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Which is - you know, like check it out, I'm pretty young, I'm only about 40 years old. I still have maybe another four decades of work left in me. And it's exceedingly likely that anything I write from this point forward is going to be judged by the world as the work that came after the freakish success of my last book, right?

But when it comes to writing the thing that I've sort of been thinking about lately, is why? You know, is it rational? Is it logical that anybody should be expected to be afraid of the work that they feel they were put on this Earth to do.

I should just put it bluntly, because we're all sort of friends here now - it's exceedingly likely that my greatest success is behind me. Oh, so Jesus, what a thought! You know that's the kind of thought that could lead a person to start drinking gin at nine o'clock in the morning, and I don't want to go there.

But, ancient Greece and ancient Rome - people did not happen to believe that creativity came from human beings back then, OK? People believed that creativity was this divine attendant spirit that came to human beings from some distant and unknowable source, for distant and unknowable reasons.

You know, I think that allowing somebody, one mere person to believe that he or she is like, the vessel you know, like the font and the essence and the source of all divine, creative, unknowable, eternal mystery is just a smidge too much responsibility to put on one fragile, human psyche. It's like asking somebody to swallow the sun.

You know, even I have had work or ideas come through me from a source that I honestly cannot identify. And what is that thing? And how are we to relate to it in a way that will not make us lose our minds, but, in fact, might actually keep us sane?

I have a rigid self-accountability. You have to work hard.

When somebody has an enormous success in this culture, people start asking two questions, which are 'What are you doing now?' and 'How are you going to beat that?' And I have to say, I love the assumption that your intention is to beat yourself constantly - that you're in battle against yourself.

I know I'm not a self-indulgent idiot; I also know I'm not the second coming of Deepak Chopra. If I had believed either of those, or both, as some people do when they get famous, that's when the mental illness arrives.

I used to say, 'Man, I think I'd be a really good dad. I'll be a great provider. I'm funny; I'll go on trips with them - I'll do all sorts of stuff.' But the momming? I'm not made for that. I have a really good mom; I know what she put into it.

There were times, especially when I was traveling for 'Eat, Pray, Love,' when, I swear to God, I would feel this weight of my female ancestors, all those Swedish farmwives from beyond the grave who were like, 'Go! Go to Naples! Eat more pizza! Go to India, ride an elephant! Do it! Swim in the Indian Ocean. Read those books. Learn a language.'

Absolute certainty is not something I strive for anymore. I've learned the hard way that destiny usually looks upon our most strident convictions with amusement, or perhaps even pity.

Sureness is something like a neck brace, which we clamp around our lives, hoping to somehow protect ourselves from the frightening, constant whiplash of change. Sadly, the brace doesn't always hold.

These days I settle for feeling only 85 percent sure about most things, most of the time. I believe this is keeping me sane, and I also believe that it's keeping me human. In fact, I'm 85 percent sure of it.

Despite having written five books, I worry that I have not written the right kinds of books, or that perhaps I have dedicated too much of my life to writing, and have therefore neglected other aspects of my being.

When I look at my life and the lives of my female friends these days - with our dizzying number of opportunities and talents - I sometimes feel as though we are all mice in a giant experimental maze, scurrying around frantically, trying to find our way through.

If you are given only one opportunity to speak, be certain your voice is heard.

If life gives you lemons, don't settle for simply making lemonade - make a glorious scene at a lemonade stand.

I've always considered myself lucky that I do not have many passions. There's only one pursuit that I have ever truly loved, and that pursuit is writing. This means, conveniently enough, that I never had to search for my destiny; I only had to obey it.

My whole life I've been an over-giver. My general operating policy has always been, 'If it belongs to me, don't worry: You can have it!'

Listen - of course money changes everything, but so does sunlight, and so does food: These are powerful but neutral energy sources, neither inherently good nor evil but shaped only by the way we use them.

When I lost my friends, it was because I had used the power of giving on them recklessly. I swept into their lives with my big fat checkbook, and I erased years of obstacles for them overnight - but sometimes, in the process, I also accidentally erased years of dignity.

If I could read while I was driving, showering, socializing or sleeping, I would do it.

Nothing in the last few years has dazzled me more than Hilary Mantel's 'Wolf Hall,' which blew the top of my head straight off. I've read it three times, and I'm still trying to figure out how she put that magnificent thing together.

Oh, I just want what we all want: a comfortable couch, a nice beverage, a weekend of no distractions and a book that will stop time, lift me out of my quotidian existence and alter my thinking forever.

Every few years, I think, 'Maybe now I'm finally smart enough or sophisticated enough to understand 'Ulysses.' So I pick it up and try it again. And by page 10, as always, I'm like, 'What the hell?'

My husband is not American. He was born in Brazil, where he grew up under a filthy, corrupt dictatorship. In his twenties, he moved to Europe, where he lived for a while under various socialist democracies. He spent a few years on a kibbutz in Israel, living out a utopian experiment in communal existence.

That is who Barack Obama is - a person of admirable character - and that is who he has remained for me over these last four years. I have not agreed with his every decision, but never once have I seen him break his cool, lose his composure, or abandon his insightful perspective - even during the most serious and/or absurd national disasters.

I push every day against forces that say you have to go faster, be more effective, be more productive, you have to constantly outdo yourself, you have to constantly outdo your neighbor - all of the stuff that creates an incredibly productive society, but also a very neurotic one.

I have these new policies toward my life, like 'I will not accelerate when I see the yellow light.'

My writing practice taught me the important thing is steadfastness. It's not necessarily discipline. Discipline can become a prison. When your spiritual practices become another thing for you to be anxious about, they've lost their usefulness.

You know, why at the end of your life should you assemble thousands of pages of 'Why am I so sad, why am I so depressed?' Instead, assemble thousands of pages of why you're so content.

If I am to truly become an autonomous woman, then I must take over that role of being my own guardian.

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