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Sometimes I'm crotchety, angry, curmudgeonly - you know, I do have that side. I don't always show it.
To me, in life, if you have a sense of humor about it, that's how you deal with anything.
My father owned some Laundromats, and when I was 10, he had me in there making change and being an attendant. He taught me that on weekends, you had to get up and go to work. That has been a big help in acting.
Just because you have experience driving doesn't necessarily mean you have experience teaching how to drive.
Look up from what you're doing and look around for a minute. See what a beautiful world you're in.
The keys to patience are acceptance and faith. Accept things as they are, and look realistically at the world around you. Have faith in yourself and in the direction you have chosen.
Enjoy doing nothing, and you can enjoy doing anything. Enjoy having nothing, and you can enjoy whatever you have.
Rest when you're weary. Refresh and renew yourself, your body, your mind, your spirit. Then get back to work.
You've done it before and you can do it now. See the positive possibilities. Redirect the substantial energy of your frustration and turn it into positive, effective, unstoppable determination.
What if you gave someone a gift, and they neglected to thank you for it - would you be likely to give them another? Life is the same way. In order to attract more of the blessings that life has to offer, you must truly appreciate what you already have.
When was the last time you spent a quiet moment just doing nothing - just sitting and looking at the sea, or watching the wind blowing the tree limbs, or waves rippling on a pond, a flickering candle or children playing in the park?
Make it a habit to tell people thank you. To express your appreciation, sincerely and without the expectation of anything in return. Truly appreciate those around you, and you'll soon find many others around you. Truly appreciate life, and you'll find that you have more of it.
Every day you spend drifting away from your goals is a waste not only of that day, but also of the additional day it takes to regain lost ground.
It doesn't matter how much you want. What really matters is how much you want it. The extent and complexity of the problem does not matter was much as does the willingness to solve it.
Put your energy into building what is creative, valuable and empowering. And you won't have to constantly fight against what is destructive and draining.
Live your days on the positive side of life, in tune with your most treasured values. And in each moment you'll have much to live for.
Manufacturing takes place in very large facilities. If you want to build a computer chip, you need a giant semiconductor fabrication facility. But nature can grow complex molecular machines using nothing more than a plant.
Lighter computers and lighter sensors would let you have more function in a given weight, which is very important if you are launching things into space, and you have to pay by the pound to put things there.
It looks as though yields of over 10 times what we can currently grow per acre are feasible if you control the CO2 concentration, the humidity, the temperature, all the various factors that plants depend on to grow rapidly.
If you think the technology is infeasible, you don't worry about what it might do and what its potential is.
If you look at the various strategies available for dealing with a new technology, sticking your head in the sand is not the most plausible strategy.
If you look at the human condition today, not everyone is well fed, has access to good medical care, or the physical basics that provide for a healthy and a happy life.
A newcomer needs to be careful as to what kind of role they choose. If you choose something different, you will end up getting typecast. That's why I chose to play a character my age, to keep my options open for the future.
I don't think one should attribute the success and failure of a film to a single actor. When you decide to do a film, you weigh the pros and cons before taking a call. Only when you run out of patience, get insecure, and feel your career is heading nowhere do you sign anything that comes your way.
I don't get tired of my work because you can't get tired of something you love and enjoy! But, having said that, I wish to get a break of four to five days, or at least three days, switch off my cell phone, and do what I want to.
In Bollywood, you have to do one film at a time, and there are no mixed schedules. And doing four films at a time is out of the question. Telugu film industry works very differently. But the kind of films I'm getting here are better than what I've been offered in Bollywood.
I work out every day. My friends say that I became an actress by chance; I should have become a gym trainer. I am the most grumpiest and irritable person if I don't work out for two days. You cannot have a conversation with me.
A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'
You may be assured that we won't ever let your words die. Like the words of our Master, Jesus Christ, they will live in our minds and our hearts and in the souls of black men and white men, brown men and yellow men as long as time shall last.
