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But I've never been really rebellious. I've got a lot of support and I'm not pushed so hard that I feel like I'm going to burn out, which is what happens to a lot of actors in their early twenties.
I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.
When I am writing, and occasionally achieve single focus and presence, I finally feel that is where I'm supposed to be. Everything else is kind of anxiety.
I just want to keep being creative, and I want to feel inspired by a role, and I want to keep acting.
I love experimenting with make-up colours, using them in unique ways and doing wild things, because on a day-to-day basis, I sometimes feel mad - but in a good way.
I think she's great because she - the choices are mine, essentially, and she's just there to guide me. She's my manager, but I feel like she's more of a mom. Although she helps me with certain things, she's still my mom.
I feel like I write songs for the future or something. Not in an arrogant way, but I feel like maybe my songs were, like, before their time or something.
America saw me as a projection of me that I always wanted. That's why I love going to America so much. I feel like I started off in America exactly how I wanted to start everywhere.
It's interesting because with a lot of people who I've met in comedy, it seems not to matter what your background is. In terms of formal schooling - I feel like that's a nineteenth century term - but in terms of where you went to high school or college, or wherever, all that really is irrelevant, I have found, in comedy.
I love, love, love, love, love, love Naeem Khan. Every dress he makes looks like it belongs in a museum. You put it on, and you feel like royalty.
I didn't want to get into acting just to play bystanders. I feel a bystander enough in my own life. And I do think that theatre can contribute to a certain analysis and commentary on our own world.
The only thing that made its way to actually happen for me was acting. I love it, and I love being on set. I love being in rehearsal for things and telling stories. It's what I feel I am supposed to be doing.
Everyone's been so great, and the fandom is so huge and passionate and dedicated. It really is great to feel so supported.
EMILY's List has worked a lot with swing women voters over the years, and one thing we've learned is that they are very cynical about politics and politicians. They very much want help with the challenges facing them and their families, and they feel like most politicians don't understand or want to lift a finger to help them out.
I'm very comfortable in the air. And if you're really in love with flight, you're in love to a certain extent with being outside of the body, not grounded. The problem is, if you're not in your body, you can't actually feel anything particularly authentically.
I'd hope to reach any kid who feels apart from the group - those who seem to be outsiders, who feel different. Kids who want to reach their parents often don't know how to do so.
Being an astronaut is a wonderful career. I feel very privileged. But what I really hope for young people is that they find a career they're passionate about, something that's challenging and worthwhile.
Certain travellers give the impression that they keep moving because only then do they feel fully alive.
Eating well isn't about dieting or deprivation, so you shouldn't feel that you're bound to certain rules.
I don't make big promises about losing weight or anything like that. I just suggest things that people can make to make them feel good.
I feel like that's so ingrained in so many children that you are so confined and repressed growing up that, anything you do, you have to rebel against it at some point.
I don't want to make any general statements, but I feel like so many stories that are presented as being about humanity and human emotion are just so convoluted and overly dramatic and focus on these certain little things that are supposedly meaningful, but just don't really mean anything.
When I do a movie, that's just a couple months out of my year and out of my life. All the other months I'm just at home, running around doing errands with my mom and going to sleepovers. I feel like I have that side of my life, and then I also do the films - which is just sort of a plus.
I have perfected the art of the mean song to make me feel like I have a backbone.
It's interesting: John Calley at Warner Bros. helped me put 'Alice' together. It was very unusual back then for a studio to support an actress the way he backed and supported me. He even asked me if I wanted to direct the film, which I didn't feel prepared to at that point.
I feel compassion is so important to develop in ourselves. It's one of the most important elements of being a human being.
I feel eager to learn as much as I can, not only about my craft but the world and the cosmos and how we got here and whether there's any purpose to our being here.
I feel lucky that I get to read and publish stories that are not necessarily overtly horror in 'Best Horror of the Year.'
I just feel like every kid is growing up too fast and they're seeing too much. Everything is about sex, and that's fine for me. I'm not saying I don't like it. But I don't think it should be everywhere, where kids are exposed to everything sexual. Because they have to have some innocence; there's just no innocence left.
'Marbles' really took so much and such a thorough effort from me that I was so happy to tie that up and have it feel satisfying.
I don't feel famous personally, and I feel like when most people get to know me, they're like, 'Oh, she's just the same as everybody else.'
The fact of the matter is I always have a really high sense of responsibility to the reader, whether it's a few readers that I get or a lot of readers, which I was lucky enough to get with 'Olive.' I feel responsible to them, to deliver something as truthful and straight as I can.
