recreation,' 'Community,' 'The Office,' '30 Rock.' I love most of the HBO shows. I love 'Archer.' 'Archer's a great show. I'm big on Netflix; I've seen every episode of 'Freaks and Geeks.' We need more shows like that.
I've been watching a ton of Ali Wong on Netflix. I love everything she does - there's a fearlessness about her.
When we had free time in the Olympic Village, we got massages and rested while watching Netflix.
I was the Chair of the WIFF Foundation, which is the philanthropic arm of Women In Film. The foundation runs the several programs including one that provide our film finishing fund. So we help women complete their films with a grant from Netflix. It's great to be associated with award winning films like 'Freeheld' and 'Circumstance'.
I'm a huge 'Game of Thrones' fan. I'm really into the 'Colbert Report' and 'Last Week Tonight.' And I really like to get on Netflix and watch, like, TV documentaries about: What happened to the mastodon? Or who was Jack the Ripper?
I guess I can't live without Netflix because I would have nothing to do. All I do is sit home and watch movies.
If you're a true MMA fan, you're going to want to have Fight Pass the same way TV and movie fans have Netflix.
I would love to do a love story or a socially relevant drama. Something on the lines of Netflix originals. I would love to explore the big screen, too.
I like doing firsts and 'Love per Square Foot' will be the first ever Indian movie to premiere on a digital platform. Netflix saw the movie, loved it and proposed that we premiere it with them.
The quality of American patents has been deteriorating for years; they are increasingly issued for products and processes that are not truly innovative - things like the queuing system for Netflix, which was patented in 2003. Yes, it makes renting movies a snap, but was it really a breakthrough deserving patent protection?
I think there's a time and place to watch an independent film, or catch up on a French action film on your laptop, or Netflix it, or download it, or watch it on-demand. But I think we also have to maintain the sacredness of the movie theatre as church - especially with event screenings.
I have a real problem now when I go onto Netflix: it takes me a half hour to pick something out. They've got to figure something out, whether it's their algorithm... Maybe if they had it curated like a video store: 'Will Ferrell recommends this movie' or 'Jennifer Lawrence recommends these 10 movies.'
Netflix and Amazon know when you stop and start a program, whether you wanted the whole thing, all of that.
I founded Netflix. I've built it steadily over 12 years now, first with DVD becoming profitable in 2002, a head-to-head ferocious battle with Blockbuster and evolving the company toward streaming.
We have a very wide range of content, but the brand-newest movies, what's happening with those is a $30 pay-per-view option - not from Netflix but from DirecTV and others - of movies that are in the theater.
It turns out that all Netflix streaming peak on Saturday night can fit inside a single fiber optic, which is the size of one human hair.
Comparing Apple to Netflix is like comparing apples to oranges, especially if the oranges made so many mistakes that people stopped eating oranges and just went back to Blockbuster.
It is clear that for many of our members two websites would make things more difficult, so we are going to keep Netflix as one place to go for streaming and DVDs.
There is a revolution happening, and within two years I think that Wi-Fi and Netflix will be built into all the televisions.
With Netflix here, more shows will be dubbed to reach as many as eyeballs as possible.
The idea of a streaming service, like Netflix for music, I'm not totally against it. It's just we won't put all of our music on it until there are enough subscribers for it to make sense.
All business leaders need to be technologists, as every industry now has a Netflix or an Uber on the horizon, threatening to upend business as usual. Apps are driving this disruption, and every enterprise needs to become an app company.
Britain in 2018 has the feel of a Netflix drama approaching its season finale. It's the classic 'how on earth does anyone get out of this one?' kind of cliffhanger, with all of the key protagonists confronted by their nemesis.
I guess people just like Netflix. And they like rom-coms, and I was fortunate enough to book two random ones that got sold to Netflix.
I am excited to be a part of Netflix's 'Maska.' We have a stupendous powerhouse of talent.
Netflix isn't available internationally all the time, but the NBA is. It's nice to have something that feels like home.
I just got an iPhone, which is cool, but I don't download movies, I don't watch Hulu, I don't have Netflix. I don't do any of that. But I do geek out to music.
We have more tools at hand, literally, to make life easier and more productive than ever. We have Google, Wikipedia, iPads, iPhones, iTunes, YouTube, Netflix, and 600 cable channels. We can shop, pay bills, order food, and get nearly everything delivered, all of it with the touch of a finger on a device in the palm of our hand.
When 'Toast' got on Netflix, I noticed a difference. It was something I thought that only myself and a few people would find funny, and suddenly it's on a very large platform. Now it kind of belongs to everyone.
Back in the early days at Netflix, it wasn't unheard of for me to tell prospective hires that I could see our stock going to a hundred dollars someday.
People just don't sit down and watch shows live anymore. They DVR it. They stream it; they watch it on Netflix or iTunes.
Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
Anybody that doesn't like Netflix, that's like saying you hate Santa Claus.
'Okja' I don't think would have been made if Netflix hadn't made it. That, to me, is a much bigger thing than whether someone watches it on a big screen or a phone. Because it simply wouldn't have existed otherwise.
'Mad Men' was one of the first shows where Netflix was the first syndication window.