People are predominant in my paintings. Although they are not obvious, you can feel their presence.
Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.
I animated 20 years at Terry Toons. It's important to know that animators like pizza and a raise once in a while, and you've got to treat them with love.
Being the first to cross the finish line makes you a winner in only one phase of life. It's what you do after you cross the line that really counts.
We could spend time together during the day and just kind of talk and enjoy each other and enjoy the moment. But it was interesting we both knew that once you walk through the gates of that stadium, then it was on, the game was on.
So you had to rev your engines, to beat the Russians and I think more than anything, if the Soviet team would win, or the Soviet athletes would win, you would see and hear and read about that. Quite frequently. So they would make a big issue of it.
I think I was more or less, convinced of that by just the press, the US press. By people who were pressuring you, saying that you gotta beat the Russian's, if you don't win anything else, win the Russian meet and so forth.
When they offered me 'Wayne's World 2,' they said: 'We were going to give this to another actor, then we thought we'd see you'. I just thought: 'Surely you always had me in mind for that just in the way that it's written?', but they never admitted it. It was a wonderful gig to do. Really special.
I've been to a few conventions, you know, when the tax man knocks at the door and the 'Star Wars' convention people say: 'Do you want to come and sign some autographs?'
I have to say I wasn't a huge fan of 'Star Wars', and I'm still not, really, but you have to acknowledge that there's a huge fan base for it, and these people are really sweet. You can't stereotype a 'Star Wars' fan.
Some people are your relatives but others are your ancestors, and you choose the ones you want to have as ancestors. You create yourself out of those values.
By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.
It is only in our country that you see that not just invaders but politicians have robbed us, too.
We have been making changes continuously. You cannot expect everything to be perfect the minute it is made. Things change; they are dynamic as you progress. The requirements change. Demands change. So you change with that.
Indiraji should have been here today, speaking to you in her gentle, impassioned voice. One with Bharatmata's immortal spirit, she now shines as a lodestar not only for us but for all humanity.
When I was in the 12th standard itself, I decided to join the Adyar Film Institute and study photography. I specifically chose photography because I see photography as an applied science. There is an artistic element also in it. If you perfect your scientific element, you can attain certain quality.
I love telling stories. But I believe that nobody could teach you to direct a movie.
You no more have to come to the city and access a laboratory to make a film. If you have a DSLR and a reasonably powerful laptop, you could be making films anywhere.
Filmmaking is a language where you empathise with human situations. Unless you have empathy for characters, you shouldn't be a filmmaker.
Music is one field where your caste and religion is not important. People accept you so long as you can move them. It is a medium that allows you to fly beyond your caste.
You know, writing isn't easy. It's tedious. Ideas have a gestation period, and after a while, it becomes difficult.
Nothing prepares you for shooting in the sea. Some days the sea is choppy, some days the waves are long. When there is no wind, it's fantastic to shoot, but your brain is burning because of the heat. You are shooting hand-held and taking a crane on a boat, which is risky since you can get toppled over.
When you are shooting over a period of six months, you tend to forget how dark or bright it was. And when you are using different technologies, having a look book helps during the final grading of the film. So you can design what the film is going to look like even before the colouring process begins.
We have to create images that remain in people's memory because a film is judged by what they have already seen. You are trying to create an image that is unique and you have to employ all the resources available to you.
It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor.
I believe that films are meant for entertainment, but in that process, you have the possibility to think about what kind of entertainment you're giving to audiences.
With realistic and deglamourised roles and live sound, the charisma of a star is not enough. Can you be many different people?
There can be a lot of mind games going on between the players. When you're about to serve, people will try to throw you off your rhythm by taking a walk. If you're tired, you can't show that at all to an opponent.
Some smashes have been timed at more than 250 mph, so you get less than a second to react. People who see a professional badminton match up close are always shocked at the speed.
Obviously, you need talent to do well in your sport, but I think hard work goes a long way. You need to be lucky within the sport too, though. In badminton, you can benefit from good draws and people getting injured.
