Ellie Goulding Quotes

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I feel like I write songs for the future or something. Not in an arrogant way, but I feel like maybe my songs were, like, before their time or something.

When I sing along with Britney Spears I will sing in an American accent. But eventually I found my own voice. My songs are so brutally honest, it would be alien to sing in any accent other than my own. Don't get me wrong - I can imitate singers. I can do bar mitzvahs and weddings.

I think hype is a good thing. You need it and it'll teach you valuable things and you'll grow stronger, which is what I've done.

The only really safe thing to do is to write a diary of where you've been, what time you went to bed, what you ate. If I wrote honestly about everything I think it'd be a disaster. It would cause a lot of trouble.

There are so many things to think about when you make an album. Like, who am I trying to impress? Am I going to get respect, critical acclaim? Or am I going to sell lots of records?

I'm never happy with my face, my hair, I haven't really got any boobs and I'm not really that tall.

Christmas in L.A. is weird. There's no snow. It's not even cold.

Cover versions, that's my forte, that's all I ever used to do. When you play your own songs, it's quite scary, 'cause I'm quite honest and open, they can be very revealing. But covers, I don't have to think about, just get me up there!

I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.

I was a kind of angsty teenager and I would write diaries and write stuff down all the time. Sometimes I get to the level on stage where I'm singing and it feels heavy, but not always.

I would never create an image for myself; I'm not that clever.

Apparently I'm introspective... levelheaded... but at the same time, absolutely insane.

By the time I got writing 'Halcyon,' I was on a roll, and I realized I had so much to write about, I realized I had so much built up inside that I couldn't really alleviate before, and then all of a sudden it was like reservoir burst.

I guess I'm just quite observant and I pay attention to a lot of things. Human behavior really fascinates me.

Well, on tour I eat terribly, so I balance that by running a lot. And then I started to run with my fans in certain cities. It sounds very nerdy and un-rock n' roll, but I like it. It's fun, and it's better than meeting fans in weird, awkward circumstances. So I take them running with me.

America saw me as a projection of me that I always wanted. That's why I love going to America so much. I feel like I started off in America exactly how I wanted to start everywhere.

My voice has been very, very produced, and very treated - but then, also, it hasn't.

'I Know You Care' is really personal and fragile for me. For me, it's about losing a family member and also about a breakup. It's about this idea of losing someone for good.

The very first song I wrote was about a boy that I was obsessed with.

I've learned not to let it be the end of the world if a boy doesn't like you. I used to put so much effort into boys. I started playing guitar because I wanted to impress this boy. Then, I ended up in love with guitar and I didn't care about the boy anymore.

I was super brainy and a proper geek at school, but there would always be a boy. But that sort of obsession did turn me into a songwriter. My writing has always come from that feeling of infatuation.

I love pink - pink's my favourite. I hardly ever - weirdly - wear it, but I love the colour pink.

I just sing and write songs and wear what I want. It's quite a good job really. If I wanted to I suppose I could become more of a fashion icon, but singing is my thing.

I'm quite private. And I never wanted to be the biggest star in the world, really. So in that sense I've got a good balance of doing great shows, of making an appearance every now and then and writing music, and I don't really have to do much else.

If a hundred people want autographs, sometimes you have to say no because you've got to get up for a 4 A.M. flight or something. In that sense, it really pisses me off when people think you've become a diva. It's not becoming a diva, it's because of the situation, I think.

There are plenty of bands who never get in the charts and it doesn't mean that they're not any good. Actually, a lot of the top ten is filled with stuff that just sounds the same. I could guess what's in there now - probably a bit of GaGa, Beyonce and some U.S. R&B males.

The nature of how we are as human beings is that we're much more interested in being critical rather than praising something.

I keep getting compared to Marina and the Diamonds because she's kind of in the same place as me at the moment. It's quite annoying being compared, actually, because it almost downgrades your work and makes you feel like you're just another female artist.

Not much shocked me. You know, I worked in a home for Alzheimer's patients and my dad used to be really into murders and stuff, so I saw dead bodies. It desensitised me to a lot of things.

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