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When I was younger, I found it incredibly intimidating to audition for anything. As I've gotten older and had more experience and gained more confidence in myself, I'm able to quiet some of those demons a little more successfully.
Just now, Christianity is in the ascendant. Buddhism and Taoism are decadent; their influence cannot long hold its own. Buddhism has long since passed its meridian; Taoism has only demons, not gods.
We like Batman - we understand him, we suffer with him. On the other hand, we want to be Superman. But they're conflicting philosophies. Let's bring them together in one movie and see how we, as an audience, wrestle with our inner demons.
I'm always annoyed about why black people have to bear the brunt of everybody else's contempt. If we are not totally understanding and smiling, suddenly we're demons.
You look at Cheney, Rumsfeld, Karl Rove, and Bush - if you saw them on Halloween, they wouldn't need a costume. You'd give them a treat and compliment them on what great-looking demons they were. They are demons. There's no doubt about it.
Music, I think, is best when it honestly explores personal demons, and it stirs around in the silt of the psyche to find out what's really there.
I think we all have demons, but my demons aren't that bad. They're productive demons. They keep me focused on the man I want to be and the life I want to live.
Demons manifest themselves in people in different ways. For instance, out of nowhere, somebody can become very angry for no reason. That's not just an emotion. That's a demon.
If you look at the great Westerns, and at Greek, Roman, and Norse mythology, they all contain elements in common: a harsh landscape; demons or outlaws trying to stop or kill the protagonist; and there are mythical legends at their core, innate in all cultures.
I just think demons are terribly interesting! In Sumerian times, demons weren't seen as evil at all, just as incredibly powerful and very different from us: beings made of fire, when humans were made of earth.
I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
I have very close friends who are very devout Catholics, and I talked to them before the 'Da Vinci Code,' and it was very difficult for them, but I talked to them before 'Angels and Demons,' and they said the scandal, abuse of power and violence was part of church history, which you can read about in the Vatican bookstore.
I'm not really a sequel guy. I did 'Angels & Demons' after 'The Da Vinci Code,' because I like working with Hanks, and I felt it was a really different sort of world that we were visiting. That was, of itself, interesting.
Angels, demons, spirits, wizards, gods and witches have peppered folk religions since mankind first started telling stories.
I really thought I knew Johnny Cash. I thought I didn't need to spend a lot of time researching his life. But I wasn't within 50 miles of knowing Johnny Cash. I knew he was a good guy and a dedicated artist, but I didn't know the demons, the struggles he had in his personal life.
You're always searching for the thing to heal you, and I thought therapy would give me that. But it didn't - it just helps you recognize your demons.
There were dozens of people who walked through the Holy Land claiming to be the Messiah, curing the sick, exorcising demons, challenging Rome, gathering followers. In a way, there's nothing unique about what Jesus did. In fact, many of these so-called false Messiahs we know by name.
Vivien Leigh was a phenomenal actress, a very complicated woman, living on the edge of mental problems, haunted by demons and angels. And though I've never thought of myself like Marilyn Monroe, I was inspired by the tremendous risk she took - of being vulnerable.
I've been obsessed with demons since reading 'The Elfstones of Shannara' and 'Master of the Five Magics' by Lyndon Hardy.
Sometimes you have to confront your demons and sometimes even let them loose to genuinely find a place where you can gain some understanding.
We're much more controlled now. We were kids back then, we each had our own demons. It was insanity.
To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
We try so hard to block out negative or dark thoughts, but sometimes embracing your demons is the most vitalizing thing you can do.
I would try to write 'realistic' fiction, and someone would fly, or there would be a black hole full of demons or a girl who attracted frogs.
If you don't deal with your demons, they will deal with you, and it's gonna hurt.
I'm not this dark, twisted person. Yes, I have my demons and this is my way of exorcising them. It gets them out - and better out than in.
I think we all have our demons and our various shortcomings, and it would be nice if people felt more gently about other people, but also about themselves.
I know the type of demons they have to fight and I am going to help them, because it's the only way I can keep them from getting to my family. I have to clean up my friends because they are around my boys. It's upsetting.
I too have my own demons, and I have struggled. I've made my own mistakes, and I'm not proud of them.
How many of us have these demons or habits or things we don't like about ourselves and understand the loops that we're in and yet are unable to break out of them and create lasting change within ourselves?
I don't spend a lot of time thinking about scary demons, but I think that there are things in this world that are unexplainable that are mystical or paranormal. The possibility is there, definitely.
A lot of times on our show, 'Shadowhunters,' we have excuses to dawn some kind of sexy black leather attire under the excuse that we're going to fight demons, but it's all part of the tone of the piece and the tone of the story.
Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
Human beings, we have dark sides; we have dark issues in our lives. To progress anywhere in life, you have to face your demons.
I don't know that all the demons have been beaten, but I'm very, very proud of those songs.
In my experience, most players act the way they do in their own self-interest, in getting their emotions out and basically working with their own demons on court.
I felt really lucky that 'Hairstyles Of The Damned' and 'The Boy Detective Fails' were both bestsellers, and I thought that donating the money from 'Demons' was a good way to respond to that. My favorite artists are the ones that are willing to experiment, even if it means a smaller audience.
We all have our demons. When we finally learn to let them go, we get to live and be free.
I've been writing books because it's been my way of dealing with the demons. The act of sitting down and writing the books down has started healing process that's been long overdue.
