Character Quotes
Most Famous Character Quotes of All Time!
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Shaheed Diwas 2026
I think every leading man wants to be a character actor, and every character actor wants to be a leading man.
Actors who say they can dive inside a character are either schizophrenic or lying.
After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices.
After I play every character, I always walk away and feel a little different. I've experienced something that's not my life, but I've made it my life.
One match that really sticks out for me, there's a bunch of matches with all the guys that I worked with. For me, when I got in the ring, I approached it as being real because I was a real character. I didn't have a gimmick name; I didn't have a gimmick finish.
It's fun playing a more feminine part. I can identify more with a woman of passion and emotion than with a cartoon character. Who knows what a cartoon feels?
The most emotionally connected I've ever been to a character is Natsuki in 'Summer Wars.'
I'm a character actor, so I don't take the hit if the movie's bad, the lead does. So, I don't want to be the lead. He takes the hit, I don't.
I did 125 films, and over 100 television shows, and you've never seen the same character twice.
The interesting part of the process is developing the character, you know, why did he become that? Why is the guy a murderer, or why is this guy a pervert, or whatever he is. So that's the fun part for me to delve into the abyss.
One of the great pleasures of acting is surrendering to someone else's point of view of the world - living inside a character and a story that never would have come out of your mind or heart.
If I was to pick a cartoon character I am most like, I would say Daisy Duck because she is very stubborn, she has a very feminine sense, and she knows what she likes.
After 'Life Unexpected' ended, I wanted to do something that was completely different from Lux and that show. I wanted to be able to keep my fans, but not have them confused about who I was or what my character was.
I like the wild characters. I like the idea of being a character actor without being a character actor.
I think it would be amazing to be a character actor and still be a lead now and then in movies.
For me as an actor, you always sort of want to bring yourself to a character in some way. You want to find a way to approach something in a way that's real and interesting, and also so there's some empathy there.
'Tomorrowland' is very much the dream role for me. I've always wanted to do a movie like this. Movies like this aren't made anymore, and it's so cool that I get to be a part of it. I get to do something new and crazy every day, and my character goes through so many different things. I get to do all of it. It's awesome.
A lot of illustrators have one central character and then they develop it, and all their books are based around it. But that was not my wish. I wanted to introduce children to the whole creative side of many aspects of life.
I really like 'This Side of Paradise' by F. Scott Fitzgerald. I think it's a cool description of a character.
The cool thing about doing a voice-over into a different language is that you get to bring the character of your own culture into it.
With the wacky jokes that we do on 'Great News,' you do overall still want to be coming from a place of truth with your character because, otherwise, it's just off the walls.
I don't care about my character here on earth. I don't care about what other people think or say about me, all I care about is my standing before the Lord.
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
Usually, I don't feel comfortable with a character until I've played him before an audience for several performances. It is not until after three months of performing that I learn to discover what I call 'all the nooks and crannies' of the person.
If you can make an audience laugh, you can make them love any character.
I started out on the stage, then I had a great career in television for quite a few years. The good news about a TV series is that they give you a certain amount of fame and money. The bad news is that you're in people's living rooms every week and get associated with a particular character.
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
A weakness of many of the self-oriented play theories is that they often sound too much like vain consumerism instead of being about the more passionate and willful character of human play, which involves a willingness, even if a fantasy, to believe in the play venture itself.
Many years ago, Bill Gates said that one day we'd be able to click on the shoes of a character in a TV show and buy them online. Whether that happens or not, are you thinking about new ways to combine your assets in programming, customer knowledge, and technology?
I'm not like a Sears Catalog of ideas. I don't have that many ideas. I've more or less written them over the years. Usually, I come up with a situation or a character, and it rattles around in my head until the story or the plot emerges.
I've auditioned for animation stuff for a long time; that's a tough field to crack into. I don't think I have the strongest voice. I don't have a theater-trained voice or a radio voice, but I think I make good character choices.
When I started acting, I made a conscious decision that I wanted to be a character read and not a leading man. I didn't want to do the same thing again and again. I wanted to push and challenge myself. I find and embrace new and unique challenges in all mediums.
I hadn't done just a straight-out comedy in a long time, just letting an ensemble do really good character acting, having them carry the movie as in my earlier pictures.
