Jonas Blue Quotes

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When I was seven years old I played the flute, then by 11 I quit being a musician and got into Djing.

I've always wanted to be a star.

I don't drink or party. There's literally no time for that. As soon as I finish a show, I go straight back to the hotel room, do emails, I sleep, that's it.

I try to find very simplistic melodies, which are the hardest ones to create.

I don't get along with many people, especially in studios. I'm quite blunt and I know what I want - and songwriters are very sensitive people.

It's the worst feeling, going into your record label when you haven't got a hit. It was like: 'Maybe you've lost it.' And, once you're done, that's it. There's no support, or anyone to help you.

I'm a little bit of a show-off; I just wanted to get girls and be popular.

I saw school as a business and, once I had got what I needed out of it, I left.

I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.

If I'm honest, I never knew 'Fast Car' was going to be my first single.

The one thing about Essex is that there's a lot of people there that are into their soul music. And I'm talking '80s and '70s soul music, that was a big part of my childhood, there was Al Green, Luther Vandross, Stevie Wonder, people like that.

At times, for sure, I do love a party. However, I do love going back to my room and putting on 'Only Fools And Horses' and having a cup of tea.

I think the best thing about performing as producer is to hear the fans sing along with your tunes.

As much my music is dance music, it is also pop.

The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor.

My version of 'Fast Car' is in the same key as the original. To me that is where all the emotion lies.

I've been writing since I was 12 years old.

I come from a songwriter background, so essentially with my music, I'm trying to make songs that will last a lifetime and although 'Fast Car' was a cover, it reflects what I'm trying to do.

Trying to write new music is definitely daunting, but I try not to overthink it.

The concept of 'Blue' is to transport its listeners to a different world with music. And I chose to release a full-length album because it enables me to experiment with many different production styles, not just a single sound, and take listeners on a journey.

It's great to see Latino music coming to the mainstream, but at the same time, there are also a lot more styles to explore: African music, Indian music, Chinese music.

My music is very global.

I grew up with all different genres of music, and I want to include that in my production as well.

Well after 'Fast Car' was so huge, everyone was asking me, 'What's the next song?' At the time I just had ideas I was working on, but it was very clear I needed to finish another song ASAP, and that's how 'Perfect Strangers' came about.

To be honest, I'm like a sponge so my inspiration and influences really can come from anywhere.

Obviously the music I listened to growing up helped create my musical pallet. My parents were into pop, soul, disco, RNB, Latin, jazz and Middle Eastern music.

I love touring, it gives me the ability to see the world and meet some amazing people who are into my music.

What is pop music? It's not a genre. It's just the music that is popular at a given point in time.

Instead of the Beatles and the Stones, my mum and dad were listening to Michael Jackson, Barry White.

I know it sounds weird for a 12-year-old to say that he wants to start writing songs, but that's what happened.

Even when I'm travelling - which is when I do most of my writing - I have a little portable keyboard.

I find in America, actually, I actually prefer it because it's all about energy. It's all about making everyone feel happy and smiling. In the U.K. sometimes people are a bit too concerned about, 'Did you play that track? Did you play that track?' It's not so much about the music in the U.K.

Before I hit any country I always do my research. I look at what's on the chart there, what's worked in the last few years. As a deejay, as a producer, that's when I get editing. I bring my own edits of tracks that are really cool and happening out there.

I'm really not one of those deejays who go, 'I play music that I like.' I play it for the crowd. I believe that's what a deejay should do.

That's the whole part about being a deejay: You've got to make sure you are prepared. At the end of the day, you do have your genre - house music, dance music - but there are many different ways of playing that.

I try and have two to four days a month to just be at home.

I was a bit of a hot head when I was younger so I used to burn a lot of bridges.

I'm very close to my family but this life moves so fast. Coming off stage, you're so tired so forget to make the call or send the text. By then five days have gone by and you haven't spoken to your family.

My mates are absolute nutters. They're all Essex boys in the true sense and they definitely keep my feet on the ground.

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