At the end of the day, we're all human beings, and people have their struggles and inner demons.
I believe my own demons would have caught up with me regardless of my race and regardless of whether I worked at 'The Times.'
I'm afraid of the dark because I picture things; I see things. I'm a freak. I see, like, little demons coming out of the floor and other little things running around. It's scary.
I do put a lot of God in my music, but not because I'm super religious. There are a lot of demons in my music, too. I acknowledge both.
The demons are innumerable, appear at the most inconvenient times, and create panic and terror. But I have learnt that if I can master the negative forces and harness them to my chariot, then they can work to my advantage.
Aging is not uncomplicated. Creativity is an extraordinary help against destructive demons.
It's kind of chased away a few demons for me and, um, it's educated me a little bit more.
Demons, chaos, dragons - all of them are different incarnations and representations of our idea of death in 'Dark Souls.'
Each has its lesson; for our dreams in sooth, come they in shape of demons, gods, or elves, are allegories with deep hearts of truth that tell us solemn secrets of ourselves.
I love the virtuosity and imaginative chutzpah of 'Da Vinci's Demons,' and not just because my boyfriend is in it!
You know, we all have our inner demons. I, for one - I can't speak for you, but I'm on the verge of moral collapse at any time. It can happen by the end of the show.
I had to walk away from America, and say goodbye to the biggest part of my career, because I knew otherwise my demons would get the better of me.
My first published novel was 'Mother of Demons,' which is simply 'The High Crusade' standing on its head. Poul Anderson placed his medieval human heroes in a futuristic alien setting; I placed my futuristic human heroes in a bronze age alien setting.
The 'Heirs of Alexandria' series mixes the Renaissance with magic and demons, based on a changed theological history.
It's incredibly fun to play someone that you don't like. It exorcises your own demons in a way. It's cathartic. We all have things that we don't like about ourselves, little things. And I get to amplify those things and put them out there. It's fun and it has a cleansing effect.
I think I'm attracted to subjects that I'm afraid of. It's a way to approach things I am afraid of, things that bring fear in my heart, and try to understand them, try to deal with them. It's like demons. I try to approach it and understand it... I'm just visiting fears.
I realised that today we are very much interested in reading about subjects that would have also interested people in the 1500s: ghosts, demons and things that go bump in the night.
There are the people who read my horror novels - the first two of them - and they found them scary or whatever, and then there are some people who are maybe not entirely stable who think that they're real, who think that they're being stalked by the same demons or ghosts that are mentioned in the books.
What I really like to do is write 'genre' stories without a cartoonish element. I did the same with 'Da Vinci's Demons,' and I'll do the same with 'Man of Steel.'
Mysticism and the supernatural are embedded in the show - it's called 'Da Vinci's Demons' for a reason, and it's not just metaphorical.
What I'm dealing with in 'Hellboy' is a lot different, bigger in a certain way. It's very Shakespearean. It's demons and witches and stuff like that. But it has a similar core to a dude who's trapped in horrible circumstances who's just trying to be a good guy.
I did 'Echo Beach,' a surfing drama that meant I was often topless. Next came 'Demons,' and the opening sequence had me in my boxer shorts; and then there was a scene in 'Trinity' with me walking around in boxer shorts. It was only one scene in each series.
I have a tendency toward the pleasures of the flesh. It's a battle for me, as far as weight and things like that. But I'm curbing them because I want to continue to do comedy, and the two don't mix. So I try to fight those demons.
For lack of a better word, acting is therapeutic. You really are breaking down barriers, exorcising demons and finding more out about yourself.
My mother had people lay hands on me to cast demons out of me when I was 8. Then two or three times when I was in college.
The story of Willie Stark fascinated me because it was tackling the story of a man who outwardly has all the success one could possibly want and who is destroyed by his personal demons.
In a way, I envy the freedom artists have. Artists can push themselves beyond their limits, in pursuit of their ideas and their vision, even if they are inhabited by demons that can also play tricks on them.
I think I need the demons in order to write, but the demons have gone. It bothers me a lot. I've tried and tried, but I just can't seem to find a melody.
I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.
Confront the dark parts of yourself, and work to banish them with illumination and forgiveness. Your willingness to wrestle with your demons will cause your angels to sing.
It is no secret that I have read 'The Da Vinci Code' several times. I genuinely believe that 'The Da Vinci Code' and 'Angels And Demons' are, by far, Brown's best works.
We all carry extreme heartache and demons. Instead of pretending like we don't, I like to be honest and real.
I grew up watching 'Buffy the Vampire Slayer' and used to dream that I would grow up to be just like her. In a way, 'Teen Wolf' has a lot of those kinds of characters. We're just kids by day, and yet we're trying to fight demons and werewolves and bad people and save people that we love.
I sometimes think it's like a weird elastic band. The more tragic your work is, the quicker you snap back. There's a catharsis in telling a miserable old tale; you get rid of demons.
Don't set out to make a scary movie and then flinch every time you're supposed to scare somebody because you're afraid of being MPAA or you're afraid of your own demons or whatever.
The subject of angels and demons really grabbed me. There is a huge mass of information, and the Bible is one of the most amazing reference points.
Rahul Jaykar, my character in 'Aashiqui 2,' was a talented musician battling his demons, while Noor Nizami, my character in 'Fitoor,' is an artist who spends his entire life in pursuit of the love of his muse, Firdaus.
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