I've dropped myself into straightforward character pieces in order to explore that form and reap its values. But you are sort of restricted visually when your first requirement is to tell a fairly straightforward story.
I like 'The Simpsons' quite a lot. I love the irreverent character of the whole show. It's great.
Like, why is Batman so relevant? It's because he gets reinvented constantly. There are a lot of stories you can tell with that character.
If there's nothing interesting about a character, people leave because there's no desire to see what happens.
Superman is pretty much the way he was - you know - what he's always been. A lot of the Marvel characters are products of their time. I think Batman, as a character, has been able to adapt; he's pretty malleable.
One of the reasons Batman works as a character is that it's not beyond possibility that he could exist - you could become Batman if you had a billion dollars at your disposal. There's nothing paranormal or superhuman or supernatural about that character. And I think his villains work the same way. You could be one of his villains just as easily.
'100 Bullets' is a novel on its own. 'Brother Lono,' other than the main character, has nothing to do with '100 Bullets.'
I think portraying the Joker's point of view would do a disservice to that character. As soon as you get inside his head he would lose so much power.
'Character Doesn't Count' has become a de facto G.O.P. motto. 'Virtue Doesn't Matter' might be another. But character does count, and virtue does matter, and Trump's shortcomings prove it daily.
Comedy is all about the character. When you're too focused on the gags, the character suffers, and you don't get the laugh. Comedy has to come from the character.
I always at least try to come from some sort of human place no matter how ridiculous the character is. That's really awesome. That is more the work that I'm leaning towards doing.
I was in 'UFC Undisputed 2,' but I was only a bonus character, so not everyone got to play as me.
I mean, I do whatever I need to do to get into character. Sometimes it's being incredibly quiet, and sometimes it's being loose and goofy.
I do whatever I need to do to get into character. Sometimes it's being incredibly quiet, and sometimes it's being loose and goofy.
Some of my favourite record and album covers and stuff have all been the singer, and they create a character, and they dress up a little bit.
I'm definitely a character actor. I've tried to limit anything with a uniform because I've done it so much. There's a lot more I can offer. It's just getting people to see something else.
To me, any character that is conflicted inside as well as outside of themselves is always a better role to play.
I think he is an extremely accessible character. In Data there is no potential for cruelty.
It's easier for me to write certain character types because of my own life experiences, but I find it too artistically limiting to only write about red-headed kids who grew up in small town Montana. That's really part of the fun of fantasy, I think. Our imagination is basically unlimited. Okay, that's a terrifying thing about fantasy, too.
In 'The Giver,' I play a character called Jonas who is a member of this community called Changeless. In this community, everyone is kept at bay emotionally and physically. They receive an injection every morning to control them from feeling things like love and pain and all natural emotions.
If you want to recruit somebody of high character and value, somebody you can trust to not only watch your house, but your children, someone you can count on to share carries of 1,000 yards each rather than trying to get 1,800 for one, now you're going to build something that matters.
I think it's hard to differentiate between your wrestling character and your real character - you kind of end up being both. I've always been my wrestling character in and out of the ring and in and out of the dressing room, and I was always really respected in the dressing room by the other wrestlers.
I learned early in my writing career that if I try to tailor a song for someone else, I'm usually off base. They're usually looking for something from you with your character.
I'm really shy with my acting when it's off, because the camera gives me an excuse to be in character, whereas otherwise I would just feel like an idiot.
You'll never see a good performance out of me, in terms of a character, when the camera isn't rolling.
Burroughs was never really that pleased with the way popular culture and society treated his character. He tried to make a few movies of his own as a result, but they weren't very good.
I was molded, spent my time underneath a lot of goo. And then the bits and pieces were sculpted. It took probably 10 days to create each character after all those camera tests.
I think the thing about keeping your character fresh is, when you change as an individual, you have to flow with it.
When I say things, when I speak on television, I'm not making stuff up. I'm not, like, sitting in the back with a notepad thinking, 'Maybe this will make them think I'm crazy'. That's how I really am, you know? My views on this and that, which I really don't want to delve into, but my views are that of the real me. There is no character.
