Listening Quotes
Most Famous Listening Quotes of All Time!
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I honestly grew up listening to the Stones more. But that doesn't mean I don't love the Beatles.
Prestige podcasts, like prestige television shows, tend to have an audience that believes itself literate, well-informed, and reasonable. Listening to podcasts, in this model, is a form of virtue.
I grew up listening to 'Planet of the Apes' and other scores, and it was fun for me because you weren't just listening to those scores, but you were also questioning what you were listening to. What are those sounds?
I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.
I'm not super aware of what's the coolest thing and what everybody's doing or listening to or watching at any given time.
Growing up, I didn't really like folk music - I wasn't a fan of Bob Dylan. I grew up mostly listening to rap and hip-hop; it was this new form of music.
I actually grew up break-dancing. When you break-dance you listen to hip-hop and rap, so I've been listening to that music since I was a kid.
I was listening to a lot of math rock-y type bands do lots of complex stuff and I couldn't figure out how they were doing it. Then I realized that sometimes they were finger tapping, so I started messing around doing it.
Me and Kurt Cobain were both listening to a bunch of Lead Belly and diggin' it. We thought, 'Let's do an EP of all Lead Belly songs.' We did a couple, and both of us were like, 'Nah, this is a bad concept.' We set it aside.
I find it creatively satisfying to write material and say it out loud in a public place, whether or not anyone's listening.
I remember listening to 'Maniac' and running around and thinking I'm going to be somebody someday.
The whole '400 Degreez' album was inspired by what Outkast was doing, Organized Noize. That was what I was listening to around that time.
Culturally, I remember listening to Salil Chowdhury's music for Malayalam films. Many Bengali actors have worked in our films, too.
Angus and I had silent dreams about playing in a band since we were kids, always playing our guitars and listening to records.
I've always been a poet. My dad went to Lincoln University with Gil-Scott Heron, so I came out of the womb listening to Gil-Scott Heron.
I listen to a lot of different things. I'll be listening to prog rock, then the next couple of hours - Indian.
Before I even started listening to rap music, I was really into metal and punk.
I grew up listening to loads of afrobeats; my grandad's Sierra Leonean, so that was always around. My mum loves those kind of beats, too.
Growing up, I was listening to a lot of Metallica, a lot of instrumental guitar music because I started out as a guitar player.
I was listening to Jimi Hendrix; I just admire his artistry and creativity as an artist.
I've been listening to a new band called Wolf Alice, courtesy of my son. The vocalist, Ellie Rowsell, has a gorgeous voice.
Ninety-nine percent of singing is listening and hearing, and so then 1 percent of it is singing.
You have these kids trying to make these grown up decisions because nobody is talking to them. We're talking at them, but we're not listening to them.
Oh, my gosh, I'm listening to everything from Bruno Mars to Beyonce, to Arthea Franklin and Patti LaBelle.
Listening to the Beatles' music figures into pretty much all of my childhood memories.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
I listen to classical music very much. There's a lot of jazz that I don't enjoy listening to.
I grew up listening in awe to stories of their wartime adventures. My granny, Joan, was a journalist and wrote amazing letters to my grandpa when he was a prisoner of war, while my nana, Mary, was a Land Girl, then a Wren. They were so independent, resilient and glamorous.
To be honest, accents are one of those things for me, personally, that usually come quite naturally by just listening to the people.
Listening to soft music and the sound of the ocean is quite relaxing to me.
I'm usually listening to Sirius Satellite in the morning. 'The Heat' usually plays good music.
I'm convinced there are a lot of couples who have got together while listening to my music. My songs are not exactly unsexy.
I am listening to a book by the guy who founded Nike, and I can relate to it. He struggled.
My romantically favorite era is 78, 79 listening to Grandmaster Flash and the Furious 4, the live tapes, echo chamber and break beats.
When I was a kid I was always listening and singing along to Disney compilation CDs.
My mum and dad used to listen to a lot of R&B and soul, so this was the way I grew up. Hip-hop, of course. But then as I grew older, I started listening to everything.
After my grunge phase, I started opening my horizons and listening to more electronic stuff. I got into Radiohead, specifically 'Amnesiac' - my brother gave me that album.
