Elizabeth Diller Quotes

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Aside from keeping the rain out and producing some usable space, architecture is nothing but a special-effects machine that delights and disturbs the senses.

We conventionally divide space into private and public realms, and we know these legal distinctions very well because we've become experts at protecting our private property and private space. But we're less attuned to the nuances of the public.

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Architects typically inherit programmes or sites. We maybe twist the programme a little bit, bring our own invention into it, and we feel perfectly happy when we walk away. It doesn't feel like quite enough.

In the 1970s, New York was known as a place of great artistic production. Slowly, my city went from a place of production to a place of consumption.

I think idiosyncrasy is great.

We like to take impossible things and actually make them happen.

I hate digital calendars, so I use pen and paper or the palm of my hand for my daily schedule. I get much more satisfaction out of physically crossing things out than deleting.

Many tools are indispensable for my work, from a utility knife to parametric-modeling software, like Digital Project. But it's important not to confuse the tool for the content, as some designers under 30 do.

I can't live without my 15-inch MacBook Pro. I drag it everywhere I go. I love having a big screen with me at all times, especially in transit.

I cannot read on a Kindle. I love the physical experience of holding a book, cracking it open, and the process of making the right half weigh less than the left half. I only read hardcover books because I like...

Whenever I ask Siri for directions or a recommendation, I also ask her a trick question. Her answers are usually wacky. She scolds me for cursing, which I love, but she has no problem with ethics. If I say, 'Remind...

We try to make buildings last long and be resilient but also be not so idiosyncratic that they can't change.

My interest was always to do interdisciplinary work with space. I thought of architecture as one strand in a multimedia practice.

In art school, it was about feeling. In architecture school, it was about ideas.

We're always taught that we're building for permanence, but why? I like the idea of a prosthetic architecture! When a section is removed, the building readjusts its weight distribution, like a living body.

Architecture, by definition, is always standing still.

Architecture has been male-dominated forever, and I am a grateful beneficiary of the women's movement.

Architects and food at a construction site equals indigestion. We're always looking for details that haven't been executed correctly.

My mother and father had been through the Holocaust. The family was wiped out. I grew up never knowing aunts, uncles, or grandparents.

I have a real survivor's instinct.

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