It's just I hate reading the description 'offbeat' about a character in a script, because I, along with Seth Green, Jamie Kennedy and a few others, have cornered the market on 'offbeat.'
It's interesting to see how a lot of people don't see the other side of the coin. Since they haven't been there. Someone might suggest your character say something that they'd never say. It doesn't occur to them that there are people who think differently about something, from another perspective.
That's definitely a part of who Superman is and definitely who Clark on the farm is. It translates to how calm he is. I feel like I'm pretty calm most of the time and relaxed, which gives presence to the character.
It was important to have a similar energy in my performance. To make the character too different would have just been about my ego because it didn't need to be drastically different.
I mean it allowed me to do that which was fantastic because we really get to see the character mature and deal with some things that are, that I think as an audience member, really pull us in.
The issue for my character, and the issue of the show is, how dirty do your feet have to get without suffocating yourself in the mud in order to get an inch of what you really want done?
Character artist, villain, comedian, comedy villain, hero - he has been perfect in them all. That's Mohan Babu. His dialogue delivery is perfect.
There is no better place to plot the death of a character than when you're miserable and working out.
No matter how hard we strive for objectivity, writers are biased toward tension - those moments in which character is forged and revealed.
I like books that have razor-sharp plotting that snaps and moves along. It's not about the main character being different at the end. I don't want my main character to be different in the end. I still want him committed to his ideas, to be steadfast, true and loyal.
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
Any great character is the combination of a brilliant actor and the right writing.
Europe has found itself confronted with fresh challenges - challenges of a global character, the nature of which is directly connected with changes in the international climate and the difficulties of seeking new models for co-operation.
Chicago has definitely played a part in my character development. I love the essence of the city, the personalities of the people, the hard-working spirit that you need to get through the winters. And every neighborhood has its great restaurants and the local hot-dog stand.
I'm just glad that I'm the musical equivalent of a character actress, because blues singers can keep singing and having an audience at 35, and someone like Madonna's gonna have to find something else to do, 'cos I don't care how pointy those bras are that she wears, they're still gonna look a little odd when she's 55!
I've always been battling this perception people have of me, this character. It follows me around. 'Bubba the Bear' shows up when I'm checking into a hotel, when I'm on a plane. I can't get upset with people if they're only aware of a small part of my body of work. But inside I do.
Pochettino is a manager with a lot of character, so Tottenham applies it in the field. That's why they have eliminated big clubs like Manchester City or Ajax.
I am very proud to be a part of '3 Idiots,' and happy that the character has worked in a big way.
I don't mind being identified as any character as long as I'm doing a good job as an actor. I have done all kinds of roles - from an editor, judge, police officer, murderer to a corrupt businessman.
I've had some interesting roles along the way, but they tend to be cause-driven. They're always about something. There isn't time for character work as an actor because you're fighting the cause or mourning the child or fighting the disease, etc.
I have this old-man character named Glary Oldman. His apartment was on fire, but he was stubborn about leaving because he didn't want to leave all his stuff. I have a character called Berle, who lost 19 pounds, and now he's 600 pounds and very happy about it.
With social media, you take the good and the bad of it. You have to make the most of the opportunities. You can use social media to your benefit to expand your character and gets eyes on you and what you're doing.
For the Robert Roode character, wrestling is kind of secondary, and money is his main priority.
I'm a lot more focused on character development and showing more of my character's emotions and persona inside the ring rather than just going move after move after move.
'Aashiq' is a romantic film, even though my character is a rather aggressive guy. You could even call it an intense romance. And working with Indra Kumar has been an excellent experience. He is a great director.
While doing 'Jhoom Barabar Jhoom' with Abhishek, I never thought about my dad's and Amitabhji's hit 'Jodi.' I just play my character and don't think about history and the future.
In 'Poster Boys,' I played a character that no one would have thought that I could portray. The film helped me focus on work, and I worked so hard on it that even though it didn't do well, I didn't let it bring me down.
I don't think voters give a hoot about the character of their political advisors, except to the extent that character reflects on the candidates.
People that are brilliant and successful, we think they've just always been that way. That's not the case. Most of them have had some tough adversity in their life. It's prepared them. I've never felt like you could develop character without adversity.
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