I feel very adventurous. There are so many doors to be opened, and I'm not afraid to look behind them.
Most of us know when we are about to react emotionally. We can feel it. Often there is a brief warning before the amygdala hijack. For some of us, it is butterflies in the stomach; for some, it is an increased heart rate, and for others, it is a feeling of agitation.
If I've helped one person, I feel really great, but I hear from people daily.
I start to feel like I can't maintain the facade any longer, that I may just start to show through. And I wish I knew what was wrong. Maybe something about how stupid my whole life is.
I'll see Naomi Wolf on television periodically, I have nothing against her and what she says, but I'll feel that she's a politician, like she's got an agenda to get across and that she doesn't always say what's really true or exactly what she feels.
I used to feel that I spent too much of my time in my pajamas doing nothing, and I'd think 'in the time that I don't spend writing, I could raise a family of five.' In a lot of ways, being a writer is lonely and alienating.
I find my vocabulary is quite a lot better when I'm hungover. I feel like I unlock a key of words that I don't usually use in day-to-day life.
If I feel like I've completely drained every ounce of energy out of me for this song, and I can't go any further with it, then I stop, even if the song is unfinished. Most of the time, when it's finished, it's because I've used every ounce of me to write it.
It's amazing when I do a gig how many people of different ages come up to me afterwards and chat to me about songs. The emotions I feel are what any person can relate to. Sometimes I'm just a narrator.
I often do crazy siren noises, or, like, a high-pitched dolphin, just to make sure that all my range is there. I make random noise and blurt out random sounds, to make sure I get rid of any bad nerves. I want to make sure to feel as confident as possible.
I feel like everyone has been in a bitter situation, regardless whether it's cheating or just not being over someone who is over you - you compare yourself to the next.
'Naked' embodies what everyone, at the end of the day, really wants and how they should feel.
Primates feel pure, flat immobility as boredom. But dogs feel it as peace.
As far as I'm concerned, I own my dogs as I own my body. My legs are with me when I take a shower, and I feel no shame. If I were to lose one, I'd grieve, and people would send sympathy cards, but it would be my condition that evoked the sympathy, not the fate of the leg. That's like losing a dog.
If I'm asking people to give me two hours of their time, it's because I really feel like they need to listen to what the writer is talking about.
I've been told I'm bright. But when I act, I get incredibly stupid. I feel my intellect slowing down. I feel it happening physically. And that's not negative in acting!
I feel like I don't understand time in novels, really. I bumble forward, is all.
I sort of don't believe in closure. In the sense that it doesn't make me feel better to think that something is over.
Hollywood never suited me, I didn't ever feel comfortable with it, it took me a couple of years but I found where I was always meant to be... Chiswick!
If I feel I can play a part I do everything in my power to try to play it.
Honestly, I am always shocked when I see myself in the mirror because I feel exactly the same as I did when I was 18 getting off the plane to go to Juilliard in New York.
I think they should create a holiday for friends-with-benefits relationships. Because I feel like Valentine's Day is, maybe it's a day to stay home and cry.
I normally eat everything under the sun, but once a year, for a whole month, I eat nothing but fruits, vegetables, nuts, and lean fish, and I feel great!
What keeps you confident in a healthy way is knowing that everyone else around you is going to support you and teach you and you're going to learn from them. I just feel open to learning from people.
'The Sun Also Rises' by Ernest Hemingway is my favorite book. You feel manly reading it.
I feel it is obvious when someone has thought too much about what they're wearing.
I think little things are more powerful because they're more honest, so people feel them more strongly.
It's surprisingly hard to play a vampire and feel believable. I mean, you want to be able to at least believe yourself.
There were times, especially when I was traveling for 'Eat, Pray, Love,' when, I swear to God, I would feel this weight of my female ancestors, all those Swedish farmwives from beyond the grave who were like, 'Go! Go to Naples! Eat more pizza! Go to India, ride an elephant! Do it! Swim in the Indian Ocean. Read those books. Learn a language.'
When I look at my life and the lives of my female friends these days - with our dizzying number of opportunities and talents - I sometimes feel as though we are all mice in a giant experimental maze, scurrying around frantically, trying to find our way through.
I try not to tweet too much; I'm a really sporadic tweeter. I will tweet nonstop for, like, 3 days, and then I won't for a month. I don't make it priority at all; if I feel like doing it, I do it, and if not, then I don't care.