In our sport, there's only two people, so if you're not winning, then you're losing.
I'm lucky in that I can't see myself doing an office job every day. I'm lucky that I can play my sport and go around the world without too much to worry about outside that. I think it's good to be happy with what you're doing.
The only time you do not get nervous is when you are making your first film. At that time, just the joy of making a movie is so high that you do not care; you are happy to have finally made it. It is only later that you want your film to be seen and appreciated by people.
With fiction, you can do whatever you want to, but if you are making a film on someone, you have to stick to the truth. You cannot just say that I will change the climax because I do not like it.
After I finish any film, I move to the next one. It takes about a year to write and another six months are for pre-production and other things. You need a minimum of two-and-a-half months for the shooting of a new film. Then, I also edit my own film.
But I don't think as film-makers it is our responsibility that every time we make a film we should be saying something. If you are entertaining people, that's more than enough.
See, most films are about achievers. You see a film like 'Bhaag Milkha Bhaag' or 'Dhoni.' Even 'Gandhi,' or the biopic on Lincoln. They end in triumph, on a high.
It's very tough for someone who doesn't have a filmi background to get work in Bollywood. It's not a smooth ride unless you are really lucky. But I think one has to be prepared for that.
People will invest in you only if they see some kind of return, and that's the dark truth.
I want to keep running. I don't ever want this journey to finish. And for that to happen, you can't put too much of your brain in doing things and can't connect too many dots because, anyway, there is no guarantee of anything.
The process of playing a character as dark as Omar Saeed Sheikh is disturbing. So you have to mentally also be in that psyche, that state of mind. So, it was not easy. I was trying to cultivate a lot of anger and hatred in me while portraying him, because that's what I read and heard about him.
When you are successful, the perception of the people around you changes. If I do a variety of work, people notice me differently, and that is what is happening. I am fortunate to get these opportunities.
You cannot do politics by breaking the society into pieces or creating hatred.
Rajneeshism is creating a Noah's Ark of consciousness, remaining centered exactly in the middle of the cyclone. You can only escape within, and that's what I teach. I do not teach worship of God or any other ritual but only a scientific way of coming to your innermost core.
What I am teaching is religiousness, a quality. Religion is a dead dogma, fixed principles, frozen fossils. What I am teaching to you is a living, flowing religiousness - an experience like love.
When you become a sannyasin, I initiate you into freedom, and into nothing else... I am destroying your ideologies, creeds, cults, dogmas, and I am not replacing them with anything else.
You can get caught up in making and missing shots, but the game is so much more.
With the ball in your hands as the point guard, you want to be able to control the game and take care of it.
Playing for the Bulls, playing for big organizations, like Boston, you're going to be judged from Day One. It's part of it. You signed up for it.
I always say a rapper is like a halfback in the NFL. You got about seven years, then it's a wrap.
People think the older you get, the wacker you get. I think the older I get, the better I get.
When I was in high school, the energy in hip-hop at that point was the park energy... I was just trying to develop my style at that point, and I think, when you're trying to find your style, you find yourself.
When you look at hip-hop, I want to do that: to spit fire and take our best from the ashes to build our kingdom; to recognize all the regional styles, conscious lyrics, the tracks, underground, mainstream, the way we treat each other. Lose the garbage and rebuild our scene.
You know, I got kids. I got sons, and I try to tell them, 'Look, man, when you in the car and you get pulled over, hands on the steering wheel. 'Yes, sir. No sir.' Your job is to either wind up in jail, so I can come get you, or be able to pull off. That's your job.'
When you sit down and play your music for someone you respect, you get that feeling in your stomach of like: 'Oh my God...' You know if it's not great because you start to feel sick.
'Adbusters' is my favourite reading material, so as soon as you go there, the synapses start firing in a different way. You start taking on things that sometimes I feel are out of our control. That's what basically fuels my creative side.
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