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I have one thing to say about the mental asylum. I've romanticized two things in my life, and both have fallen short. One is being in a mental asylum. Really, really not as fun as you think it is.

I do feel like anything benefits from character logic. That can be from the dumbest ad to the greatest Shakespearean drama to the silliest 'Saturday Night Live' sketch. There is a certain specificity in detail, which you can get when you're paying attention to stuff like that.

I'm just trying to give the best human expression that I can to any particular genre, which could be comedy, could be drama, could be horror, could be thriller.

Social media should be more like a cocktail party than anything else. You can have your fun jokes, and you can also express yourself and your beliefs. It's a conversation, not a sledgehammer.

Netflix sees people as users or subscribers or customers. Historically, networks have seen people as viewers.

There are certain societal laws that are just accepted, things that are arbitrary. I think the fun thing about psychotics is that they question that. It can be very freeing... like, my ego or my individuality trumps society's law.

One of the things about having played a lot of villains is... I don't have the same experience of someone who maybe has been a leading man since they were 22 and therefore looks at certain things in a character to romanticize themselves. I actually very much embrace the bad stuff.

I think people feel like other people are very different from them... And that people who are different from them are actually sort of unworthy of the same rights or empathy. I don't understand that.

I think that storytelling, at its essence, allows us to feel like we all suffer the same insanity or a similar insanity of existence: that nobody escapes scot-free. We're all going to wind up - at the best-case scenario - 80, 85, 90, broken, in pain, and feeling like it was all a dream and not really understanding the point of any of it.

I am a dude who is meant to be on a couch in New York City thumbing through magazines.

I want to bring love handles and eating sandwiches back.

I'm terrified of the ocean. I think it's beautiful and magical, but I never go in. That deep, dark water, with no understanding of what goes on behind it - I think that's a metaphor for a lot of things.

I'm terrified of the unknown, which is a driving force for me. I like this idea that the things that terrify us also draw us in.

I feel like the most human among us are the weirdest among us. Those voices can be the most creative and the most special. You look around at your parents, your friends, your aunts and uncles, and you realize nobody is normal.

People who are deep thinkers, who have sort of a weird way of looking at the universe, are wildly attractive to me.

One of the things I've been interested in my whole career is exploring masculinity and what it means to be a man. The sensitivity of a man, but also the violence and power that goes along with it.

The interesting thing about my career is for years I was trying to do that thing of getting in shape and looking cool - I would look at myself in camera angles and think how my chin looked the best and all this stuff. And I really couldn't get that much work.

When you push and pull heavy things, your body thinks it's going to die, and so it's like, 'I better get bigger, in case we do that tomorrow.'

Those Duffer Brothers really know how to tell a story, and I think it makes you want to watch. 'Stranger Things' is remarkably watchable.

There is a lot of good television out there, stuff that is better for you than 'Stranger Things,' that, critically, people would be like, 'This is an important show,' but I would press you to find a show that's more watchable. That's hard to do.

If you want to really get in shape and get strong, there's these things called 'sleds.' You take a weighted sled, and you just push it across the floor, and then you drag it back. And, basically, if you do that for 20 minutes a day, you'll look like Arnold Schwarzenegger. If you put enough weight on it, it's the hardest thing in the world.

What I'm dealing with in 'Hellboy' is a lot different, bigger in a certain way. It's very Shakespearean. It's demons and witches and stuff like that. But it has a similar core to a dude who's trapped in horrible circumstances who's just trying to be a good guy.

I was diagnosed as bipolar.

At the end of the day, my biggest fear in life is that I'm gonna wind up being an actor who plays the dad on a TV show like 'Full House' or 'Small Wonder' or something - I'm, like, the desexualized dad in the show 'Alf.'

I'm a man. I'm not gonna wear dad jeans or whatever you call them.

With 'Deadpool' and 'Logan,' they are trying to do different things.

I did this movie, 'A Walk Among the Tombstones' - I truly play a horrible, horrible individual in that - and I would occasionally go to the theater and watch what people's responses were, and they would laugh. He makes jokes, and people would respond to him in a human way. Then I've really done my job if I've humanized a really horrible person.

In a sense, human beings are human beings. Their feelings of aloneness, of brokenness, their feelings of hurt and disappointment, are universal. It's the ways they choose to act on their feelings that separates them.

At the end of the day, what I try to bring to villainous characters is a sense of humanity.

I love taking people on that journey, which I feel like can open them up to seeing human beings a little more complexly. People that you originally don't like, maybe they have reasons for the way they are, and maybe we can start to understand each other a little better as opposed to being quick to judge and dismiss people.

I'm around 6'4' and 240 pounds. So I rarely feel that intimidated by other men. But I've got to give it up to Terry Bradshaw. That guy is a complete bulldog.

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