When I was growing up listening to music, it was 2004, when The Starting Line and Finch and The Used were kind of my favorite bands.
I'm not the kind of guy who can be sitting around listening to Joni Mitchell, chilling. I'd rather bash my head against a wall.
Listening to Bikini Kill's Kathleen Hanna gave me the confidence I needed to get up on stage and be photographed every night on tour.
Connecting with Canadians isn't about what you say, it's about what you're listening to. It's about what you understand.
The falsetto stuff, it must be a reaction to the black gospel singers that I really enjoy listening to.
You can detect a hostile listening or a bored listening or a tired listening or an excited and engaged listening.
I had phases of listening to rap and trap, and then I had phases where I'd listen to post-hardcore, rap, grunge, metal... all that. I had different time periods of listening to different music. And now it all clashes together.
In difficult moments, champions come through, and not by listening to what is being said.
I have a weekly playlist on Spotify called Mixtape Mondays. So every Sunday night, I sit around listening to tunes to place. It's becoming my favorite part of the week.
I didn't grow up listening to musicals. I sang coritos or Spanish spiritual songs and was raised on gospel singer Kirk Franklin.
I grew up listening to the greats of the '80s and, thanks to my parents, the '70s - the Doobie Brothers, Stevie Wonder, Ray Charles, Luther Vandross, Lionel Richie.
I've been getting into different gospel artists; Aretha Franklin is someone I've been listening to a lot of.
Instead of the Beatles and the Stones, my mum and dad were listening to Michael Jackson, Barry White.
On first listening, Joni Mitchell's 'Court And Spark,' the first truly great pop album of 1974, sounds surprisingly light; by the third or fourth listening, it reveals its underlying tensions.
At least the rap metal stuff is good, but it's not really my bag. I've been listening to the radio since we've been touring the past month, because we don't get it most of the time.
'Boomerang' is all about coming back from the hate and not listening to the hate. It really tells a message.
If you're in a successful band, you tend to fall into a role. But I'm not remotely laddish. I'm a grown-up. I'm vegan and teetotal. I run 50 miles a week, listening to Franz Ferdinand and the Four Tops at top volume.
I was 8 years old when I started listening to Lynyrd Skynyrd and Bad Company and Led Zeppelin.
The acquisition of knowledge need not be like listening to the Gregorian chant.
Peter Breggin, an American psychiatrist, had been criticising SSRIs since the early 1990s. He wrote 'Talking Back to Prozac' (1995) to repudiate psychiatrist Peter Kramer's 'Listening to Prozac' (1993) - a bestseller which claimed that Prozac made patients 'better than well.'
A majority of American citizens are now becoming skeptical of the claim that our carbon footprints, resulting from our use of fossil fuels, are going to lead to climatic calamities. But governments are not yet listening to the citizens.
I've been listening to jazzmen, especially saxophonists, since the time of the early Count Basie records, which featured Lester Young. Pres was my first real influence, but the first horn I got was an alto, not a tenor.
But I've been freestyling and messing around with rhyming since I was 13. That's when I really started listening to hip-hop music.
I grew up listening to Barney Kessel and Wes Montgomery, Kenny Burrell, guys with blues backgrounds.
I had three older sisters whose record collections I borrowed, so I was listening to The Velvet Underground as well as Bach and brass band music.
I don't spend much time listening to the records when they're done. Usually I let go of it. Especially in the Eighties and Nineties - they were like product, almost.
I've spent the last year listening to Americans, and the state of the union that George W. Bush lives in is very different from the state that most hardworking Americans are living in.
Listening to John Bonham is just a sheer celebration of his playing - it can't help but fill you with so much joy.
I have been training since 8th grade, but it has to do with listening, more than practice.
R. Kelly is one of the pioneers that I grew up listening to. If he's classified as an R&B artist, then I want to be like that. I don't want to have limits either.
Writers have to have a knack for listening. I need to be able to hear what is being said to me by the voices I create.
I was listening to all those lyrics and trying to take in everything that was happening. I was completely excited. It was one of the greatest times that I had listening to music.
I was raised listening to, like, Jay and Big and Pac, Cassidy, Ludacris, even some of Drake's stuff.
I've been hearing what a lot of people been doing and what a lot of people been putting out musically, I've been listening.
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