I'm an Amazon Prime member. I subscribe to Netflix and Hulu, and they have great user interfaces and some excellent original programs. But what truly distinguishes all three of these services is the utility of their vast libraries of acquired content, which also is a part of what makes each a platform, even if it has a 'house brand,' too.
My children do not know what it's like to flip around channels. They either go to Netflix, Apple TV, or they pull up YouTube, and they can watch their shows.
To my way of thinking, passive management of file assets is okay for screwing around with iPads, where we're mainly watching TV on Netflix or obsessive-compulsively checking the popularity of our Instagram uploads.
In the old days you could do re-runs, and people would have to watch that because there's nothing else. But with Netflix and Amazon, Hulu, Xbox, as well as premium and regular cable, it's very hard to do that.
The digital component is enormous in not only wrestling but all of entertainment. Every day, you read a new blog or article on Netflix, Hulu, this program and that program. It's where everything is heading.
It's so amazing that you can give somebody like David Fincher 'House of Cards,' and he can do whatever he wants - Netflix doesn't say, 'Oh, you can't do that,' or, 'We need a subplot here about this.' It's pretty neat that it is allowing the creatives to be creative.
The Canary Islands offer special incentives to companies looking at potential filming locations, so it was only logical for me to help the local government make connections with major U.S. film studios like Universal, Fox, Sony, Disney, Paramount, Time Warner, 21st Century Fox, CBS, Viacom, Comcast, HBO, Netflix, Warner Brothers etc.
There's no question that the Internet generally, and Netflix specifically, upended the traditional content-distribution supply chain and caused profound changes in the entertainment industry.
While there continue to be critics of the Comcast-NBC merger, it's hard to argue that competition in news and entertainment has diminished as a result, given the rise of Netflix and Amazon and the explosion in entertainment options that followed the merger.
With a free afternoon, I'd probably put on a onesie, find something like a really dark, uncomfortable documentary on Netflix, and order pizza with a lot of ranch on the side.
Being Latino in this market, in the past 20 years, I hadn't gone out for the white dude next door, but Netflix had that vision. Netflix is changing all of that, not only in the production aspect, but they're trying to include everybody.
I see us continuing to expand our contracts just as we've done with Netflix and with Telemundo. We are not just bound to the traditional employers that we've had in the past.
I don't watch a lot of T.V. I only watch things via Netflix, so I only watch the things that I'm choosing to watch.
One of the great things about working for Netflix is that they haven't placed any restrictions on content or artistically.
Thanks to Netflix and Hulu, people are getting more and more used to consuming longer stretches of content on their televisions or computer screens.
I guess with a Netflix show, if you're a kid, it's all dependent on how you're raised and if you have access to it.
I usually just watch YouTube videos or reruns on Netflix of older TV shows like 'Family Guy' and stuff. But I still really want to start watching more TV.
People don't wish to watch masala films of the '50s any more. Audiences do not want loud films at all. They are watching Netflix and Amazon that have fresh ideas.
I really want to expand with movies and I would love to land on a TV show, like a Netflix original series, that would be fantastic.
On Netflix and other streaming services, they're taking risks that are based on 'Come with us! Come with us!' and the audience does.
I draw, paint, crochet, sew, embroider - anything productive I can do with my hands while watching Netflix.
Netflix is so amazing because they take chances. They'll take a risk, be edgy, be quirky.
I fall asleep to a movie every night! I don't have a go-to movie, but I like Netflix or whatever I can find. Usually, it's just noise in the background; I think it's damage from living in New York, where it's so noisy.
I actually can't watch blood and gore and all those things. I watch Netflix shows with my hand over my face, like, peeking out. Which is funny, because I'm on sets all the time, and I know how those effects are done.
I try to read, but my attention span is so bad, and ever since Netflix was invented, that's all I do in my spare time, which is really bad, but it's like a chore to read for me.
Most of the best writing, the most creative writing, the most interesting, the most out-of-the-box kind of stuff, is being done on cable, you know, and on the computer. I mean, whatever it is, Amazon or Netflix or something. Because they're just willing to take chances, you know, and there's a market for it.
New platforms are emerging: Netflix, Amazon, Hulu and Xbox. And film actors are gravitating towards television, because there are basically better roles there. Television is making the kind of epics and genres that the movie studios used to make, and often doing it better with more complex narratives and corresponding budgets.
Netflix sees people as users or subscribers or customers. Historically, networks have seen people as viewers.
The Netflix thing with Nas is more of a documentary, where we kind of… talk. We go to my neighborhood. You get to see where I'm from and all that. And then, I'm in the studio with Nas.
I love the place 'Clone Wars' has on Netflix; it's very accessible, and I think it's great.
Because I've worked with Netflix from the beginning, and that's my first job, I only want to work with creators, producers, and networks that are pushing the limit and putting people on the screen that haven't had their stories told yet.
That's very, very important to me, to give another narrative. And Netflix has not been afraid of doing that, as we see from the plethora of shows that they have, from British shows to American shows like 'Master of None,' which I've been very grateful to be on, too. Just giving platforms to people who haven't seen themselves on TV.
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