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We actually did quite a lot of comedy on 'Xena'. The whole show was very tongue-in-cheek.
When I do watch things, they tend to be a lot of comedies. I actually like some of the British comedy series. But, on the whole, I'm not a huge viewer of anything.
How to do half-hour comedy innovatively is something I do pride myself on. We invented it with 'I Love Lucy.'
It's a comedy thriller, brilliantly written and it's full of twists and turns at every page. When I was reading it I was desperate to get to the end to find out what happens, it really hooks you.
I was 10th of 11 kids in an alcoholic, abusive, poor family. We all want things that we can't have. And I found comedy.
I did all this standup comedy in college, and from that point on, I tried to develop myself and get my name back out there.
Comedy is not commercial; it is risky, because what is funny in one place isn't always funny somewhere else.
I feel that if I retire today, I've done enough. I've achieved everything in comedy... I feel I don't need anything else. It's already built.
I've played every comedy club and every theatre across the country for the last 25 years and seen a lot of audience members from different ethnic persuasions.
I lasted seven years as a journalist, and I've been doing comedy for twenty years.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
If I apply myself to rap, I'm gonna be the best rapper alive. If I apply myself to comedy, I'm going to be the funniest guy alive.
A part of me wants to rely less and less on comedic visuals and make more substantial standalone music. And get a sitcom on TV where I can let my comedy do the talking there.
I was doing Facebook comedy videos; then I moved over to Instagram, and then I hopped on Twitter. That is where I really was a master. That was the first place where I could go viral.
I'm a student of Comedy Central. It launched careers: Wanda Sykes and even Kevin Hart. The first time I was introduced to him, he was on Comedy Central. It puts you on the map... Hollywood knows now.
Every role that I have taken on has demanded some kind of emotional range. I really, really would love to do a comedy, but that opportunity really hasn't opened up.
I like that kind of 'straight-faced' comedy. I like to be straight-faced and outrageous.
How about a good comedy? 'Raising Arizona.' Remains the funniest movie I've ever seen in my life.
For me, I wanted to write a book about getting into comedy. That's what I wanted to write.
I came to London with a girl. We lived together and split up very quickly. I was on my own in London so started going to comedy clubs.
I'm a pretty funny guy, and I would love to do a comedy with a bunch of funny guys - movie-star guys, where they could help me through it.
Doing 'Comedy Bang! Bang!,' you have to play at the top of your abilities, so it is so fun to get that opportunity. I've grown a lot as a performer just working with those guys.
In theater, one of the biggest problems when you're rehearsing comedy over and over again is that you stop laughing at each other.
I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
I think that for the most part, when I started doing comedy, it had become very commercialized.
It's that I wasn't suited to do the kind of comedy that these people were coming to hear - mainstream comedy.
'What About Bob' is my all-time favorite, and I think I've always been prone to comedy.
I don't find that I subscribe or believe in many rules about what comedy is and what makes it funny.
I'm doing this pilot called 'Demon.' Kevin Smith is directing it. It's a comedy drama. I play a guy who rises up from Hell.
I would say I try to make my comedy really personal. I try to tell stories that happened to me, experiences from my life.
I didn't realize I wanted to write about D.C. until after 2000. Even though I was a comedy writer, I stayed away from that subject on purpose. It took attaining some distance and perspective.
In actuality, 'Sammy's House' can and should be read as an entirely fictional comedy set in a fascinating political world.
I would never bring a kid to a comedy show myself, but I have noticed that I can't stop other people from bringing their kids.
I enjoy doing both comedy and drama, as long as I'm not doing something continuously.
I like comedy a lot. I love comedy. It's so much fun, but it's hard, too.
I hadn't done comedy before 'Fresh Meat' - I hadn't really been seen that way, and then 'Fresh Meat' came out, and suddenly a lot more comedy scripts were coming my way, which was really great.
I do comedy in my room by myself, so it's so different to see how that all works and get the behind the scenes on how they do the gory stuff.
This hiatus coming up I'm looking at a comedy because I need the balance.
The one thing that I'm really obsessed with is multi-camera comedy. It is a form that is unique to network television.
To me, families are fascinating. I choose to explore it through comedy and through comic situations.
People wouldn't hire me for comedies. They would say, 'Oh, he doesn't do comedy,' and now it's really all I do.
Diplomats willing to sit for an interview usually prefer the terra firma of CNN over the whoopee cushion of Comedy Central.
I want to do all kinds of things. I want to do some comedy. I'd love to do a romantic comedy, and I'd love to do some period pieces with classical text. I'd love somebody to cast me as Macbeth, but for a film. I just want to be all over the place.
People need to be peppered or even outraged occasionally. Our national comedy and drama is packed with earthy familiarity and honest vulgarity. Clean vulgarity can be very shocking and that, in my view, gives greater involvement.
I think everyone's different but in comedy, I try to do my scene to make the director and the other actors laugh. If I can make them laugh and we have the same sensibility, then I'm on the right page.
Every movie I do, or when I'm on the sketch comedy show, I don't really get into it until I have an outfit or something funny with my head or face or something.
I would love to get into feature films; I'm willing to do an action flick, I'm willing to do a romantic comedy.
You can not have comedy unless people are behaving badly. You can't have it.
I didn't set out to write some female-empowering movie; I just wanted to write a funny college comedy.
I love doing horror with comedy twists and I think it's a really fun genre.
What I really want to do is comedy. I would love to do some guest star spots on some single-camera comedies.
I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
Drama comes more naturally to me. It's the comedy you really have to delve into.
I'm also doing a special for Comedy Central called Autobiography. It's going to be a spoof of Biography.
You do develop a taste as an actress: Chekhov, Ayckbourn: it's the combination of comedy and human drama. I would never want to do anything without comedy.
There was just a lot of comedy on the TV in the house, and my parents are both very funny.
I consider a CD or a comedy collection as a record of what I've been doing, and I try to wrap it up and start new material.
I would love to do some more comedy. I would love to do some silliness. I would love to do some characters that have greater vulnerability.
I love going back and forth from drama to comedy. I love switching it around and showing people that I can do both.
I would have to say that I have to concentrate more when I'm doing comedy. There are so many details that make up any character, but developing a character for a dramatic role seems to come more naturally.
I made 'Going Greek', which was a very sort of crappy fraternity comedy that I did back in 2000.
I actually gravitate toward comedy a lot when it comes to what I'm watching, but maybe that's because I've been on such dark work the last four or five years.
As soon as I saw 'Chinglish' on Broadway, I began to envision this smart and insightful cross-cultural comedy as a film.
My secret to comedy is don't offend anybody. Don't offend anybody ever. That's my secret.
Comedy is ridiculously hard. And if the rhythm is not right, if the music or the line is not right, it's not funny.
Going to Catholic school was what fueled me into comedy. The nuns were so brutal so I used to try to make my friends laugh.
The secret of comedy is don't grow up. That's why some comedians are a nightmare, because they never grow up.
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