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Songs seem to always spring from improvisation.

We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood...

I've been sort of writing sketches for songs on my own forever and putting them down on cassette tapes. Yet for years and years and years, my main songwriting outlet was as a member of Sonic Youth, and for most...

Bands rise and surface in the British press so regularly that, for the most part, unless something really catches my ear, I feel like, 'Oh, if they're still around in two years, I'll see what they're up to.'

I absolutely love Las Vegas. I've been there a bunch of times on my own.

It's easier to write about a celebrity, a personality, than it is to dig in and write about the music.

We used to have endless discussions with journalists about that: 'Why are you calling it noise? It's not noise, it's music,' and make references to everybody from John Cage to whoever.

We always operated within a sense of community not just about the band. It's important to the way we define ourselves. It's the entire world in which we operate.

The Strokes will never get anywhere after that first record.

What Nirvana's success means is that certain radio stations now have their ear more cocked to bands like us; they're more open to playing more stuff.

Sometimes it takes us a long time to build up songs, and we really work the structures over and over and build in lots of noisy parts.

'Daydream' brought us to the top of the heap of the indie-college market and recognition by all of our peers; 'Daydream' kind of capped off everything we set out to do when we started as a band, in terms of,...

Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about...

I guess I see 'Goo' half as a really New York record because I think there are a lot of really particular New York references on it, but I also see it, for us, as the first of our records...

Signing to a major label was an experiment for us. It was a challenge: working in a big studio with a producer was a challenge in a lot of ways. It all shaped what the band went on to become...

I'm just old enough to be able to say I got those very first Beatles records right as they were hitting America. My father brought them home. It was definitely the earliest musical influence on my life, and still one...

Listening to the Beatles' music figures into pretty much all of my childhood memories.

'Europe '72' was a super influential record full of fantastic songs and amazing experimental musicianship. I always valued both of those aspects in what Sonic Youth has done through the years - being able to get very abstract and very...

When I was in the first years of university, I fell in more with the visual arts crowd because it was more interesting than where music was.

'Europe '72' came out right around the time that I started going to see the Dead, and it had a huge impression on me.

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