I like growing up; I feel like I have an old soul. I like the age to match as much as it can.
In America uniformed cops eat in coffee shops, diners and restaurants and I always feel safer having them around.
Architects typically inherit programmes or sites. We maybe twist the programme a little bit, bring our own invention into it, and we feel perfectly happy when we walk away. It doesn't feel like quite enough.
Showy displays of love don't come naturally to everyone. They don't come naturally to me. They also come with a risk: a risk of rejection, being made to feel silly, or making yourself into a spectacle.
I was very worried about being unattractive because I think I look quite masculine. Sometimes I feel more masculine than feminine and I don't like it.
If I don't feel like writing on a certain day, I just go to the cafe and hang around.
I was raised really, really healthy, pretty much vegetarian and a very clean lifestyle, I don't smoke, I don't drink. I'm more addicted to the things that make me feel good - endorphins after working out.
I tell girls, 'If you're tall and feel too tall, the answer is to be taller.'
There is something very independent about French balloons - you feel you couldn't make a pet of one.
Happiness is a light, an atmosphere, an illumination. It sets a personality. I always feel that it is a creation that is difficult for some and easy for others, but essentially an achievement, never an accident.
Being senior enough in the field, having enough solidity, I don't feel afraid of being marginalized.
I became, and remain, my characters' close and intent watcher: their director, never. Their creator I cannot feel that I was, or am.
You know, I've never been much of a method actor. I feel like, with every project I go in extremely prepared and I like to have a good time.
I don't like anything that's too confining. I'm sort of a control freak, so anything that makes me feel like I'm out of control is a bit uncomfortable. But you know how it is, sometimes it's good to live a little!
Where the marathon starts is after 30 kilometers. That’s where you feel pain everywhere in your body. The muscles are really aching, and only the most prepared and well-organized athlete is going to do well after that.
If I'm not clear with the character, I can't do anything with it. But once I get that character, the possibilities are endless. When you have such a defined character, I feel like I can actually read the phone book and make it funny.
I cannot feel my legs from the waist down any longer. But who cares? I look good and that's all that matters. And when I die of hypothermia for wearing formal shorts in winter, tell them to put that on my tombstone.
I like to wear colourful clothes because they make me feel happy: short-shorts with funky tights and big jumpers are what I'm into. And I wear most things with hi-top trainers - I'm not a huge fan of heels.
I feel like a lot of teenagers have typically been played by 25 year olds, and even 30 year olds. It's nice that I'm playing a little bit more to my age, although from 15 to 19 are pretty progressive years.
Knowing someone else is going through the bizarreness of pregnancy with you makes it feel a little less impossible.
It is important to feel the anger without judging it, without attempting to find meaning in it. It may take many forms: anger at the health-care system, at life, at your loved one for leaving. Life is unfair. Death is unfair. Anger is a natural reaction to the unfairness of loss.
I don't feel I was ever a 'famous' child actor. I was just a working actor who happened to be a kid. I was never really in a hit show until I was a teenager with West Wing playing First Daughter Zoey Bartlet. In a way, that was my saving grace - not being a star on a hit show. It kept me working and kept me grounded.
I feel like my first conversation with someone, I really get a good feeling about who that person is and mainly about how open they are.
Today I still feel like the most illiterate person ever to have roamed the campuses of Wellesley and Harvard, where I later transferred. I remain intimidated by all the books I haven't read, but over the years I've come to realize that being a student is a lifelong adventure.
I think, forever, I was trying to figure out maybe... what I am. But I don't think anyone should feel pressured to have any kind of label or tag on them. We should treat everybody the same... Me, I don't like to be put down to a specific thing. We're all human beings.
It stresses me out writing songs,; I get really super nervous and speedy. I feel like I'm possessed.
A burning itch to know is higher than a solemn vow to pursue truth. To feel the burning itch of curiosity requires both that you be ignorant, and that you desire to relinquish your ignorance.
The obvious choice isn't always the best choice, but sometimes, by golly, it is. I don't stop looking as soon I find an obvious answer, but if I go on looking, and the obvious-seeming answer still seems obvious, I don't feel guilty about keeping it.
For a Nabokov fan, paging through 'Fine Lines,' which includes a critical introduction and several essayistic evaluations of Nabokov's scientific oeuvre, can feel a bit like reading the second half of 'Pale Fire': one is confronted by a content-rich, almost dementedly tangential commentary on an increasingly inscrutable work.
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